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He was also a strong environmentalist, clearly never forgetting that his youth spent in the wilderness of frontier America shaped him morally and spiritually, and that even though the concept of "survival of the fittest" applies to all of us one must never forget perserverance, courage and loyalty to family, friends, and business clients if one is to succeed and maintain one's moral compass.
He also was able to forgive his clients' weaknesses and helped them improve their lives. If only that happened today!
Any business public relations firm should read this book and read what customer service and loyalty should be all about - and anyone interested in a unique American Renaissance man should order this book for themselves, family members and friends. They won't be disappointed.
Glenn - CFO World Class Flowers
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This premise serves as the central metaphor in A Palace for a King. Elliott, a historian, and Brown, an art historian, examine both the literal and political architecture of the reign, charting the complicated, often surprising interrelation between art and politics. The palace of the title is the Buen Retiro - an intended recreational center built for Philip IV with astonishing speed during the years 1630-33, left largely in neglect after the 1640's, and finally decimated by French and English troops during the Napoleonic wars. In reconstructing the circumstances surrounding its construction and initial occupation, Brown and Elliott attempt to furnish the reader with a "total" history of the Spanish Habsburg court during its penultimate representative's first twenty years of rule.
The scope of the book is immense. In a prose that is precise and elegant, if at times monotonous, it describes the political and economic issues of the day as well as the relationship between the continuously vacillating king and his powerful minister, the Count-Duke of Olivares, who until 1643 held the true control over Spanish government. It then goes on to analyze the palace of the Buen Retiro itself, exploring the process of palace-building and the symbolism of the palace as a repository of the values of the ruling class. Simultaneously, it looks at Spanish baroque painting, theater, and architecture and their inextricable connection to the court at Madrid, which, itself, was in so many ways like a giant theater. Elliott's inquiry and interpretation of the troubles besetting the institution that was then called the monarquía española and of the role played by Olivares makes for particularly rewarding reading.
The book appears to be extremely well-researched and provides an abundance of evidence from primary sources as varied as confidential memoranda, secret expense accounts and drawings of architectural plans; the endnotes alone constitute twenty of its almost three hundred pages. However, it is its very wealth of references and information that also lies at the core of its greatest weakness. Too often, the text becomes bogged down in statistics, where apparently meaningless figures about who paid whom and whose plot of land was where replace any real insights. The authors seem to become trapped in unneeded details, losing track of the larger picture that they originally intended to convey. As a result, in certain chapters, more attention than necessary is devoted to the actual logistics of building the palace and, consequently, not enough to the palace's political, social, and economic implications.
Still, aside from these slightly irritating flaws, Brown and Elliott's work remains a highly absorptive and very informative look at subject that has thus far remained sadly underrepresented amongst the scientific community. The sheer extent of the information to be found makes this book a valuable resource for anyone interested in the period, while the distressing lack of similar studies makes it absolutely essential for those at all curious about Spain's architectural history. It is, in my mind, a fascinating complement and worthy companion to R.A. Stradling's landmark Philip IV and the Government of Spain.
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i enjoyed the book a lot, and i would defently give it a good 9/10. its about a young man called alejandro, who is training to be zorro.
the book is an action book, and i would reccomend it to the public a lot! it is a good book, and if i were you, i'd get it before they all dissapeare for ever.