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On page 57, however, the editors have made an understandable error. They attribute the founding of Manhattan College (1853), De La Salle University (1863) and St. Mary's (Moraga, California, (1863) to the Irish Christian Brothers. As a 1965 graduate of Manhattan College, I can tell you that these three colleges were founded by the French Christian Brothers, also know as the De La Salle Brothers. This teaching order was founded in Paris by St. John Baptist de la Salle, and predates the Irish Christian Brothers by almost two hundred years. To my knowledge, the only college founded by the Irish Christian Brothers in the U.S. is Iona College (1940) in New York. Personally, I enjoyed the book, found new facts about the Irish in America, and would recommend it to any Irish or Irish-American person.
Coffey and Golway use numerous anecdotes, excerpts, and other quotations from famous and not so famous Irish Americans. Included in this book are Denis Leary, Frank McCourt, and a forward by Patrick Kennedy. Reflections of these Irish-American personalities on their grandparents' or parents' lives and hard work, as well as memories of Catholic school, and other aspects of Irish-American life. Glossy photographs accent each passage beautifully and add to the overall attraction of the book. Contributions by all the authors provides a celebration of Irish ethnicity and heritage in the United States that is portrayed as humorous, melancholy, but overall proud. This book accents the PBS Documentary by the same name very nicely. After reading this book, I wished in a sense, that I had some Irish heritage.
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Peace.
Until now, Dawn fans have had to scour used comic bins and internet sites just to find their favorite individual drawings and paintings. Linsner must have realized that, and made the job easier by putting all his best-known illustrations of Dawn into a single compact volume. It's a pocket-sized book, but crammed full of its subject, and that's all any Dawn fan wants.
For those who want a little more detail as to exactly which illustrations are to be found, the answer is Dawn's most famous cover poses, numerous panels from Lucifer's Halo, and quite a few stand-alone one-shots, including those that (until now) were found only in Linsner's sketchbooks ...
There's no real text here, just lots and lots of everyone's favorite enigmatic redheaded goddess with the Veronica Lake hairdo. And if you're looking up this title, that's all you really wanted to know.
So, enjoy!
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Like Job he gradually loses that faith, not denying, by reviling god. His child-like trust and dependence on the beneficence of the state are shattered as his permit, his right to exist, is taken. Chapter 7 and 8 of the book in particular capture how easily our lives can change by a simple encounter with others whom we do not know. Herr Arnold enters the tale in chapter 7, totally from the blue and in only a few pages, Roth captures as well as any author the psychology or rage and its transference onto others - road rage without the automobiles. Rebellion, though little known or read, belongs in the same exclusive club as the The Good Soldier Svejk by Jaroslav Hasek and Kafka's The Trial. Each is unique, but they have in common protagonists who face a world that cares little for them, or more accurately is unaware of them. Svejk bumbles through and unwittingly overcomes in spite of everything; K struggles against the injustice of it all, and Andreas faith in god and state gradually dissolve and his life with it.
But for the grace of god (or luck) there go I echo's throughout the pages of this marvelous little work. Few writers capture the paradox of man's need for others and man as alone from others as well as Joseph Roth. Andrea's cry, when all is literally gone, "I don't want Your mercy! I want to go to Hell," brings him life in death. A man of perpetual concessions, he rises in rebellion. Fortunately for us, Roth's works have not been thrown into the Inferno, but only have been mired in publication limbo, and nearly all his novels, short stories, and his marvelous book of essays, The Wandering Jews, have been resurrected. There is much despair in Rebellion, but in its humanity, it is not a despairing work. As good a place as any to begin reading the cannon of Joseph Roth!
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"the prince of darkness" as he is known in the trade (by the few who know him at all) is an intelligent and totaly amoral character. On the law enforcemnt side in the US we have Sarah Cahill a former expert in terrorist actions in the FBI.
This book it has to be said, is full of anagrams, but then I suspect that the world of law enforcemnt is full of them now - and being somewhat of a techno-thriller they go with the genre.
One of the things I liked about this novel was that none of the main characters are invulernable. They are people with lives of their own in an extraordinary situation. Sarah is not as 'strong' as her terroist opponent - but that only makes her more believable.
I'm looking forward to more books by this author, and if you like thrillers this book is worth picking up.
This is a fasten-your-seat-belt suspense and a guaranteed page-turner. You will kick your later if you don't read this. If you want to wait for a better review of this book to make up your mind, it is your choice...but I would not !!! Happy reading.
I recommend High Crimes and Extraordianry Powerrs; also as well as all my other reviews I have done. They are still worth a look.
TRIPP
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Conrad successfully explores the concepts of bravery, cowardice,guilt and the alternative destinies that an individual may be driven to by these qualities.
The narrative can be a bit confusing at times as Marlowe relates the tale by recalling his encounters with Jim. The book reminded very much of Somerset Maugham's THE RAZOR"S EDGE" in style. However I believe that Maugham did a much better job of incorporating the narrator into the flow of the story. Overall LORD JIM is a wonderful classic novel that I highly recommend.
Ashamed and humiliated, Jim dedicates the rest of his life to two things: escape the memory of that fateful night, and redeem himself. This agonizing quest to recover his dignity in front of his own eyes leads him to hide in a very remote point in the Malayan peninsula, where he will become the hero, the strong man, the wise protector of underdeveloped, humble and ignorant people. Jim finds not only the love of his people, but also the love of a woman who admires him and fears the day when he might leave for good. The narrator, Captain Marlow (the same of "Heart of Darkness") talks to Jim for the last time in his remote refuge, and then Jim tells him that he has redeemed himself by becoming the people's protector. Oh, but these things are never easy and Jim will face again the specter of failure.
Conrad has achieved a great thing by transforming the "novel of adventures" into the setting for profound and interesting reflections on the moral stature of Man, on courage, guilt, responsibility, and redemption.
Just as in "Heart of Darkness" the question is what kinds of beings we are stripped of cultural, moral and religious conventions; just as in "Nostromo" the trustworthiness of a supposedly honest man is tested by temptation, in "Lord Jim" the central subject is dignity and redemption after failure.
A great book by one of the best writers.
Lord Jim is my least favorite of the the four books I have read by Conrad. The story is rather scattered: a righteous young man does something wrong that he holds himself far too accountable for and the public shame the action brought him exaggerates the reality of his failure and makes him believe the rumors swirling around about his so-called cowardice. He spends the remainder of his life trying to reclaim his self-regard, mostly exaggerating his own importance in matters he hardly understands. His goal is to liberate the primitive people of the jungle paradise he inadvertantly finds himself in (due to an effort to escape every particle of the world he once inhabited) and his once high-minded ideals and regard for himself lead him to allow those people to consider him almost a God.
Jim likes being a God and considers himself a just and fair one. He treats everyone equally and gives to his people the knowledge of modern science and medicine as well as the everyday archetecture and understanding of trade that those primitive folks would otherwise be years from comprehending.
Of course everything ends in failure and misery and of course Jim's restored name will be returned to its demonic status, but the whole point of the novel seems to me that one can not escape their past. Jim, for all his courage in the line of fire has tried to avoid all memory of the once shameful act of his former life and by doing so becomes destined to repeat his mistakes.
Lord Jim is far more expansive than the story it sets out to tell, ultimately giving a warning on the nature of history and general humanity that only a writer of Conrad's statue could hope to help us understand.
If there is a flaw it is not one to be taken literally. Conrad was a master of structural experimentation and with Lord Jim he starts with a standard third person narrative to relate the background and personalities of his characters and then somehow merges this into a second person narrative of a man, years from the events he is relating, telling of the legend of Jim. It is a brilliant innovation that starts off a little awkward and might lead to confusion in spots as the story verges into its most important parts under the uncertain guidence of a narrator who, for all his insight into others, seems unwilling to relate his personal relevence to the story he is relating.
Nevertheless (with a heartfelt refrain), one of the best books I have ever read.
Kanon's ear for period dialogue seems faultless, and his feel for postwar Berlin with its moonscape of collapsed buildings is an imaginative triumph. Jake Geismar, the book's journalist protagonist, is a period piece himself - tough, principled and yet tender (think Bogart). His lover Lena, who has experienced the full cruelty of life in bombed and occupied Berlin, is the complex European to this brash American. The plot is fleshed out with vivid supporting characters -- a business-minded American congressman with dubious priorities, an attractive Jewish Berliner who survives the war by turning in fellow Jews, an American lawyer who buries himself in reams of Nazi record-keeping in what appears to be a lonely mission to bring Nazis to justice, a black marketeer ex-policeman.
The reverberations of September 11th give added richness to this story of life trying to knit itself back together after catastrophe. It's a continuously engaging book, but into its many bright colors are woven the dark threads of evil which more than ever seem part of the fabric of human life.
An engaging, entertaining, detailed read, painting vivid pictures of lives drab and destroyed by war.
can you supply an e-edition of this book for me? i like it and want to read it.