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The title of the review is in honor of the review I read of the Purple book that described the oft confused Riders of the Purple Wage.
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Unfortunately, the book is out-of-print. But if you're willing to find an old copy somewhere, it's worth the hunt.
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It's not set on a far-off planet (well, not exactly); no space ships, only one alien; barely noticeably set in the future at all. If that was what made a good SF novel, then Star Trek would be the be all and end all of the genre.
Any good SF reader, though, knows that Riverworld is what makes SF great reading: Deep philosophical and sociological questions, answered by way of an artificially created society that tests the author's answers to the questions, or else helps discover the answers. Riverworld, and particularly To Your Scattered Bodies Go (by far the best of them), is an interesting attempt to analyse the creation of civilization from anarchy, as well as being an amusing exploration of several historical characters, probably some of Farmer's favourite personages from history. I say attempt, because it's not perfect; I find myself disagreeing with his ideas of what society would become, mostly because it is a bit too simplistic for my tastes.
All in all, it is an interesting experiment, and a thoroughly enjoyable one. Read if you like Asimov's Foundation novels, Clarke's Rama novels, or some of the less academic alternate histories.
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The main character of Clemens is quite a bit different in comparison with Burton from the first novel. And when you first start this novel you will be longing for the original party from "To your scattered bodies go." Clemens is a lot weaker in body and spirit than Burton. He is in fact the opposite when it comes to physical fitness and leadership. Nevertheless he is always in charge. The real fun of this novel over the previous is Clemens's sidekick named Joe Miller who is a Titanthrop or real life giant weighing over 800 lbs. and standing 9 feet tall.
The major enemy in this book is Prince John of England.
This book isn't better than the previous one because the story isn't as good the basic idea of the river world isn't as original and the characters aren't as fun. But this novel is a very close second to the previous one and it also explores alot things that the previous one did not have a chance to. For example life on the riverworld is now just getting to it's full thriving point. People are settling in and forming real states and countries along the river, the wars for the metal ore are also worth mentioning as their detail and excitement keep the reading turning the pages.
A good 2nd to the series.
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However, having said that, I am not upset I spent my time reading it. If you like crime-noir, read Ellroy. But, if you have this book, and have to spend a few hours on a plane or waiting to be picked for jury duty, then give it a try.
Corbie finds himself drawn into a circle of escalating mayhem, violence, intrigue and murder. The snapping turtle, and his way of talking his way out of things rather than shooting it out.
Laugh your way through this book at times feeling sympathetic for our hero. Enjoyable book to get out of a hectic day at the office.
Tom Corbie is a private investigator plying his trade on the mean streets of (ahem) Peoria, Illinois. When a simple assignment to backup another operative on a payoff at a cemetery results in gunplay, Corbie finds himself drawn into a circle of escalating mayhem, violence, intrigue and murder.
Corbie's character is unique in the genre. He's married to a practicing Wiccan and carries enough literary references in his head to earn a doctorate degree. While he shoots well, he prefers to talk his way out of most bad situations.
Farmer loves his hometown of Peoria and gleefully presents it and its history to us, warts and all. He also flits in unique philosophical and metaphysical observations while detailing how to arm oneself when slipping into a marshy area to do battle with in-bred hooligans.
NOTHING BURNS IN HELL is a fine example of a dying genre -- hard-boiled pulp fiction. Recommended!
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Farmer, one of the greatest student of "Pop Pulp" culture manages to combine the heroes of the popular literary world in to a coherent world system. In Farmer's world, Tarzan is related to Sherlock Holmes, and Doc Savage is the grandson of Jack London's Wolf Larsen. In a certain sense, we all do this on our own. For example, what would have happened in "A Tale of Two Cities" if the Scarlet Pimpernel had saved Sydney Carton from the guillotine? Farmer's "World Newton Family" functions along these lines. He has even made two rough genealogical charts showing who is related to whom.
As Ir ead this book, two things struck me. First, the approach of this book reminds me of Crispin H. Glover's attempts to read new stories into old classics. Secondly, Farmer clarifies many of the odd things about "80 days." How does Fogg know everything about all of the odd lands. How does he know all the schedules of every boat and train everywhere in the world. Why would a man who lived such a controlled and regimented life on a sudden take a trip around the world just to win a bet?
I recommend that you read Verne's book first, and Farmer's second. I didn't do this, and am still regretting it. I kept on reading Farmer's book into Verne's story, and couldn't enjoy Verne's spell.
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I read this story years ago and loved it. It's not well known and not frequently anthologized. I see that it was written in 1902 and that H. G. Well's "The Invisible Man" was written in 1897, and possibly Jack London sort of borrowed the theme as he was wont to do--the editor of this volume thinks so--but "The Shadow and the Flash" is nevertheless brilliantly original. It is about two competitive brothers, both serious amateur scientists of the kind you run across in Victorian fiction--who decide to tackle the problem of becoming invisible, in two different ways. You can almost make out a case for its' being "harder" SF than Wells, because he explains the physics of how they do it. The explanation is sort of cockamamie, but the story carries you along.
(The title comes from the fact that each method has a flaw. Neither produces total invisibility. One brother casts a shadow, the other produces prismatic rainbow flashes when he catches the light at the right angle).
The other fourteen stories are equally entertaining, and some are more than that. "A Thousand Deaths" was written very early in his career and is a haunting piece of fantasy. "The Unparalleled Invasion" has been anthologized frequently because of the prophetic way it anticipates bacteriological warfare.
Jack London was indelibly impressed with what he saw in the 1906 San Francisco earthquake, and some of this may have found its way into a number of stories about the breakdown of civilization after a disaster. "The Scarlet Plague" calls to mind the after-the-atom-bomb-has-fallen stories of a later day.
"The Red One," with which the book closes, possibly deserves the adjectives "great" and "classic." And if one suspects that Jack London had been reading H. G. Wells, after reading "The Red One" I certainly suspect that Stephen King has been reading Jack London.
The collection is well chosen. The editor's commentary is good. This is a very readable book. And it looks like it's put out by a brave little tiny publisher, and I always like to support brave little tiny publishers.
Oh, none of the stories are about dogs or snow.
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This particular volune (#2) consists of Farmer's 4th, 5th and 6th tales of Kickaha, Wolfe and the race of lords. "Behind the Walls of Terra" is a well done story centering on Kickaha's return to earth to search for the last living beller and his friend Wolfe (Jadawin), tangling with earth's lord, Red Orc and an interloper. The second story, "The Lavalite World", drags and is probably the weakest of the series. Readers will want to go thru that one only because it's part of the collection. The last volume, "More than Fire" I cannot comment on at this time since I haven't read it yet.
The set of stories by Farmer are imaginative, fast moving (for the most part) and handily available in the two paperback volumes. The book price, while not really cheap is not out of line for paperbacks sold today. Folks who enjoy tales of fantasy, other worlds or dimensions, and science fiction should pass many pleasant hours with the collection -- but read it in sequence to understand what's going on.
** Recommended **
~P~
The long short story "Spiders of the Purple Mage" is a fantasy about magic, and how a tenacious but seemingly ordinary woman named Masha helps defeat a feared magician. It bears no relationship to the previous story except for the title, and while this is a pretty good story as such fantasies go, there's nothing really remarkable about it. "The Long Wet Purple Dream of Rip Van Winkle" is a trashy send up of Rip visiting the 20th Century. Most notable is Rip's turn as a late-sixties hippie, where his exceptional sexual endowment makes him an immediate favorite. "The Making of Revelation, Part I" is a short (but not short enough) story that shows God hiring Cecil B. DeMille to film the Apocalypse and is every bit as sacrilegiously funny as "Riders" is, but without any redeeming social or human values.
As collections go, these stories don't really hang together very well. "Spiders" in particular, isn't humorous, sexy, or heretical, and was obviously included solely because of the title. Still, "Riders of the Purple Wage" is a science fiction classic that shouldn't be missed by those able to handle its brutal sexuality, chaotic violence, and philosophical pontification. The rest of this collection isn't in the same league, but then, not much is.