As an ardent admirer of Mrs. Kennedy for the past 40 years, I have read every book on her that I could get my hands on. "Mrs. Kennedy Goes Abroad" is a refreshing change from the repetitive narratives and recycled photos that are the mainstay of so many other books about her life. Ms. Duheme's illustrations are elegant and sumptuous but also embrace a childlike purity and simplicity which capture the essence of Mrs. Kennedy's persona and mystique. The commentary has the simple charm of a beautifully written children's book. It is obvious why Mrs. Kennedy chose Ms. Duheme to accompany her on her more memorable trips abroad as First Lady. A truly enchanting book.

Mrs. Kennedy Goes Abroad is an adorable little book filled with colorful Fauvist-like illustrations. Anyone who likes Laura Stoddart's simple-chic illustrations for Kate Spade will probably enjoy this book. Fans of the recent exhibition at the Met that highlighted Jackie's White House clothes may appreciate it too. The commentary is kept to a minimum and black and white photos from Mrs. Kennedy's travels are included, but the focus is on French artist Duheme's amusing miniature paintings that capture Jackie in all those great pink sleeveless dresses and crisp suits in Paris, India, London and Italy.

As a side note: Duheme and Jacqueline Kennedy became friends who shared similar painting styles, and Duheme was invited to Cape Cod to give the First Lady an art lesson.

"Mrs. Kennedy Goes Abroad" is a beautiful book. The illustrations are lovely to look at, and the book is fun to read. A good choice for anyone to add to their library; especially recommended for those interested in the Kennedys and Jackie in particular. Evokes the fun mood of Jackie's scrapbook written with her sister Lee, "One Special Summer".

Wall Street Journal reporter Jim Sterba has written a whimsical memoir that will tickle the fancy of those who have always dreamed about escaping the real world to the coast of Maine. "Frankie's Place" is a book about his wife's rustic cabin in Maine where he courted the author Frances FitzGerald and then, having won her hand, moved right in with her to live happily ever after.

Sterba is a veteran reporter, but he is also an astute observer, and he manages to weave some very lucid observations on a variety of issues into his tale of life in a cabin on the Maine coast.

Sterba is also very funny. He touches on any number of subjects with a wry wit that leaves the reader smiling to himself time and again, as Sterba explains the intricacies of being a foreign correspondent who roams the world for nine months of the year and then has the good fortune to spend his summers in Maine.

That good fortune came when he met Frances ("Frankie") FitzGerald, the noted Pulitzer Prizing winning historian. Sterba courts her even from his overseas assignments, and he gets his first taste of Maine when Frankie invites him to spend a weekend in her family's bucolic cabin in Northeast Harbor, located on Mount Desert Island. Frankie comes from the Peabody family from Boston (& Maine) on her mother's side. Her father was Desmond Fitzgerald, a senior CIA Cold Warrior

So Frankie is no pushover, and she puts Sterba through his paces as she introduces him to life on a Maine island. There are freezing plunges into the ocean, morning jogs and long walks. Sterba affectionally refers to this regimen as the FitzGerald Survival School. He eventually survives Frankie's school, and the two get married. Sterba, a fatherless mid-western farm boy, moves Down East.

The first thing Sterba has to cope with is the social strata in Maine. There are the locals ("Mainers"), the middle class summer residents ("rusticators"), and then the high priests of Mount Desert Island -- the multi-generational summer residents who are principally WASP's from Boston, New York and Philadelphia. Sterba spends much of the book searching for the quintessential WASP (or "Philadelphia snob") and is, seemingly, shocked -- shocked! -- to be told that his wife is that very person (she isn't).

But this book is not just about Maine. We learn how Sterba moves from the New York Times (Editor Abe Rosenthal was his bete noir) to the Wall Street Journal where he becomes an A-Head writer, penning the features on the Journal's front page. He sees a lot of similarities between island life in Maine and other parts of the globe where he roamed for the Times and the Journal. He compares the economic development of a tiny rural town in Indonesia to the "improvements" of the trails on Mount Desert Island (not good in either case); he has some cogent observations on the news industry, as well -- noting that the Wall Street Journal offered him the chance to do the kind of reporting and writing that he never could do at the New York Times.

Sterba fancies himself as a good cook, and he reprints his favorite recipes throughout the book. The one thing he doesn't cook is lobsters, for that is Frankie's job. She's no pushover in that department, either, Sterba notes. He describes how she disappears into the kitchen to boil the lobsters alive and then uses a hammer or whatever heavy utensil is handy to crack them open for the dinner table. By the time the lobsters are served, Sterba says, the kitchen looks like a war zone.

Sterba, meanwhile has his own war. He discovers mice in Frankie's Place. So, naturally as an old Asian hand, he consults The Art of War, written by the ancient Chinese strategist Sun Tzu, on how best to wage war against the mice. Throughout the book, Sterba gives us updates on his war against the mice -- with body counts just like he reported on in Vietnam. It's sort of a Downeast version of the Saigon follies. But finally (like the Ford Administration in 1975 in Vietnam) Sterba throws in the towel, comparing his mice war to the battles for Hamburger Hill in Vietnam where the Americans took the Hill time and again in a seemingly mindless, winless struggle for military dominance. In the end, Sterba accommodates himself to the mice (they continue to ignore him).

Perhaps the most touching episode in the book comes near the end when Sterba discovers he isn't fatherless after all. His natural father gets in touch with him through an uncle. The uncle calls to tell Sterba that his real father, Walter Watts, has written a letter and wants to meet his son, whom he hasn't seen in some 50 years. The story of how they got together is a gripping account.

Sterba and his father eventually have a reunion in Florida where his father has retired. The two reconcile after all those years, and still enjoy playing golf with each other (His father is gracious enough to let Sterba win).

This is marvelous book, best left for a rainy day, when one has the time to settle in and enjoy the wonders of Maine. Sterba writes well, his humor is intact, and he relates a hell of a good story about a couple of writers who have seen a lot of the world -- but are thankful they can retreat to their own cozy Maine camp overlooking Somes Sound.

Jim Sterba's exquisitely-written memoir of his search for a sense of family and place is an enchanting love story. I couldn't put it down -- the perfect book to bring along on summer holidays.

This book is about a good soul who shares his recipes for a good life as well as a good meal. He shows us how to take the raw ingredients life presents us with and in addition to lots of garlic, onion and fresh herbs, how to enrich the stew with love, forgiveness and gratitude.

Like the good reporter he is, he tells it in a story so engaging you will not want it to end and when it does you'll kiss the person next to you and run to the fridge to see what is there to be transformed.

It is a symphony of the senses; sight, taste, touch and sound, animated by a generous spirit. In my usual smart alec fashion I would make comparisons to this or that book, place it in this or that category. Finally comparisons exhausted, I realized it's in a class by itself. Read it for the good of YOUR soul.

This book raises questions of conspiracy with its story of how history is altered according to the times and whims (?) of the few. I recommend this book for anyone studying history, and anyone who wants to know "the truth."

this book is a simple question and answer book.
it dosen't go into the assassination of JFK, but rather it answers the questions of who was this guy and what was his role.
you learn about when ex-President Jimmy Carter was giving a speech on the JFK assassination and then the tv sound just went mute. the book answers what Jackie was actually reaching over the car for and who people like Lee Bowers were and what Richard Nixon and J Edgar Hoover had to do with the JFK assassination.

this is a very simple book, but it's very informative and very well written.
has numerous photos of some of the people mentioned in the book.

great book.

The secret garden is a good and loved book. This book shows that nature would change human's personality how much.
The main characters in this book ware Mary and Collin. They are cousin and always cross and nervous. They have a point of sameness. They have lost his mother in child. The reason of their nervous character was affected their environment. In early, Mary's mother was not care of her daughter and Collin lost his mother in his one year. Mary changed his mind more and more because Martha concerned to her at first time. One day, Mary found the secret garden, which was not opened for ten years. Mary and Collin worked hard for recovery garden. They effort to garden's live, to have keep the secret.
I would you read this book what secret is. When you read the end of story, you would experience miracle. And then you will think about your family and your life. Through this book we will recognize what we love, how we love and whom we love at first. Furthermore, when you are lonely,read this book.

Once upon a time, a little girl found a book on a library shelf with an interesting title. She took it home and discovered a world where gardens are locked, a boy can talk to animals, and mysteries abound in every corner of Misselthwaite Manor. And friendship is forever. Okay, you guessed it. The little girl was me. The story of Mary quite Contrary, a little girl with no one to love and no one who loved her, Colin the invalid who has spent his entire life inside the manor, and Dickon the simple boy from the moors well deserves the title "classic". There is simply no other story like it. Frances Hodgson Burnett has written a wonderful story about love and friendship between three very different children, and the secret garden that brings them together.

No movie version nor the Broadway musical effectively capture this book. On screen or on stage, it doesn't translate well because it doesn't show the wonderful transformations of the characters.

The Secret Garden is a fabulous story and wonderfully well-written. Orphaned Mary Lennox comes to live with her uncle. She is sickly (both physically and emotionally). She is spoiled, inactive, lazy and pale. When she discovers the secret garden, she decides to keep it for herself. But she can't remain alone, and she can't keep the garden to herself; Mary must learn to share, both the garden and her life. As the garden transforms from a lifeless, ugly place, Mary transforms, too. This slow, beautiful process (of the garden and Mary) coming to life is what makes the book so wonderful (and the movies not so good). The greatness of this book lies not in its plot (which almost everyone knows) but in the way the plot unfolds and the characters blossom.

Martha, Dickon, Colin and Archibald play their parts in Mary's transformation, and they, too, are changed by the wondrous things that happen.

Twenty-eight years after publication, and 25 after the war's end, Fire in the Lake remains one of the very best books on the Viet Nam war. Sadly, Americans are woefully ignorant of the rest of the world. We have little real knowledge of our own history; but for the rest of the world's history and culture, we have neither knowledge nor regarad. We do not even do the Vietnamese people the courtesy of respecting the name of their country--Viet Nam, not Vietnam; Sai Gon, not Saigon. FitzGerald helps to correct some of this ignorance and arrogance. She begins examining the U.S. in Viet Nam from the perspective of Vietnamese history and culture; and in the process, demonstrating the tenacity and courage of the Vietnamese people, as well as their determination to rid themselves of any foreign invaders, even if, as with the Chinese, it takes 1,000 years. Another great strength of FitzGerald's book is, with her attention to Viet Nam's history and culture and their 20th century struggle against the French, she demonstrates, in an almost matter of fact way, a fundamental tenent of U.S. foreign policy which has been repeated numerous times in the post World War II era. That central tenent is to support thugs over patriots, to elevate to power those who will sell out their people for 30 pieces of silver rather than work with those committed to the well being of their people. Ho Chi Minh was our ally during WWII; his hero was Thomas Jefferson, not Karl Marx or Stalin. He was very pro-American; yet he was a nationalist and a patriot first, which meant, from the perspective of the U.S., he was not only unreliable, but someone who had to be destroyed. And though FitzGerald does not carry her analysis beyond Viet Nam, an informed or a curious reader quickly can draw the parallels between U.S. policy in Viet Nam and U.S. policy in Africa, the Middle East, the Pacific rim (Indonesia specifically), South America, the Caribbean, and most obviously of all, Central America. Thus FitzGerald gives us not only the means of understanding the war in Viet Nam, and why we were doomed to lose, but also a point of departure for understanding the travesty of U.S. foreign policy for the last 100 years. Simply stated, the United States is an (economic) empire which cares nothing about democracy, self determination in other countries, which sees other people's patriotism and love of country as a threat to U.S. imperial interests. We can learn a lot from what FitzGerald has to say, about the Vietnames, and especially about ourselves.

As a writer for the Atlantic Monthly, Vogue, New York Times Sunday Magazine, and the Village Voice Francis Fitzgerald visited Vietnam in 1966, a critical year in the U.S. involvment in Vietnam. From this visit, Ms. Fitzgerald developed an interest in Vietnam that culminated in what is generally considered to be one of the preeminent texts on the U.S. involvment in Vietnam. The text, Fire In The Lake, provides astute historical, cultural, and political analysis of the war for those who wish to understand how the United States lost the 'hearts and minds' of the Vietnamize people, and thus ultimately the war. Fire In The Lake, along with Dispatches (by M.Kerr), A Rumor of War (P.Caputo), Going After Cacciato (by T.O'Brien), A Bright Shining Lie (by N.Sheenan), and The Sorrow Of War (by B.Ninh) form the essential elements of any library on the Vietnam war. I should add, Fire In The Lake won the Pulitzer Prize, the National Book Award, and the Bancroft Prize for History. Please do not be dissuaded from reading this important work by other reviews posted here.

In my opinion, this work is a must read for anyone interested in studying American and Western involvement in Vietnam. This book studies the influence and power Ho Chi Minh and suggests that the US ignored the will of the Vietnamese people, who looked to Ho as 18th century Americans looked to George Washington - as the acknowledged leader of their country.

By supporting dummy regimes that encouraged Western Market Capitalism, but did not have the support of the Vietnamese population, America failed to learn from the mistakes of the French and ended up backing the losing side in the Vietnamese civil war.

Fitzgerald's work is an articulate study of Vietnamese society and culture. "Fire In the Lake" elucidates the problems with America's "black and white" assessment of Cold War International Politics and also underscores our inability to look at things from a perspective other than our own.

A significant piece of work!

This is a wonderful, unassuming narrative about the final days of F. Scott Fitzgerald which paints him as a real human being with real problems, writing immortal fiction with a dying hand. His fragility and beauty is evident, and this quick read is a must for anyone determined to learn about the real Fitzgerald.

This is a wonderful book, poignant yet revealing, just like the man it is about. Frances Kroll Ring was Fitzgerald's secretary in the last few years of his life. What she details in her memoir will enlighten anyone who has only ever thought of Fitzgerald as merely an alcoholic who just stumbled into writing. Yes, she records that he was drinking well up to his death, but he was also doing something important. He was in the middle of writing "The Last Tycoon", a work that was to be unlike his previous efforts, more mature and reflecting a different sensibility. But, as one finds out at the end of "Against the Current", he never realized his goal. The great work was left unfinished, and therefore one more tragedy closed the curtain on an already sad life.

To be featured on ShowTime-TV channel..by Henry Bromell,a Fitgerald expert-writer,(NY). It's neither a docu, nor a BioPic. Kroll's memoir, 1985..details his last frantic attempt in Hollywood-- to finish.."The Last Tycoon"...Scott died-at 44- heart attack-Dec.21,1940 after years of smoking/ drinking. His wife..Zelda is played by Sissy Spacek...who read the 1960's bio.."Zelda".
Kroll,now 85 has visited the set in Canada-where producers found Spainish-style hacienda..like Scott's in LA.

Vietnam: Spirits of the Earth by Frances Fitzgerald, Mary Cross (Photographer) is definitely another one to add to your South-east-Asia booklist. The book is divided into essentially two sections: the first includes the commentary; the second - the photography. The commentary discusses several "down-to-earth" issues and aspects of Vietnamese life and culture and manages to cut through their (only seemingly) simple fabric; the mix of subjects chosen is surprisingly (and refreshingly) esoteric (and authentic). The photography is good, although a bit on the grainy side. All in all - a recommended book for the South-east-Asian culture enthusiast!

Vietnam: Spirits of the Earth, photographs by Mary Cross and text by Frances FitzGerald, a book of surpassingly beautiful images by the distinguished American photographer and a thoughtful, radiantly intelligent text by the National Book Award-winning author and historian, bringing us the news, not entirely expected in some quarters, that since the devastation of the Vietnam War years, Vietnam has shifted to a market economy that has allowed for a "fascinating resurgence of traditional culture"; another work of surpassing beauty and ambition.

Joyce Carol Oates

Ever since serving in the Army from 1967-71 I have been curious about what Vietnam is really like. I was never sent over while in the army so all I know was what I read and heard. This book is informatively writen and beautifully photographed. This book is not about the war, it is about the country today. Extraordinary in every sense!

I read Tender is the Night soon after completing a somewhat haphazard survey of a selection of Fitzgerald's earlier stories and novels. The first thing that struck me about that book was the sophistication and maturity of the storytelling. The gossamer thin plot neither unfolds nor plods. Rather, it drifts through the life of Dick and Nicole Diver spanning five years. If I do have a criticism of the book it's that there is so little plot. It has elements of a romance, of a mystery, and of a tragedy, but defies most of the essential characteristics of each. The reader is instead left with a rich yet curiously oblique portrait of a couple falling out of love. Ironically, that's also the book's saving grace. Where traditional plot lines tend to dramatize with thick, clear lines, Fitzgerald's light and poetic prose paints with a more refined brush. You get to see Dick's decline with the same sad pity as his wife, and in the end are left with a better understanding of his downfall. More of a psychological study than a true drama, it's not a book that will leave you caring about the characters or wrapped up in the action.

When I critique a literary work, I often consider the same elements that any other critic may: plot, theme, diction, style, etc. However, it is a rare occurrence when someone reads a story to which he/she can absolutely relate. After all, literature is best at providing a person with a way in which to be entertained, yet learn something about him/herself. In my case, I read Tender Is The Night during a period when I was breaking up with my girlfriend. If it were not for this situation, I would not have appreciated this work, but due to my circumstances, I became especially interested. I found that I could relate to many of Dick Diver's emotions, while at the same time I realized the genius with which Fitzgerald writes this novel. I knew that a person could learn a lot about him/herself through reading since literature can act as a mirror which people can see themselves, but I never knew that reading could create such an intimate experience that would hit me so close to home. Nevertheless, this book is one of the greatest literary works that I have ever read, and I would suggest that this would be a great novel for anyone who enjoys tragic human behavior.

The renowned success of The Great Gatsby (also an exceptional book) often overshadows the brilliance of Tender is the Night. The later being Fitzgerald's semi-autobiographical masterpiece that gives the reader a glimpse into the writer's frame of mind and personal struggles. "Tender" is a true testament to the author's talent and arguably is his most important literary effort.

Dick Diver is a young psychiatrist; a follower of Freud and Jung who is working his way up in the field of mental health medicine. He is intelligent, handsome, altruistic, and an overachiever. Dick falls in love and marries the beautiful, wealthy Nicole Warren who also happens to be his patient. Dick and Nicole start out living the high life. They travel to exotic locations and mingle with aristocrats. All the while Dick establishes a successful private practice with the help of Nicole's money and becomes a well-respected and sought-after physician. But soon the happy front the Diver's display to the world crumbles. Nicole's mental problems begin to resurface and Dick becomes involved with a young Hollywood starlet. These events trigger a domino of disappointments and downfalls.

Anyone who has studied F. Scott Fitzgerald the man will no doubt see that Tender is the Night mirrors his own life with his wife Zelda. Fitzgerald, a perfectionist in his own career worked tirelessly to establish himself. Meanwhile, he and Zelda traveled the globe, attended parties, consumed alcohol, lived extravagantly, and carelessly spent all their money before Zelda slipped into insanity leaving Scott to pick up the scattered pieces of his broken life. The character of Dick Diver grows to become cynical and is left feeling he is a failure. Sadly, six years after the publication of this book, Fitzgerald himself died prematurely believing he was a failure and destined for literary obscurity.

It would be impossible for me to do justice in describing the splendor of Fitzgerald's prose. His passages are emotionally sweeping and his words strum along as rhythmically as fine music. If you have time for only one book this year, make a wise choice and consider Tender is the Night.

I read this novella at the recommendation of a friend in just 2 or 3 hours, and that was reading slowly.

The experience is hard to describe for me. The skillful intertwining of narratives has already been described by others. The effect is sensitive and deceptively simple. I couldn't help but feel, when I had finished, that there were deeper threads connecting the two stories that I couldn't quite see yet -- much like the threads on the back of needlework can tie together what on the surface is unconnected. I have a sense that by reading it one more time, and one more time after that (etc.) I would gradually see the metaphors that make each story reflect the other.

Without doing that, however, be assured that it is enough to read the book once, just to experience its light touch on your mind (and possibly your heart).

If you were to tell me of a story that focuses on a seamtress working on a medieval tapestry and an art critic of the 19th century, I would immediately question that anyone could write a story interweaving the two. Marta Morazzoni has done it with seamless ease - an incredible read.

The common thread is the reading of life through their art - e.g. the seamtress is more impressed with the queen's stitches than her position. Through this comes the title - The Invention of Truth - for both artists read the truth of their lives through their art.