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The Celts had an overwhelming cultural impact on the formation of modern Europe, but it is an impact which is shrouded, due to the Roman domination of the Celts around the time of Christ. Most European rivers have Celtic names (the Danube, the Don, the Dnieper, and the Donets are all named for the Celtic river-goddess Danu; and the Rhine and the Rhone both are named from the Celtic word for "valley").
Unfortunately, the Celts abjured writing in favor of human memory, so that, as their cultural nexus dispersed so did their learning and lore. Hence, we know relatively little about these people, the ancestors of many of us of European background. What we do know is often distorted, or plain wrong, written by Greeks and Romans, the latter (particularly Caesar, in his "Gallic Wars"), setting out to deride the barbarians seen as only fit for conquest.
Ellis tries mightily to lift the veil in this book. He has a fine appreciation for his subject, and if he makes the error of sometimes casting his Celts as "noble savages," replete with democratic thoughts and ways, he can be forgiven for doubting the Roman histories.
Given the relative lack of written primary source material, and the enigmatic messages of archaeological ruins, the book is necessarily too short, and reads as the quickest thousand-year history in print. It's still an excellent effort to bring these people, so long in the darkness, back into the light.
Thus are paraphrased Tacticus's thoughts on that great ancient tribe, the Celts, to whom so much of Western Civilization is owed yet so little acknowledged. As Ellis tells us, many of the famous Roman writers and historians were profoundly influenced by Celtic literature - if not Celtic themselves. Celts served as mercenaries in the armies of Rome, Asia Minor, Greece and Egypt; they populated Europe from Bulgaria to Spain; they treated with Alexander and, on numerous occasions, and oh-so-narrowly missed the opportunity to beat Caesar. Ellis introduces us to the basic elements of Celtic society, a very democratic model that was largely shattered by the Roman conquest, and then takes us to those enclaves, such as Ireland and non-Roman Britain, where the culture continued to flourish. An extremely well-written history; a useful counterweight to Roman history, which too often neglects the Celtic achievement.
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Ellis pulls no punches in criticizing the scholarly positions of other writers on the subject -- an approach which can seem abrasive or refreshing, depending on one's taste. His obvious disdain for the New Age, soft-focus and romaniticized view of Druids may seem harsh as well. But his genuine love for and fascination with Celtic peoples perhaps justifies the contempt he displays for those who call themselves "New Age Celts...preaching harmony with nature, who have stared in incomprehension when it has been pointed out to them that the Celtic civilization itself is struggling in a last ditch attempt to survive" (p 280). Ellis concludes his work by pointing out the "uncomfortable reality for those who would conjure Druids and ancient Celts to their new concepts of 'spiritual enlightenment'" while ignoring the fact that Celtic languages and cultures are in decline in our increasingly homogenized modern world.
Hence, you're not likely to find many historians recommending an Ellis book to their students. But students who have read Ellis will have a very clear idea of what materials to look for. And he does a very good job of challenging long-standing interpretations which have always been flimsy or weak at best. Unfortunately for him, the science of historical analysis requires accountability and Ellis refuses to be accountable. He takes his case to the popular audience and hopes to influence the broader imagination.
That's all well and good, but some of his research has been challenged and Ellis has had to make at least one major retraction in his career. He is a Celto-centric writer and people of Celtic heritage should be glad to know there is still a dedicated flag-waver around. But in the end, no matter how well he writes, no matter how thorough his research, Ellis must be regarded only as a popular historian. In that respect, he is one of the finest popular historians I've had the pleasure to read.
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This book has three photographic plates, the front cover plate and its reverse, mirror imaged, showing the poor preservation and obvious fading of the original. It also has modern line drawn accurate representations of all the drawings, illustrations, and initials, by Roy Ellsworth, from it namesake. These contain much more detail than the equivalent photographic plates due to fading of the original from the original probably black inks to dark and sometimes light brown. These modern illustrations show the colour washes as crosshatched shading. They show almost lost details, hopefully, in the same line strength as the original had in the ninth century.
The illustrations from the Book of Kells appear reproduced in numerous places from one of my T Shirts, to embroidery, WWW sites and numerous other places. This would be impossible from either the photographs or the accurate line drawings. This book therefore also contains simplified, and slightly corrected, drawings of the illustrations to demonstrate construction methods. "To allow an exploration of one's own colour arrangements".
The colourful history of the book from a description of the foundation of the monastery at Deer, to its rediscovery in the library of Cambridge University, including its association with the historical Scottish King MacBeth, is by the noted Celtic scholar Peter Berresford Ellis. He also gives detailed descriptions of all the illustrations comparing them with both earlier, and later Celtic treasures. He is of the opinion that the rather strange depiction of legs and feet, of the apostles might be an echo of the squatting position in which Celtic Gods are often portrayed.
The text of this book alone is worth five stars, but I'm afraid the pictures are not very interesting, which is why I've taken a star off. By the way I believe PBE is co-author, not sole author of this work. This work has gone some of the way towards making this book better known.
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The arguments in this book for Celtic superiority over the Romans is so tainted that in some cases I actually laughed out loud. Reading this book one would think that the armies of Rome won most of their battles by dumb luck. Which is not bad considering that Rome's greatly outnumbered armies eventually conquered almost all of the Celtic lands and added Britian to the Empire, holding it for over 400 years!
If you're interested in names and dates this book is fine. But if you're interested in what the ancient Celts and the Italic/Roman people were actually like, and how the cultures interacted, you'll need to look elsewhere.
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He claims that the Anglo-Saxons waged a war of extermination against the people of Britain after the fall of the Roman Empire. He attributes a unity and aggressive purpose to a haphazard series of Germanic migrations, that is simply not borne out by the evidence presented. Indeed, his accusations against the English people border on racism. He misses the point that the British imperial drive has its roots in Norman, not Saxon history; the record of the Normans in the Mediterranean and the Holy Land are evidence enough of this. It is a shame that such a potentially important book should be ruined by predjudice.
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All in all, this is an excellent book for getting a basic idea before embarking on a more detailed investigation.
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The book is both a biography of Johns' and an analysis/rear-guard defence of some aspects of Johns' fiction. Much of the primary source material for the biography is drawn from Johns' own published autobiographical anecdotes circa the 1930s - 1960s. The book is liberally laced with excerpts from Johns' editorials, interviews and commentaries, conveniently mustered here all in the one volume. Other material is drawn from relatives of Johns and independent sources. Unfortunately the various informants are sometimes in disagreement. Intermittently the dividing line between the biographical fact and the fiction in Johns' own memoirs becomes indistinguishable. The biographers include both versions of an actual incident in which Johns & TE Lawrence met, but thereupon later each wrote highly contradictory accounts. This underlines the danger in accepting too readily an author's own autobiographical accounts, when these are reworked for posterity and public consumption 15 to 20 years after the original events. (I do not believe the nun episode, pull the other leg please.)
While I have no knowledge of the co-authors' working routine when producing this work, I am left with a distinct impression that the contradictions evident in some of their views expressed at different places in the book could be explained by the co-authors not quite having both their clocks synchronised. This again somewhat echoes Johns' own idiosyncracies, whereby some of the Semitic stereotypes appearing in Johns' work in the mid-1930s either disappeared in the face of the holocaust, never to re-surface after 1939; or, in the case of racial slurs which continued to appear until the mid 1950s were finally rectified in sanitised reprints published after Johns' death. The original text of Biggles in Australia is never mentioned in this context, although Biggles and the Black Raider is examined. It remains unclear to what extent Johns (& Biggles) led, or trailed, or merely reflected attitudes within the English intelligentsia current at any particular point in time. The biographers have nothing to say in regards to Johns' (Biggles') persistent bigoted vilifications of all things Japanese. Somebody should have told Johns (1) English does not have an indigenous script, Japanese uses three distinct scripts, two of which are indigenous (2) cultured pearls are indistinguishable from natural pearls (3) Japanese saw technology surpasses European saw technology (at a time when Europeans were still living in thatched huts).
The biographers allow a few factual mistakes to creep into their text, more through carelessness than ignorance. Still I don't think it commendable that these should be apparent even to a mere fan, while at the same time getting past both the authors and their proof-reader/s. Among the illustrations facing p161 is a photograph of the book "Biggles" of the Camel Squadron, with the dustjacket depicting German biplanes under attack by Sopwith Camels. I find it bizarre, although telling, that the authors should allow an illustration in which a swastika has been painted on the fuselage of a 1918 German warplane to make it into the final publication.
The organisation of this edition varies from the original printing, with some of the material relating to the 1970s and 1980s controversy over political correctness in Johns' work being relegated from the front of the first edition to the back of the second edition. It is to be regretted that the co-authors did not see fit to go to the trouble to re-write the treatment of Mossyface and other earley (!) works in the original text of the book, instead leaving the subsequently discredited discussion from the first edition unchanged for the second edition. Ironically, in the second edition it is only after one reads the Afterword at the end of the book that one learns what one read in the middle of the book was inaccurate.
In assessing this book it would be helpful to know who sponsored its production.
The book would be appreciated by anyone with an interest in Johns, Biggles, Worrals & Co. But for a scholarly analysis of Biggles et alia as a cultural phenomenon mirroring British mores of the mid 20th century I think we must hope some other writer (or PhD English literature or sociology student) takes up the challenge. I look forward to theses on (a) the theme of cross-dressing in Biggles, Worrals and Steeley, (b) morbidity, mortality and the epidemiology of lung cancer and emphysema among Biggles readers, (c) cinema archetypes and the characters in the books of Johns, & (d) a ghost writing whodunnit - the problem with "Biggles Works it Out".
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In this book the author covers the Celts during the period of the time when Greece and Rome were the dominate players in the ancient world. Its an enjoyable read and I learnt a few things on the journey. The book covers their social background and inter-action with other people along with their military campaigns against the Greeks and Romans and their occassional mercenary role in the ancient armies. The author does not go into excessive detail but certainly provides the facts as he knows them and tells a good story in the process.
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