I read Sister Carrie when I was a teenager in China. The other day I listened to a Hoosier's holiday on Talking Books. He went back to his hometown after some thirty years. I went back to my hometown, Hangzhou, China and saw my old house now completely destroyed and replaced by a huge scaffolding. Somehow I felt my experience wasn't so different from Dreisers. I liked the book so much I'm going to order a copy to read certain parts again, although I have been in Indianapolis exactly once in my lifetime. Indianapolis and Hangzhou are world's apart. Dreiser and me are only 50 years apart but I feel I knew how he felt. Kai Lai Chung

Theodore Dreiser is one of America's great authors, but he is also an enigma wrapped inside a contradiction. Forever in awe of the "great social forces" lurching mankind forward, and inspired by the great financial titans and clever capitalist geniuses who attempted to reap the whirlwind, Dreiser nevertheless embraced communism late in his life as the antidote for the injustices plaguing mankind. He was a spirited social rebel, railing against orthodoxy and Puritan "Babbitts" who would foist their Midwestern morality down upon him, but at the same time, as he demonstrates in this book, his idealization of the small-town Hoosier philistines in Warsaw, Sullivan, and other whistle stop towns far removed from the Broadway footlights he had known intimately by the time this epic journey to the Heartland commences. Dreiser devoted hundreds, perhaps thousands of pages of prose to attacking the small-town "Babbitts" sharing the views of another world-weary cynic, Henry Louis Mencken. And yet, for all his caustic attitudes toward rigid conventions, Dreiser swoons in near reverie after catching first glimpse of the mundane streets, the old grammar school, feed store, and the simple folk he remembered from his youth. In other passages,examples of plain country living he encounters along the bumpy, dusty backroads of America circa 1914, are ridiculed and scorned as one would commonly expect of Theodore Dreiser and his war against society's religious and social conventions. Nevertheless, Dreiser's personal observations on life are often more engaging and inciteful than in some of his later novels. He is an American master; a pioneer of literary realism, and despite the contradictions, this is a fine and engaging volume exploring a vanished American landscape. Mr. Brinkley is to be commended for presenting it to the reading public again after all these years.