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There are also some down sides to the book. One, it cannot be taken as the "state-of-the-art" of religous study. Eliade has been surpassed by new research in the field. It is therefore better to use the book as a general background. Second, it has been shown that Eliade unfortunately developed the habit of sometimes stretching the truth to fit his analysis. He did not use this questionable method to such an extent as to render his whole analysis worthless but it does cast a shadow on his academic honesty.
BTW, I do not feel qualified to comment on his treatment of religious phenomena outside the Judeo-Christian cultural sphere.
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A great deal of the text, especially the 134 pages of the "Preliminary Remarks" is consumed by Dumézil's denigration of other scholars' work. Some of his put-downs may have been deserved. But the book was published in 1966 and there is no point today reading slams of books published early in the last century. The only entertainment in this tedium is to make a game of discovering how many of the same sins which Dumézil decries that Dumézil commits.
The text is very long: two volumes totaling almost 700 pages. The text is sparse on substance, with a fair amount of repetition. No author has much material to go on in the subject of Roman religion once the Greek influence is weeded out, granted. That suggests that a shorter text is in order.
About three-quarters of the quotes of the Roman texts are given in Latin without translation. This may have been excusable for readers of the original French edition, who may have been able to guess their way through the text, but it certainly not tolerable for English readers. To add insult to injury, much of the untranslated Latin is an archaic form, not to be found in modest sized Latin-English dictionaries. Sometimes the quality of the English is poor. Either the translator Philip Krapp, or the author Dumézil (who revised Krapp's translation), seems to have naïvely tried to use English words which more closely resemble the original French, but are plainly wrong.
Dumézil's great contribution to the study of mythology appears to have been to compare early European religions to the Indian Vedas. In the more than 30 years since this book was published, most mythographers have learned to do the same. Dumézil unfortunately has also focused on the "Three Functions" theory, and tries to shoe-horn Roman religion into that mold; the theory works very well for the first two functions (magic+government, and defense+conquest) but seems to fail in the third function (nourishment+fertility+prosperity). The idea that ancient peoples recognized only three distinct functions in their society and religion was overused when it was first proposed. A writer today would do better to use the idea sparingly, or to conform the idea to the beliefs and practices of the Romans instead of conforming Roman beliefs to this modern notion.
A great deal of "Archaic Roman Religion," especially the 134 pages of the "Preliminary Remarks" section, is wasted by Dumézil's tedious denigrations of other scholars' works. Some of his put-downs may have been deserved, but Dumézil published in 1966. There is no point spending time today reading slams of books published early in the 1900s, or late 1800s. The only relief is to make a game of counting how many of the same sins which Dumézil decries that Dumézil commits, and how often.
The text is very long: almost 700 pages, but it is sparse on substance, with a fair amount of repetition. There is not much material to go on in the subject of Roman religion once the Greek influence is weeded out. Dumézil brings that point home well and often. But that suggests that a shorter book is in order.
About three-quarters of the quotes of the Roman writers are given in Latin without translation. This may have been excusable for readers of the original French edition, who may have been better able to guess their way through the Latin. It certainly not good enough for English readers; Latin is rarely taught in schools in English-speaking countries. Aggravating the difficulty, some of the untranslated Latin words are archaic forms which will not be found in small Latin-English dictionaries.
The quality of the English translation is poor sometimes, unlike most of the book which is written clearly, if pedantically. It seems as if either the translator Philip Krapp, or the author Dumézil (who revised Krapp's translation), naïvely tried to use English words which more closely resemble the original French. The choice of words in these few cases is startlingly awkward.
One of Dumézil's lasting contribution to the study of mythology is a detailed comparison of many early European religions to the Indian Vedas; greatly to his credit this is nolonger rare. In the more than 30 years since Dumézil published, most other authors have learned to do the same.
In "Archaic Roman Religion" Dumézil unfortunately has focused rather too much on "Three Functions" theory, and tries to shoe-horn Roman religion into that mold. He applies the theory convincingly to the first two functions (magic + government, and protection + conquest) but seems to fail with the third function (nourishment + fertility + prosperity). This idea that ancient peoples recognized exactly and only three distinct parts in their society and religion was probably overused by Dumézil, who wrote when it was newly gaining fashion. An equally astute mythographer would use the Three Functions theory more sparingly today. Or would conform the number of social divisions or functions to the beliefs and practices of the Romans' religion instead of conforming Roman beliefs to this modern notion.
It is true that the English version does the style of the original no favours - one must remember that the anthropologist Levy-Strauss, a man well able to judge, compared Dumezil's style to that of Voltaire: probably the highest compliment a French writer can pay to another. However, the whole is still eminently readable.
It demands, however, a certain kind of reader: one who does not mind being challenged, who does not mind being introduced to unknown and obscure facts, who has no need to be cradled in his or her own convinctions, and who does not mind a certain kind of pugnacity. For there is no doubt that Dumezil, this courtly old French gentleman with exquisite olde-worlde manners, who charmed almost everyone who came into contact with him - including myself - was a fighter. His presence in the academic world was a solitary and battling one; he once wrote to me that he utterly refused to become a "chef d'ecole" and form his own academic party (this is perhaps the reason why latter-day Dumezilians are numerically rather scarce and academically not too impressive). Certainly the bites he takes out of scholars with opposing views are merciless; but one has to say that he always fought fair and face to face, that he rarely attacked anyone who had not attacked him first (comparative Indo-European studies are still today a rather contentious field) and that he never would have considered sinking to the level of the famous historian who once organized a congress "about" Dumezil's own work, or rather against it, without so much as letting Dumezil or any of his friends know about it. Now that is indeed base.
Be that as it may, this book is a classic that will last as long as the work of Mommsen, or Tocqueville, or Gibbon. As an introduction to archaic Roman religion, as a systematic textbook, it may perhaps disappoint, since it neither covers all the main points systematically nor leaves out matters that interest the author but that are not, of themselves, equally important. But as an inspiration to further research, as an introduction to the idea that history is not a collection of data but an intellectual adventure, as an intellectual adventure in itself, it is magnificent. Twenty years after reading it for the first time, I went back to it, having, in the meantime, read, written and published myself about archaic Roman religion; and, guess what? Not only was the book as fresh as new, but I immediately found a whole series of new ideas and areas to develop, waiting for me to be ready to recognize them.
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Despite this background, the magic of the woods outside Bucharest, the traditions surrounding Midsummer Eve, and the hedonistic lifestyle of the main character provide a heady mix.
This is an enchanting and intoxicating novel, a mixture of the ancient and modern, the timeless and the mundane.