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I am going to read another Shakespeare play again because I think he is such a good playwright. What I din't like in this book is the end because suddenly the whole story is over so fast and they married and that's it. That's one thing that bothered me. But all in all it is a very funny play.


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Like any form of excercise, reading Shakespeare isn't always easy, especially when you're just getting started. But if you stick with it, you're apt to find that it gets easier and the benefits become more apparent. Shakespeare's metaphorical language forces your mind to stay nimble and alert and his rich imagery gives you no other choice than to reconnect your soul to the world around you.
"The Tempest" is a lot of fun to read and it's not as weighty or ponderous as some of Shakespeare's dramas. It's a good choice to start with if you haven't read Shaksepeare before, or if you haven't read him since high school. The story involves Prospero, a duke who has been banished to a deserted island, along with his young daughter, Miranda. Propsero uses his magic to shipwreck a party of ex-compatriates who were originally responsible for his ousting. The ensuing drama deals with issues of loyalty, treachery, forgiveness, freedom, and the mind and body dichotomy. But the best part of it all is the vivid imagery. In the play's best moments, the words glow on the page.


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Certainly, there are the bones of a fine plot here, but the play is very short and thus doesn't really give us the smooth development of plot and character that we usually see in Shakespeare. Nor, given how entirely unappealing the main character is, is it properly a tragedy when he dies; granted, one can consider it tragic that good King Duncan is killed, and Banquo as well, to say nothing of McDuff's family. But can a play in which the unequivocal "good guys" categorically win (and several of them even survive) be properly called a tragedy?
There are certain similarities between the plot (or at least, the theme) of this play and that of the novel "Crime and Punishment" by Dostoyevsky. If you liked that book, you may enjoy this play. If you like this play, you will probably enjoy that book (it is a much more in-depth character portrait). Granted, the issue of Kingship never comes into play in Dostoyevsky's work, but the concept of the effect a murder has on the murderer is there, and actually handled rather better.
Of course, being Shakespeare, there is much beautiful language to be found here, and as Shakepearean plays go, the language isn't too difficult for the modern reader; there are only a few places where the footnotes are absolutely essential to an understanding of what's been said. But truly, it is hard to really like this work, and while it can be interesting, it would have been better if it weren't so rushed.


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I read MoV for a Bar Mitzvah project on Anti-Semitism. Naturally, my sympathies went to Shylock. However, even if i were Christian, i still would've favored Shylock. What many people believe is that Shylock is a cold hearted ruthless person and only wanted to get back at Antonio because Antonio was a Christian.
Not true. Shylock specifically says something along the lines off, "Why should I lend money to you? You spit on me, and call me a Jewish dog!" I'm not saying that Shylock was a good guy, but I am saying that he is not the villain.
In fact, the "Merchant of Venice," in this story is actually Shylock, not Antonio, contrary to popular belief. My thoughts on the story was that Shylock requested a pound of Antonio's flesh because he did not trust Antonio. Who would trust someone that spat on him? The fact is, Antonio doesn't pay him back in the end.
Now, there's always something else we have to put into consideration. Would the judge had given the "spill one ounce of Christian blood" verdict at the end if Shylock were not a Jew?
This is the mark of a great play. A play that really gets you thinking. But I encourage you, I beg of you, that when you read it or see it, please do not hold Shylock up to being a cold hearted villain. Hold Antonio up to that image. (joking, of course, Antonio's not a bad guy, he's just not a good guy.)

The Merchant of Venice is a lively and happy morality tale. Good triumphs over bad - charity over greed - love over hate.
There is fine comedy. Portia is one of Shakespeare's greatest women (and he ennobled women more than any playwright in history). There are moments of empathy and pain with all the major characters. There is great humanity and earthiness in this play. These things are what elevate Shakespeare over any other playwright in English history.
Plays should be seen - not read. I recommend you see this play (if you can find a theater with the courage and skill to do it). But if it is not playing in your area this season - buy the book and read it.

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I'm a Jew, and while I did find the character Shylock to be an almost laughable caricature of Jewish usury and greed, it's hardly the worst I've seen. I'm not excusing anti-semitism simply because Willy S (yes, Willy S) wrote it, but because it's not all that offensive (in my opinion)
So read The Merchant... with an open mind, and try to enjoy it for what it is, and remember it's just a play...

The story is one in which Antonio offers to go into debt for a loan so that his friend Bassanio can have enough money to impress Portia, a woman he wishes to court and marry. Antonio goes into debt to Shylock, a moneylender who demands a pound of his flesh if he cannot pay back the loan. Shylock hates Antonio because Antonio has payed off many loans of his indebted clients and also has badmouthed him as an unethical loan shark, trying to damage Shylock's business.
It is the tension of hate between the two, which give the play an intensity, especially at the climax when Shylock is about to take a pound of his flesh. Also the fear of losing flesh to the moneylender makes for good drama. The character Shylock has some juicy vitriolic lines during the scene. And there is a certain glee Shakespheare builds into the play to see Shylock's "justice" turned against him.
There is also a subplot involving Portia and her various suitors who have to choose between 3 caskets of gold, silver, and lead. Choosing the correct casket will make them the husband of Portia. It was interesting to read about the different reasonings that each suitor has for their choices. Portia also disguises herself as a judge during Antonio's trial in which she helps to set him free of the charges and his friend Bassanio is persuaded to give up his engagement ring to the judge out of gratitude, which gets him in trouble with Portia later who does not tell him she was the judge as she asks him what happened to the ring.
This is a good, tightly constructed play with none of diffuseness of King Lear. It had more drama too.

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This story contains yet another authoritarian father of Shakespheare's creation, Egeus, telling his daughter Hermia who she will marry (Demetrius) and not marry (Lysander). There is also her sister Helena who is in love with Demetrius, but Demetrius does not love her. Enter the fairies, mainly Oberon and his servant Puck who muck things up further by enchanting Lysander and Demetrius into falling in love with Helena instead of their previous darling girl Hermia. Tension ensues as Helena thinks that she is being mocked and Hermia thinks that Helena has stolen away her men. Puck and the fairies eventually right things by enchanting Demetrius to match up with Hermia and Lysander with Helena.
There is a subplot with working class rustics who try to put on a play of Pyramus and Thisbe, two lovers that die tragically. (Imagine construction workers putting on a romantic play, for modern day comparison.) The leader Snug and his company of Bottom, Quince, Flute, Snout, and Starveling prepare a play at night in the woods and the mischievous fairy Puck attaches a donkey's posterior to Bottom's head and makes the queen fairy Titania fall in love with him and his fine feature. Eventually, Puck reverses this predicament before the night is over.
Bottom and company put on the play in the last act for the nobles of city who are Theseus, Duke of Athens, and his company of the soon to be married nobles Demetrius and Hermia and Lysander and Helena, among others. The play is so bad it's comical. The usual tragic romantic deaths in plays like Romeo and Juliet are parodied in this act. In fact, this play seems to be what Romeo and Juliet would have been if it were turned into a comedy.
As with most Shakespheare's plays this is better seen than read. The love rectangle is confusing at first given the similar names of Helena and Hermia and the switching match-ups. Not much mentally to chew on here, other than the observation that one can often love someone, but they don't love you back and it's frustrating.

I believe that Shakespeare wrote A Midsummer Night's Dream as a light entertainment to accompany a marriage celebration.

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But I don't like the plot. The two topics are love and mistakes by taking someone for someone he isn't really. So that's very boring. You know very early on how the play will end. The twins find together, Orsino "gets" Viola and Olivia "gets" Sebastian. It's to kitschy and I hate kitschy stories.
The person I like most is Feste, the clown. I knows all persons and is very intelligent, although all tell him his is only a fool. But I would say he is the only person of the play which is not a fool himself.
That's way I think it is an average good book. But for someone who likes kitschy stories it is perfect.