A very well- rounded introduction to a period of British history that should be better known. The author strikes a good balance between the political narrative and his coverage of the social, economic, cultural, and military developments of the age. This book should be accessible to anyone with a serious interest in this period in European history.

Writes Professor Roger Hainsworth, formerly of Adelaide University, South Australia: Students of English history will welcome this new volume in the New Oxford History of England series.1689-1727 is a very significant period for the history of the British people and indeed it proved important to many European people also for this reason: during it Britain became a great power and in the process the growing hegemony of France over western Europe was first confronted, fought against and finally halted. More of this later. Dr. Hoppit, although his eye is undimmed by romantic illusions about past eras, has a positive tale to tell. He writes that in late seventeen and early eighteenth century England "political discord was contained and then undermined. Warfare was endured and survived. Britain's empire was extended and its value increased. Population began slowly to grow. Many towns flourished. Agriculture, industry and commerce all showed signs of expansion .... society was not stagnant, it was on the move." This favourable assessment might have astonished contemporaries both at home and abroad. They still perceived England as politically unstable, riven by party ("faction"), and menaced by the apparently unbridgeable dynastic dispute between the Jacobite supporters of the exiled James II and then of his son (the Old Pretender) and the Whig and Orange Tory supporters of William III, Anne and the Protestant Succession (the Hanoverians). Meanwhile the British state was menaced by growing poor rates, menacing numbers of unemployed, seemingly endless foreign wars, and a growing mountain of debt: all presided over by a government which appeared more powerful and uncheckable every year and was backed by that worst of all English nightmares: a permanent army. Dr. Hoppit explores these fears and traumas incisively and expertly and makes it clearer than it perhaps has ever been made before why the positive developments prevailed and the worst fears ebbed away. The fundamental problem for historians of the period is to explain how England become a great power during the reigns of William III and Anne. Cromwell's disciplined army and a powerful navy had made England a great power fleetingly during the 1650s. However, there was no way to finance these prodigies on a long term basis. The restored Charles II almost went broke disbanding these extravagant instruments of power. England's resurgence in the two decades following the Glorious Revolution of 1689 astonished foreign observers who had believed, reasonably enough, that England's small population doomed it to the side-lines of European politics. In a long contest between Britain and France surely there could be only one result? England with Wales had only about 5.25 million in 1700. Scotland had 1.23 million and Ireland about 2 million. France, the most populous country in Europe (including Russia) had 22 million. These bare statistics proved deceptive. Although eighty per cent of England's population were rural dwellers, almost thirty per cent of the population were engaged in some form of industry. Manchester was then only a large village but Defoe estimated it provided "outside" employment to 40,000 weavers and allied trades. In fact England was the most urbanised country in Europe and if this was partly because ten per cent of the people lived in London her urbanisation was to increase hugely during the eighteenth century while London's population stagnated. Industrial strength and a powerful navy were gradually joined by a formidable army. During Anne's reign it would be led by one of history's greatest commanders who was also a remarkable diplomat and builder of alliances: the Duke of Marlborough. The financial problems of the mid seventeenth century were resolved by taxation passed freely if grumpily by the House of Commons which had now become a permanent institution of state rather than an irregular occurrence. The taxes funded that unusual novelty the National Debt which was partly managed by an enlarged Treasury assisted by an inspired creation, the Bank of England. The two great European wars of the period weakened the Continental powers, especially France, but left Britain stronger than when she entered them. Many speculated about this paradox but no great power seemed able to copy the method even supposing they understood it. All these matters receive due attention in this volume. So also does a range of other important topics: the remarkable growth of parliamentary government which in time would make possible the political peace of Sir Robert Walpole's long prime ministership during the 1720s; the decline into impotence of the Jacobites; the astonishing efflorescence of a print culture of books, newspapers and pamphlets; the slow decline of the Anglican hegemony in the face of stubborn Dissenters and ideas of religious tolerance; the extraordinarily rich burst of public and private building ranging from Wren's St Paul's to Vanbrugh and Hawksmoor's masterpieces (Castle Howard and Blenheim the best known of many); and the steady advance of pragmatic, experimental science. This last owed much to one man and in a fine passage Hoppit writes that the year his period ends is better defined not by the death of George I but by the death aged 84 of one of his subjects. Interred like a prince in Westminster Abbey with the Lord Chancellor, two dukes and three earls among his pall-bearers, he was Sir Isaac Newton. That indeed was the end of an era. This is a worthy addition to a very collectable series. There are the minor flaws often found when the author has to shoehorn a complex discourse into a confined space. Stylistic faults occasionally jar and infelicities of sentence structure ("there were those (such as Locke had done) who strongly argued ...") often require the reader to turn back to disentangle the sense. However, Dr. Hoppit's text is informative, interesting, thought-provoking and engrossing. He has explored the diverse facets of his subject with care and sensitivity to their nuances. All students of this significant period will be in his debt for decades to come. Had it been put in my hands when I was studying this period as an undergraduate I would have gnawed on it like a famished wolf.

This is the second book I've ready of Mr Shipway's on this period. His attention to detail and historical backround accuracy are second-to-none. Although the characters may not always be liked, the reader cannot but help to empathize. Simply excellent historical fiction.

What a story. This book got me involved in my own search for the cause of William II's death

I approached this book from, I suppose, a biased standpoint. I was a student of Dr. Joss Marsh's at Indiana University this past year. Through her brilliant lectures and subsequent private office conversations, I became very fond of both the person and the scholar and eagerly purchased her book. I was not disappointed! As a student of both history and english (my major and minor respectively), I approached this book with that frame of mind, as a scholarly excercise and a completed study. And while the book is that, Dr. Marsh also writes with the skill of a most accomplished writer, keeping the mind actively engaged in the book's study of the past, the present, and indeed the future. This book is a valuable addition to both the study of blasphemy and the Victorian Age generally. It also paints a staggering portrait of "justice" gone awry under the Javert-like prosecutors of the Royal Court. A triumph for Dr. Joss Marsh and all those interested in the freedoms of speech.

For fans of pop music history, and especially for those interested in recording science, this book is a must read. George Martin, the Beatles' producer, tells the detailed account of how the group's most famous album was created, from the beginning creative germs to the cover art.

For those in the recording industry, Martin's detailed explanations of how he created some of the now-famous effects on that album, at a time when recording science was still somewhat primitive, is quite interesting.

If you don't like the Beatles' music, you probably won't be able to sit through the sometimes technical recording talk, but anyone for whom the Beatles marked the culture of their youth should find it fascinating.

An excellent account of the making of the greatest rock'n'roll album ever produced: Sgt Pepper, written by the man who put it together. There's been a lot of claptrap about who, if anyone, could be considered "the fifth Beatle". I say it's George Martin. Why? The Beatles are about music, and outside of the four, no one had a hand with their material as Martin did. If you loved the Sgt Pepper album, you'll like this book.

It is a well accepted fact that two of the best produced pop/rock albums to date are Sgt. Peppers and Pet Shop. The reason for owning this album is to gain an inside look into the master mind of one of these most important albums. It may be true that our recording equipment has improved our flexability but nothing can replace a truly great producer and great musicianship. George Martin is one of the truly great hero's of our ART and this book gives us a wonderful look into one of his master pieces. I am a big Beatles fan but this book is really directed to producers rather than The Beatles fan base...and I love it. This book has become very hard to get a hold of but it is a MUST HAVE for the library of every producer.

Very well-researched, with a wealth of primary source material (perhaps too much!), this book is quite academic and dry. Rather than a traditional biography, the book is more a study of various aspects of the reign of Edward VI (e.g. policies on religion, economics, land use, etc.) first under the leadership of Edward Seymour, Duke of Somerset, and later, John Dudley, Duke of Northumberland. I did not feel that I really learned anything about these three figures as people. "Fans" of Tudor history, having read a biography or two of Henry VIII and Elizabeth I, are likely to be disappointed in this book. It is much more geared to the historian with a serious, even professional, interest in the period.

This book represents a comprehensive and conclusive study of an important Tudor figure. An academic study of a less well-known English monarch, this book is a fitting epitaph to a leading historian of our time.

The Old Curiosity Shop certainly displays the hallmarks of the unstructured, free-flowing make-it-up-as-you-go-along type of story characteristic of Dickens's early novels. Indeed, it is rather generous to call it a story, and it's difficult now to understand the sensation it caused when it was first published. However, if a page-turning plot was all there was to it, very few of Dickens's novels would be readable at all. As ever with Dickens, the pleasure in reading this book comes from the comedy, diversity and richness of the characters, as well as the sheer mastery of the English language which came so naturally to him.

The central characters are old Trent, his granddaughter Nell, the moneylender Daniel Quilp, young Kit and the wonderful Richard Swiveller. Of these, the spotlessly pure Nell and the irredeemably evil Quilp are the moral opposites around which the book revolves, old Trent is rather a pathetic figure, while Kit's sturdy progress from poverty to respectability makes for happier reading. However, it is the moral journey of Swiveller, which perhaps reflects the geographic journey undertaken by Nell and her grandfather, which is the real joy of this book. He enters the book in the guise of a rogue, involved in dubious intrigues with Nell's no-good brother and also with the repulsive Quilp. However, from the time that Quilp gets him a job as a clerk in the office of Samson Brass and his sister, the awful Miss Brass, Swiveller's basic decency and natural good humour begin to reveal themselves, and his soliloquies and dialogue provide many hilarious moments from that point on. The Dick Swiveller who subsequently meets up with the hapless young girl kept prisoner by Miss Brass is funny, considerate, charming and kind, and a long way from the doubtful type of character that he at first appears to be.

The book proceeds along two different narrative lines; one which charts the progress of Nell and her grandfather on their long journey, and the other revolving around Swiveller, Quilp and Kit, and to a lesser extent the families of these latter two, as well as "the single gentleman" and the little girl memorably christened "The Marchioness" by Swiveller. One of the big faults I found with this dual structure is that the characters of one plot line have no contact with those in the other plot line for most of the novel, and it is left to the Quilp, Swiveller and Kit to act out most of the drama. Nell and her grandfather spend most of their time journeying through various scenes of early nineteenth century life in England. Nonetheless these all make for enjoyable reading. One particular scene where Nell and her grandfather sleep beside a furnace in the company of a wretched man who watches the flames is particularly memorable.

All in all, it's not exactly a page-turner, and the ending is not a happy one. I would not recommend this book as an introduction to Dickens, and is best read by people, like myself, who have already decided that anything by Dickens is worth reading. Also it focuses less on London than many Dickens novels, and gives an interesting view of rural, village and town life outside London in those times.

The only pleasure greater than discovering a new book
is rediscovering an old friend you haven't read for a while.
Many years ago I read all of Charles Dickens novels, but I
recently had occasion to re-read The Old Curiosity Shop, and
it is just as good as I remembered it the first time.

The story, like most of his plots, depends a great deal
on coincidences, so you have to suspend your scepticism to
enjoy it. Dickens begins by introducing us to one of the
most innocent little girls in literature, Little Nell, and
to her most unhappy grand-father. Quickly we discover that
instead of the old man taking care of the child, she is the
one responsible. We then meet one of Dickens' great villains
- the evil, corrupt, mean, and nasty Quilp - a man, if that
term can be used, who has absolutely no redeeming qualities,
one who finds pleasure in inflicting pain on all he meets.

Thinking that the old man has secret riches, Quilp
advances him money to support his gambling habit.
Unfortunately Nell's grandfather never wins, and the debt
grows ever larger. Finally Quilp forecloses on the curiosity
shop that the old man owns (thus the name of the book) and
tries to keep the two captive in order to discover the money
that he still believes is hidden somewhere. While the
household is asleep, however, Nell and her grandfather
escape and begin wandering across England in a search for
sanctuary.

On that journey, Dickens introduces us to a series of
minor characters who either befriend or try to take
advantage of our heroine. He's in no hurry to continue the
main story, so just sit back and enjoy the vivid
characterizations that are typical of any good Dickens
novel.

In the meantime, we follow the adventures of young Kit,
a boy who was one of Nell's best friends until Quilp turned
her grandfather against him. Here we find one of Dickens'
favorite sub-plots, the poor but honest boy who supports his
widowed mother and younger brother. Thanks to his honesty,
Kit finds a good position, but then evil Quilp enters the
picture and has him arrested as a thief!

Of course, we have the kind and mysterious elderly
gentlemen who take an interest in Kit and Nell for reasons
that we don't fully understand until the end of the book. We
are certain, however, that they will help ensure that
justice prevails in the end.

This is not a book for those in a hurry. Dickens tells
his stories in a meandering fashion, and the stops along the
way are just as important for your enjoyment as the journey itself. That can be frustrating at time, especially as you enter the second half and are anxious to see how things turn out. I try never to cheat by reading the end of a book before I finish, but it is tempting with Dickens. At times I wanted to tell him, "I don't want to meet anyone else; tell me what happens to Nell and Kit!" But I know the side journeys will prove rewarding, so I just have to be patient. Anyway, I am in better shape than his first readers; he wrote in weekly installments, so
they had to wait!

If you have and enjoyed other Dickens' novels, you will enjoy this one as well. If this is your first time (or perhaps the first time since you were in high school), you are in for a treat.

This edition of the Old Curiosity Shop is outstanding. It contains all the original illustrations drawn for the book, very helpful footnotes, a chronology of Dickens's life, etc. The book takes the reader on a wild journey through the English countryside with Little Nell, an angelic girl, and her troublesome grandfather, and features a host of amusing characters as only Dickens can draw them. While it was being written in serial form, it was so popular that sailors returning to port in England were known to shout to people on shore to ask what was going on with Little Nell. Today, however, you can miss some of Dickens's nuance and humor if you don't have good footnotes to turn to. The notes in this book explain obscure terms, references to contemporary popular culture, places where the action occurs, etc. If you are going to read this book, this is the edition to buy.