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This is a book sure to get you out of a funk. In particular, "Up Jumps the Devil," by Donna Ball had me falling off my chair because I was laughing so hard! I must have been pretty loud, too, because my husband ran up wondering what all the commotion was about. Of course, I gave him the book, and had the prime opportunity to see him fall off his chair, too. Good job, ladies! I'm buying this book for my relatives in North Carolina, Florida, and Texas, and sending it to them.
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This book, while fiction, is the result of interviews with women who escaped from Kabul and who were living in camps in Pakistan, including one mother who disguised her daughter as a boy. The setting is true to time and place as it captures life for one family in one short period of time. (Ellis is donating the book sales to an organization dedicated to educating girls in refugee camps.)
It is a simple story, and engaging, as the reader follows the daily life of a fictional family as they struggle to survive the imprisonment of the father. His absence from the home means that they no longer have food, or communication outside the home because the female members of the family cannot go out unescorted by a male. Parvana, who is pre-adolescent, surrenders her long hair to help her family, and disguised as a boy earns a little money by selling things from their home or reading for the largely illiterate population. Thus she is able to shop for food. Her bravery is the focal point of the story and the reader is reminded of the courage and strength of children everywhere who survive against incredible odds.
Ellis has done well to write this as a story for children/young adults. While she doe not gloss over the hard parts of life in Kabul under the Taliban with executions, dismemberment, and imprisonment without a trial or a public charge neither does she dwell on them at length. Being without food or a father is hard enough for one story; living in fear adds more trauma. Everyday hardships such as the closing of school, the absence of music, and the difficulties of communication add to the realities of the story. But Ellis allows Parvana to see a Taliban soldier as human when she reads a letter for the illiterate man and watches his eyes fill with tears. To see the enemy as human is a triumph of the human spirit and gives this book its hope.
Though not even born yet, wallflower Josie McClure knows the impact of the fire because her mother was the homecoming queen who never celebrated her victory and forced her to compete for the Bigelow High School Homecoming Day Queen, which she humiliatingly lost. Rainey Ann Cecil thinks back to that fatal day in 1981 when she was twelve and with Robert Walker and Hank Blackshear believed they caused the fire. Amos Royden is now the sheriff and would like to solve the case that his now deceased father always felt blemished his law enforcement record. Other are impacted by either the fire or the upcoming reunion. Will the reunion complete the destruction of the Creekites or refurbish the civil pride of being a Creekite?
Written as a series of vignettes tied together through the reunion, the story line is humorous and sad focusing on how a pivotal event can change lives forever. Though an ensemble, the characters come across as genuine leaving readers to understand their pain, loneliness, and their need to belong. Fans will enjoy tremendously REUNION AT MOSSY CREEK and want to read the previous slice of small town southern living, MOSSY CREEK. Both novels colorfully and cleverly illustrate small town southern living.
Harriet Klausner
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However, aside from the experiences of displaced women of Afghanistan, Pakistan and the middle east in general, who were and still are treated as non-human, there is little exploration or analysis of the reasons for this inhumane treatment. The book is good historical documentation of the treatment of women in the middle east, but little or no insight is offered by the author. For most readers, it is not worth the high price demanded.
Pp. xxvii, 236. 14 photos. Index.
Deborah Ellis' Women of the Afghan War should be praised for its value in bringing the trials and tribulations of Afghan women to the forefront of this region's politics in a straightforward fashion that relies on the testimonies of the women themselves to tell the story of their hardships. The strength in Ellis' method is that this patchwork of first-person accounts "gives a face" to the conflict by introducing the women by name and using the actual translation of their words to show the harsh reality of these women's lives. Although Ellis' style is remarkable for the lack of detachment from the issues that an author's narration usually risks, it does present some downfalls in screening the accuracy of these women's stories and the discrepancies that arise in the translation of these accounts. Since the structure of the book is the most striking aspect of the book, it is easy to assume that the focus of Ellis' work is primarily just the women in this society - however, a more in-depth analysis reveals a greater commentary on the self-defeating nature of Afghan society itself, the inadequacies of relief foundations and organizations, and the potential for real-life solutions that can be achieved with frighteningly minimal effort.
Part interview, part historical overview and analysis, Women of the Afghan War effectively conveys the uniformly bleak nature of all Afghan women's lives within this society by grouping women from different socio-economic and ethnic backgrounds under a common theme of misery. Through the person-to-person accounts compiled by Deborah Ellis and her Afghan translator Benazir Hotaki, a tale of missing husbands, dead children, and stolen livelihoods surfaces that could prompt even the most stoic of individuals to break down and cry. Indeed, this provocation of emotions is most probably the intent of Ellis' choice in the format for her work. As a mental health counselor in her native Canada, there is no doubt that Ellis is well acquainted with the power of human emotion. Much of her work documents her skills within the field of psychology as she weaves her way through the refugee camps of Russia and Pakistan and speaks with Afghan women who are traumatized by the prolonged Russian occupation of Afghanistan and the ensuing wars that resulted from the Russian invasion, multiple inter-ethnic conflicts, and most recently, the takeover of the Taliban.
Rousing the emotions of the audience in response to the plight of these women while including the women's criticisms of humanitarian organizations as being spread too thinly to provide substantial aid reveals the author's other purpose besides rallying sympathy for the women of Afghanistan - she also wishes to show the inability of relief organizations to address the problem effectively due to lack of funds and cultural hindrances. Basically, since this book was written pre-September 11th, it is a call for greater awareness of the burden facing Afghan women and the need for a greater-scale solution that goes beyond just a scattered assemblage of relief organizations that provide intermittent assistance at best to those most in need.