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The book opens with a brief and useful historical overview of the Navy's presence in the Gulf and the run up to Iraq's invasion of Kuwait. While the story of how the US Military arrived at its plan to fight the war is interesting, the account of the logistics of the buildup is somewhat tedious. I realize logistics are the backbone of any military operation; but it just wasn't that interesting except as part of an official history.
The authors deserve credit for addressing the problems the Navy faced: a lack of integration with the other services, infighting among the Generals (Army and USAF) and Admirals, and an ill-conceived mine laying operations that cost two pilots their lives, for example. It avoids being "whiney" about slights during the air campaign from an Air Force dominated air warfare command structure, yet is somewhat bogged down in details about tasking orders and control systems.
This book will probably only be interesting to the more die hard Naval historian and students of Joint Military Operations for lessons learned. For a good account of modern Naval Warfare, I would be more inclined to recommend Admiral Sandy Woodward's "One Hundred Days" about the Falklands War.
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Another RDE trademark is that believable and distinct (and recognisably British) characters come to life with remarkable economy of words. As usual with RDE the plot is not over-clever, but nonetheless tight and can't be faulted. Her strength really is making everything so true-to-life. Policemen engage in real hard thinking and thorough dog-work, coping at the same time with political pressures. People act true to nature and yet don't always conform to steorotype. Milton and Amiss display real intelligence and understanding of human nature (no glaring oversight of an obvious angle which proves to be the key to the mystery). RDE mixes realism and entertainment to a commendable degree. Needless to say, she writes well; well-paced, articulate and snappy prose.
This books take the point of view of Jim Milton more than Robert Amiss, which is interesting for devotees of the series because Amiss quickly becomes central whereas Milton fades away gradually. For the reader interested in character development, this first book provides an important piece in the jigsaw. Here Milton is portrayed more vividly than in any other book in the series, and we learn to respect his patience and professionalism, and understand a little more of his personal life. Amiss is a bit flat here compared to the following and later books where he becomes more lively. One gets the feeling that perhaps at this stage RDE meant Milton to be her central character rather than Amiss. But this is the only book where he is in real and appropriate employment so for Amiss fans it is a chance to see him on his homeground.
I give this four rather then five stars because some later books in this series (Matricide, Ten Lords, Publish) are more deserving of full honours. She hasn't quite gotten into her satirical stride in this first book, though that's not to say that she's not irreverent. But it is only in later books that her satire gets truly and howlingly wicked, and her comic talent blossoms. I recommend any book in the series; not one of them is a dud.
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While I appreciated the farcical elements (like naming many of the lesser characters after famous Irish patriots) and enjoyed a few of the characters' foibles, the author's polemics against the entire Irish race and against the Catholic Church in particular ruined the book for me. Even the Irish characters who were not villains were maligned in some way, as with one who is shown to be an absolute alcoholic. Sorry, Ms. Edwards, but a good political lampoon coupled with a mystery (and the mystery part of the story is barely developed at all) requires the author satirizing characters on all sides on a fairly equal basis, not just savaging the ones whose political views you disagree with. (By the way, when you refer to the Northern Ireland nationalists as mass murderers and criminals, I might point out that twice as many Catholics were murdered in the Troubles by the British Army, the highly-prejudiced Protestant police force and the Protestant paramilitary groups as Protestants were killed by the IRA and their supporters. So it would seem the government and their supporters were mass murderers and criminals too.)
It could have been an excellent book, but the one-sided nature of the presentation made it seem in the end like something the Rev. Ian Paisley might have produced had he over-indulged at the pub one Saturday night.
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The author had Sherlock Holmes killed but public demand was so high for further adventures that we find him back in action. Determined to have a permanent retirement, Sherlock Holmes moves into a small farm and dedicates himself to other matters, refusing to offer his intellectual ability to the government. With World War I approaching he backs up on this determination and his return into action is narrated in "His Last Bow." The cases range from theft, burglary, kidnapping, to murder, and in all of the them Sherlock Holmes is a master in the science of deduction and analysis.
By those considered expert "Sherlockians," this is not Holmes at his best and certainly not as good as his masterpiece "The Hound of the Baskervilles."