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I looked at many different American History surveys and this is my favorite by far. On the other hand, if you already know the main outlines of American History, and want detailed analyses of particular periods, then this book will not be as helpful, as it is merely an overview and the bibliography is not very detailed or well annotated.
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Red Dragon kept me interested from the onset. You only have to read about 10 pages before you are introduced into the details of the one of the murder scenes. The reader quickly finds out just how twisted the "Red Dragon" is. From there on the story keeps you on edge and anticipating the next event.
Harris develops the story smoothly. The characters are tangible and feel real. There is nothing that seems far-fetched. Everything you read could easily happen in today's world. Now this could be a turn off some people, as many read to get away from the real world. However, like I said above, it was a welcome change for me.
Jack Crawford is a FBI agent that is investigating a serial killer. He has enlisted the help of Bill Graham. Bill is a retired police officer who was instrumental in profiling and capturing the famed Hannibal Lecter. Together they try to track down the killer known as the Red Dragon. The Red Dragon stalks and kills whole families by the light of the full moon.
Harris does an expert job of putting the reader inside the characters. With the Red Dragon, Harris skillfully gives pieces of his history. Though the Red Dragon is a killer, you can almost feel sorry for him at some points. Due to events as a child, the Red Dragon seems driven to do the things he does. As you find out more about him, the reader finds how deranged the Dragon is.
The reader sees how Graham has to come to terms with his past. He has to enlist the help of Lecter to help him catch the Dragon. Finding the Red Dragon becomes an obsessive priority for him and it begins to affect his family. A psychological game develops between Graham and the Red Dragon. When it's all over, his life will probably never be the same again.
After reading this book I greatly look forward to reading Silence of the Lambs and Hannibal. I would recommend this book for anyone who likes a gripping story. There are enough twists to keep the reader interested and guessing from page to page.
Rather than focus on Hannibal Lecter, this book concentrates on investigator Will Graham, who quit the FBI after catching Hannibal Lecter and just about freaked out from the experience. Graham's theory is that to catch a serial murderer, you must think like the murderer. In the case of Lecter, that brought Graham a mite too close to his own demons.
He is forced to call these demons up again when he is on the hunt for a really nasty killer who's been slaughtering entire families. As in Silence of the Lambs, Graham has to consult his nemesis/mentor Hannibal to get inside the head of the killer. Unlike Silence of the Lambs, Graham also has to, once again, get inside the head of the killer and face his own psychological problems.
Red Dragon is somewhat different than Silence of the Lambs or Hannibal because it depicts the daily life of the murderer. This is probably the closest depiction to a real serial killer in any of Harris' books--a character who blends into the most mundane levels of society and is practically colorless, until you enter his world of madness and evil.
While not as good as Silence of the Lambs, which reads as well as the film, this is a good novel and will satisfy any Harris fans who have read Silence of the Lambs and Hannibal.
A book like this shouldn't make you say, wow with capital letters, "life" should.
I agree with Helena..."not a WOW book."
WOW, meaning a knockout; hit; great achievement and masterstroke.
This book is a masterstroke!
As a serious student of both Pynchon and the philosophy of science, I feel Mr Brownlie's book is a breath of fresh air. Rarely have I encountered a writer with such breadth of knowledge combined with the courage to take on established views.
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Meanwhile, back at Troy, Odysseus and the other Achaean chieftains have learned from an oracle that Troy will fall only with the help of Philoctetes and his bow (a juicy tidbit it certainly would have been nice to have known eight or nine years earlier). Odysseus and Neoptolemus, son of Achilles, are sent to bring Philoctetes and his bow back to the war. Of course, Odysseus dare not show himself to Philoctetes and sends Neoptolemus to do the dirty work. Neoptolemus gains the confidences of the crippled man by lying about taking him home. During one of his agonizing spasms of pain, Philoctetes gives his bow to Neoptolemus. Regretting having lied to this helpless cripple, Philoctetes returns the bow and admits all, begging him to come to Troy of his own free will. Philoctetes refuses and when Odysseus shows his face and threatens to use force to achieve their goal, he finds himself facing a very angry archer.
In "Philoctetes" Sophocles clearly deals with the balance between the rights of the individual and the needs of society. But this is also a play about citizenship and the need for the idealism of youth to be give way to the responsibilities of adulthood. In fact, this lesson is learned both by Philoctetes, who is taught by the shade of Hercules who appears to resolve the tenses conclusion, and Neoptolemus, who finds his duties at odds with his idealized conception of heroism based upon his father. Although this is a lesser known myth and play, "Philoctetes" does raise some issues worth considering in the classroom by contemporary students.
"Philoctetes" is similar to other plays by Sophocles, which deal with the conflict between the individual and society, although this is a rare instance where Odysseus appears in good light in one of his plays; usually he is presented as a corrupter of innocence (remember, the Greeks considered the hero of Homer's epic poem to be more of a pirate than a true hero), but here he is but a spokesperson for the interests of the state. Final Note: We know of lost plays about "Philoctetes" written by both Aeschylus and Euripides. Certainly it would have been interesting to have these to compare and contrast with this play by Sophocles, just as we have with the "Electra" tragedies.
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