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having been well done. John has done a fine job in giving explanations
that will appeal to readers from outside our community
and that should serve as a model for writers in
our field. He conveys technical information easily and makes
it interesting -- but I'm an easy sell. I have found about
6 mistakes in the text, but they are mostly trivial.
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Unlike most collections of case studies, this volume does not simply present a variety of vignettes to be analyzed and evaluated. Instead, the reader is required to actually make tough decisions and then follow up on the consequences. Decisions often lead to further decisions and then still further decisions. Different readers will thus follow different paths through the text. The situations themselves are realistically described and include multidimensional characters and well-written dialogue.
The cases will provide a rich basis for discussion if this is used as a classroom text, but this is also an engaging and readable book for anyone interested in the tough decisions faced in healthcare every day.
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The book talks about how more studies are needed on the keto-diet, but it would have been nice to add how one could become part of a study.
The book goes into detail regarding how to do the calculations, but when you are in the program, the dietician should do that for the family.
Overall, I found the book easy to read and not too lengthy, but with enough information. There aren't alot of other educational options in book form related to the keto diet, so your choices are limited, but this book fills the need.
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But a recording is to be judged on its performances, not so much on its text. The Arkangel series, now in its last laps toward completion before (I am told) it is all redone on CDs, has every reason to be proud of its "Timon of Athens," thanks to its strong and intelligent readings. The opening scenes of artisans and poets building up the play's themes of wheel-of-fortune and gratitude/ingratitude are almost intelligible without a text open before you. Alan Howard, whom I saw in New York long ago as Henry V and as the main character in "Good," has that kind of friendly voice that is so well suited to the extravagant Timon in the open acts that we feel all the more for him when his false friends deny him in his need.
The snarling voice of Norman Rodway's Apemantus is a perfect counterpoint, and he casts out his invective in those early scenes with a hint of humor. However, when Timon becomes the misanthrope, his voice darkens and coarsens; and it is very hard to tell it from Apemantus' in their overly-long exchange of curses in 4:3. If the actor playing Alcibiades (Damian Lewis) sounds far too young for the role, that is a minor quibble--and perhaps the director wanted him to sound like a young Timon.
The incidental music sounds sufficiently Greek but too modern; still, Ingratitude knows no particular time period. A superior production of a much flawed play and a very welcome addition to any collection of recorded drama, especially since the old Decca set is long out of print and Harper audio does not yet have a "Timon" in their series.
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In the first set of examples you learn to make tiebacks, folded, and roman shades. Sheers and lightweights are next. I love the one decorating with flowers. Projects include a kitchen gingham with bindings, a hook back curtain and a pin-tucked lined curtain.
Lined and interlined curtains as well as flat and gathered valances follow. You are shown how to make hand-pleated, gathered, hand-gathered, rolled edge and bunched headings. Hook bands, frills and Italian stringing are also covered. Projects include an appliqued curtain with tabs and patchwork curtains. There is great advice on adding contrasting linings or quilted borders and mixing and matching fabrics too.
The project instructions throughout are excellent. The entire process is explained step-by-step with demonstrating photos. A large photo of the finished project accompanies these and a great variety of styles and fabrics are used.
The last chapter focuses on basic sewing skills. This is a great reference and very helpful for beginners to sewing like myself. Here you are shown how to make seams and mitered corners. Several stitches, borders and piping are also illustrated. There is even a discussion of bought trimmings, a glossary and a list of suppliers. This is a great book for anyone who wishes add that special touch or save money by making their own curtains.
I have never made a curtain or drape in my life, but I am an experienced sewer and in my opinion Ms. Luke takes the time to explain everything in an orderly fashion in order to familiarize the reader with what to expect as well as providing you with a break-down (both in metric and U.S.) for how to measure your windows or doors with acuracy as well as how much fabric to buy. In addition, she also gives instruction for how to do various hems, tiebacks, valances, and interlinings. She describes the different types of drapes you can make to get the dramatic looks you want. In all honesty I will probably have a professional make a pair of drapes from the book for me before I do it myself because I want to make sure they are done with precision, however, that takes nothing away from the instruction that Ms. Luke has provided- what I want I don't have the time to do right now.
I would gladly recommend this book to an experienced sewer or an adventurous beginner.
Author Jim Fraiser and photographer West Freeman traveled the 200-mile length of the Yazoo-Mississippi Delta, the heart of of the realm of King Cotton, to assemble the text and illustrations for this handsome, informative little book. The result is replete with fascinating anecdotes about times long past and splendid pictures of the extraordinarily beautiful homes, churches and public buildings that stand as a monument to an era.
Beginning at Port Gibson, the "Gateway to the Delta," and the classic simplicity of St. Joseph's Catholic Church, Messers Fraiser and Freeman trace the history of this diverse and scenic region in both the lives of its founders and the exquisite constructs they created. The text is filled with gossipy tidbits as well as less-familiar history, like the chandelier from the famous steamboat Robert E. Lee that hangs in Port Gibson's First Presbyterian Church and the tale of the ghost of owner John Bobb, murdered by Union soldiers, that purportedly still roams the flying-wing stairway and double-tiered galleries of McRaven in Vicksburg.
This book is for those whose hunger for beauty extends to that crafted by the hands of man. If it has a flaw, it is that the taste of these magnificent structures it provides leaves the reader hungry to sample them first-hand. Should one be fortunate enough to do that, they could do worse than to tuck their copy of THE MAJESTY OF THE MISSISSIPPI DELTA into their tote as a reference.