If you are looking for a deeper message in the Bible this book is where you will find it! The stories of the Bible are explained in a practical and sensible way. The depth, breadth, and continuity of Swedenborg's writings has elevated him into the top 3 IQ's of all time. Worth the effort!

Arcana Coelestia is part of what is considered the third testament of the Word of God. It is the biggest of the books written by (or through, if you prefer) Emmanuel Swedenborg. Collectively these books are all called "The Writings". To Swedenborgians, "The Word" is "The Writings", and the Holy Bible combined. "The Word" is the foundation of The Church of the New Jerusalem, or the Swedenborgian Church, or just "The New Church". If you try to read this book, and can't, try: 1. Conjugial Love 2. True Christian Religion 3. Heaven and Hell 4. The New Church Website. These are all easier options that will still lead to the same place.

The Growing Edge is a magazine designed and published for readers with an interest in gardening, horticulture, and hydroponics. The Best of Growing Edge II: Popular Hydroponics and Gardening for Small-Commercial Growers and Hobbyists is a compilation of the best of the magazine's articles originally published between 1994 and 1999. The various articles are grouped into chapters: Introduction to Hydroponics; The Basic Elements of Hydroponics; Building Your Own System; Plants You Can Grow Hydroponically; Breeding and Propagation; Pest & Disease Control; Greenhouse Management; Organics and Hydroponics; Beyond the Basics; Small Commercial Growers; Hydroponics in Education and Public Service. The Best of Growing Edge II is an essential title for personal, professional, academic, and public library hydroponic gardening and horticultural reference collections.

The Best of Growing EDGE is a collection of the best articles, by twenty four different authors, from the first five years of Growing EDGE magazine. It covers hydroponics, greenhouses, nutrients, lighting, and other new and innovative techniques to use in high tech gardening and horticulture. Since the articles are from the first five years of Growing EDGE magazine, each chapter is a comprehensive compendium of cutting edge horticulture without going over the edge! New and innovative seems to be the keyword here. The mainstream gardening magazines and books cover the tried and true techniques of gardening; The Best of Growing EDGE covers the new and innovative. The information can be used by both hobby home gardeners and large commercial growers. The techinques are the same, it is just the scale of the operation that is different. Gardening is possible year round with the information contained in this book

Dollar Cotton, written by John Faulkner, is by far the best depiction of the life and times in the flat, "black dirt", alluvial fan known as the Mississippi Delta during the era when "cotton was king". The book is an excellent read for anyone, but will hold a distinct fascination for those who are familiar with the south in general and the "Delta" in particular.

Otis Town is not Faulkner creation, as stated on the book's back cover, but rather a composite of men who came to the Delta from the hills of Tennessee and Mississippi and carved an empire out of a virtual wilderness. Having grown up in the "Delta" I have known several "old man Towns", one of them being my father. Each and every anecdote mentioned by Faulkner happened in the "Delta", not necessarily to one man, but they all happened. Faulkner describes perfectly the habits and mind-set of the black and white inhabitants of both the "Delta" and the "Hills".

Dollar Cotton is a must for anyone interested in life in the rural south.

Initially, John Faulkner was heading toward being the "writing Faulkner.' Although clearly eclipsed by his brother's fame, John is a fine writer and stylist in his own right. John has his own voice and own style, even if the heavy influence of the Faulkner family and the Mississippi delta can be clearly heard. This book, althoug essential reading for any student of William Faulkner interested in the family and its history, stands firmly on its own feet. Highly recommended.

John Faulkner succeeded capturing the South better than any author I have read. I grew up near his location and in a family with the same moral and cultural values of his. His family could have been mine. If you want to travel to the South that used to be, that our families helped build after the Civil War and before Korea this is the best way I know to do it. His frugal use of words and his short sentences only add to the authenticity of his descriptions. For those of us from there he brings to life,as none other, what used to be and is to never be again.

A wonderful stylist, John tells the intimate story of the Faulkner family that no biographer or academic could. You simply don't know Faulkner until you've read this book.

Nephew Jim Faulkner talks about his famous uncle. These stories will be appreciated by Faulkner fans-- no one else. The nine stories provide a look at an off-duty Faulkner. One of the more interesting tales explains why Oxford has two Confederate monuments.

This is the only Washington biography written by a contemporary who knew him and served with him in the Army. Certainly the longest Presidential biography I know of written by a U.S. Supreme Court Justice. According to Senator Beveridge's later biography of John Marshall, Marshall wrote it in installments, and sold it through the U.S. Post Offic distribution network, to make enough money to pay off his massive Virginia land purchsse which in turn enabled Marshall's children to live out their lives free of the need to write books or make land deals. And it worked that way. But that's not all this is.

The first entire volume says little about Washington, because Marshall felt he needed to set the stage with a condensed history of the colonies prior to Washington. Few of Washington's later biographers went to such subsequent introductory lengths, but then Marshall's law practice ended up acquainting him with the early pre-history of the deeds and conveyances of Virginia, the further elaboration of which can be interpreted as enveloping the rest of the colonies.

This is also a history of the U.S. Army, and how it fought and starved in successive cycles which are described in minute detail exceeding most other accounts. Some of this covers organized military campaigns preceding the declaration of independence, the scope of which I had not heretofore realized by undergoing annual waves of pilgrim-study in "My Early Education."

Leading and embodying this story of land and armies, and ideas, Marshall gives us Washington, illuminated most clearly by excerpts from Washington's own letters. Marshall also gives us Marshall, distilling out of military examples and instances of weak government preceding 1789, potent arguments for increased federal power to do the things our federal government has since done quite well: raise armies, raise taxes, subdue the Indians, kick out the European powers, build a strong navy, and take no back talk from smallish tyrants resentful of centralized governmental power directly and simultaneously exercised on each citizen, and on each state.

When Hamilton wrote that we need "energy in the Executive" he had to have been thinking of Washington, and Marshall catalogs this energy with meticulous documentation of each British officer leading campaigns against us, each subordinate officer on our side under Washinton's command, and how the constant maneuver of armies up and down the length of our seaboard was accomplished--usually without many shoes and without much dry powder.

So Marshall knowing Washington probably insulated him from too much disconnected iconography, and his writing is free of modern fixations on negative or unseemly personal or pychographic tidbits of trivia. Modern readers are left to cling to factual reporting of how Washington handled this British Lord or that recalcitrant congress.

There's a lot here in all five volumes, and the flow of the over-written parts isn't that bad once you get used to it. When one man had such a central role in all of the key events of our country's founding, and rode out the formation into its institutional phase, thereafter to die in bed at home, Marshall may not have been able to write it any other way than to go over all of the events, to catch the essence of the man.

Neat discovery: LaFayette was only 24 years old while commanding the French at the battle of Yorktown. Marshall quotes from the letters of Cornwallis (or maybe it was Sir Henry Clinton) who refers to LaFayette as "the boy." This is the same boy who later presented Washington with the key to the Bastille, which today hangs on the wall of the stairway of Mount Vernon going up to the second floor.

The ghost story is by & large ideally realized as a short story or at most novella -- the greatest masters, such as M. R. James, never even attempted the novel form; & those who did both short stories and novels, such as E. F. Benson, only the short stories are of outstanding merit. At novel length they tend to bog down considerably or else descend into tedious gothicisms & inessential asides. But Falkner's THE LOST STRADIVARIUS is a perfect gem of a novel, a timeless tale of weird & awe inspiring ghostliness, easily in the top ten of Victorian ghost novels, in an unfailingly elegant style.

-Jessica Amanda Salmonson, Violet Books

I have read this very enjoyable book to young children in elementary school for the past fifteen years. It's a great book to read during the month of January.

This is a mother and son book and all the things mother could do with her son during this long winter month. But of course mother is too busy or does she just hate January? I always ask the children whether mother really hates them and of course they know she loves them very much.

This delightful book by Judy Delton is a fun book to read in January. She writes many interesting books, but this is one of my favorites.

The idea of "the best of the Oxford American" brings out a lot of expectations. This magazine has been the home for a lot of special writing. This book provides some of those moments. I especially enjoyed the narrative of the small town photographer burdened by the unwelcome insights of his coworkers and the blank misunderstandings of his Disney World roadtripping friends. I think that the criticism by Tony Earley would have made just as good an introduction to this book as did Rick Bragg's more metaphorical observation that this writing is "heavy on the salt."
I would recommend this book for anyone that wants to read about the South as it actually is -- unique, history-addled, and genuinely "salty".

This collection of works--fiction, nonfiction, poetry, reportage--by the biggest names writing in or about the South is a real treasure. For those already familiar with "the New Yorker of the South" it will remind those what have made the magazine so special for so many years, and for those who have not discovered the magazine, BOA will be a great introduction to the best in Southern belles lettres. The book, like the magazine itself, is a little trad and not good on commenting on the lives of blacks, gays/lesbians, and immigrants to the South, but there is much for everyone to enjoy here.

Some fans of Faulkner have bemoaned the fact that his final novel is not a profound summation of his heftier, more philosophical works (as though Faulkner could have foreseen his own death and owed his readers that much). While it is true that The Reivers is a much lighter (and more comical) work than those commonly regarded as Faulkner's "masterpieces," it is still worthy of attention. For one thing, The Reivers is Faulkner at his most entertaining; unburdened by the need to address the darker symptoms of the human condition, he is free to let his imagination run wild: the trials and triumphs of young Lucius Priest and his travelling companions make for some hilarious scenes and leave the reader feeling far more bouyant at the novel's close that, say, at the end of The Sound and the Fury or Absalom, Absalom!. The Reivers also features two additional benefits: the divine Miss Reba (second only to Granny Millard as Faulkner's most entertaining and resourceful female character); and the much-appreciated absence of that nosy and annoying popinjay Gavin Stevens. While one might read The Reivers as a Bildungsroman (Lucius's growth and awakening to the realities of the world around him are clearly underscored throughout the novel), I prefer to see it as a simple, amusing and satisfying story from a man who, by the end of his life, had done more to explore the human condition than most writers ever attempt - and was content to leave it at that.

I remember reading Faulkner's Sound and the Fury as a college sophmore and swearing never to read another book by him again. I happened to find the Reivers in my local library and decided to give his Pulitzer Prize winning book a try. It is a charming book that tells the story of a stolen car, a stolen horse, a horse race, and the life changing experiences of an 11 year old boy in the course of a week. Although Faulkner employs colons and semicolons more than any writer, and his sentences seem to continue on indefinitely, the effort of adjusting to his style rewards the reader with a wonderful tale. I highly reccomend this book, and hope to try another Faulkner book in the near future. Maybe I will even attempt the Sound and the Fury someday.

Have you ever read a novel or a short story and felt an urgency to finish it but also an urgency to never finish? That's how I felt while reading Faulkner's The Reivers. This Pulitzer prize novel concerns one eleven-year-old white boy named Lucius Priest. Through the mediation of his father's underlings--Boon Hoggenbeck and Ned McCaslin--Lucius comes of age in the art of non-virtue. While Lucius's grandfather is away, the three of them "borrow" the old man's automobile and embark on a bumpy journey to Memphis. On the trip, Lucius sees it all--whoredom, lust, theft, profanity, gambling--and struggles with these things in the context of a southern religious tradition. Though he has every opportunity to turn back and forgo the trip, he presses on and convinces himself that it's all too late. Non-virtue has already embraced him. On the other hand, Boon and Ned have no doubts of their lack of virtue, and when they see Lucius drinking from evil's muddy waters, they just nod their heads (don't think that the story is grim, for it's down right funny at times). The story is addictive, even though the language is rocky and convoluted at times. Faulker was no Raymond Carver or Ernest Hemingway; conversely, he was the ultimate practitioner of the compound-complex sentence. The dialogue was so real, especially with Ned and other black folks. I felt as though I were standing around the campfire chewing tobacco and thumbing my suspenders and talking about horse racing. No wonder this novel hooked the Pulitzer. It's quality stuff.