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What's great, then, about this "Strategic Action Series" is that, page after page, Kennedy suggests, profiles, highlights, or lists things you can do to move diversity from the discussion table to the office suite or plant floor.
The series is a perfect blend of philosophy, reporting, and move-on-it-now lists. Thus, when completed, the series not only helps you see diversity in a new light; these books also help you think about your own potential for converting diversity into actions with both a personal and organizational payoff.
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The portion titled "A Prayer for the Salmon's Second Coming" should be read by every single American period. In another chapter called "When Birdwatching Is a Blood Sport" he writes, "When wild elk, to remain alive, are forced to wipe out wild salmon, it is time, in my book, to get sad".
This book woke me up to many things I'd slept through. If you are more fortunate than I, and already awake, the words in this book will make your own words even more powerful. Buy it, read it, treasure it, share it. You'll never regret it.
Later in the book, Duncan finds his stride writing about the not-so-bright outlook facing wild salmon along the Columbia and Snake Rivers. You can almost feel the tears welling up in his eyes as he describes their near exit from his world. He sums up the disaster of the salmon run on the Snake River this way: "The babble of 'salmon management' rhetoric has taken a river of prayful human yearning, diverted it into a thousand word-filled ditches, and run it over alkali. When migratory creatures are prevented from migrating, they are no longer migratory creatures: they're kidnap victims. The name of the living vessel in which wild salmon evolved and still thrive is not 'fish bypass system,' 'smolt-deflecting diversionary strobe light,' or 'barge.' It is River."
Duncan opens his heart to the connections he has to rivers and wild fish. But more importantly, he gives us inspiration for making our own connections to those wild places.
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YES! It truly is a horrifying experience to get lost in the store when one is a toddler. But Duncan's style and knack for cheese reduce such moments to the most trite melodrama. He is the classic example of the writer who has used more words than he knows what to do with. If you admire the aesthetics of Hallmark cards, buy this book and swoon away.
For better nature writers, turn to Henry David Thoreau, (early) Robert Bly, Paul Theroux or even Ernest Hemingway's Nick Adams stories. Compared to Duncan, a man like Hawthorne takes readers closer to nature by having characters walk through a forest.
Ten years later I was having babies and was reading The Brothers K with my son asleep on my chest.
Now, well beyond that divorce, I find "home" in David's stories in River Teeth. His attention to me not his characters is extremely evident through his writing. I can still get chills up my spine just thinking about that Oregon concert when the lightning and thunder peeled...
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Doyle's human characters are described much more richly than Michael Crichton's minimally interesting protagonists in Jurassic Park (1990), so the story hinges as much on Challenger's eccentricities as it does on dinosaur attacks or Ned Malone's quest for validation of his masculine bravado. A weakness is the lack of female characters worthy of more than passing note. Ned's fickle and heartless girlfriend makes only brief and displeasing appearances at the beginning and end of the tale. Crichton does no better with females.
Hopp's Dinosaur Wars, published in 2000, does a much better take on genders, giving equal weight to a young male/female pair who brave the dangers of dinosaurs loose in modern-day Montana. It seems that even dinosaur fiction has evolved over the years.
The world they find is every bit as captivating as Michael Crichton's Jurassic Park, and the danger is every bit as exhilarating. The characters are more engaging, and the story contains a good deal of humor as the four strong personalities clash a number of times on a number of levels.
There are no velociraptors to menace the adventurers, who have become hopelessly marooned, but a tribe of ape men serves quite well to provide the danger. It is a pleasure to have the English language used so well in describing the adventures of the four.
"The Lost World" is obviously the inspiration for Crichton's "Jurassic Park." Crichton may have modernized the story, but he certainly didn't improve it. Unfortunately, "The Lost World" reflects the ethnic insensitivity and "classism" of the Victorian Era, but if you can overlook that flaw, you will thoroughly enjoy the story.