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Based on Old Norse stories of Gods with the skill of Drake, the creator of Hammer's Slammers this book has everthing to keep your eyes on the page
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The PBS character Wishbone, takes classic stories and applies them to modern life. Drake takes a classic myth and applies it to the future with wonderful results.
If you want to sneak one of the classics into your teen's reading, this is the book to do it :-)
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The anger surprised me, not that I didn't expect to see anger. I just did not expect to see it in the scene that describes why gay men go to the gym, which is to fight straights and be ready for "the day we bash the bashers back / into the graves they've dug for us" (p. 42).
Could the play be performed today and seen now as it was then? Since the last scene takes place on the last day of 1999--a time now in the past but in the future when Drake created the scene in 1992--it's hard to tell. Describing a world that has seen the Queer War of '96 and the assassination of Rush Limbaugh and imprisonment of Phyllis Schlafly and William Dannemeyer sounds hopeful in 1992 but more like a fairy tale in 2000.
Still, I have to appreciate someone who--like me--found solace in West Side Story and A Chorus Line. And who can write, "the truth will set you free. But first it will piss you off" (p. 86).
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Lacey is a humorless, merciless "rehabilitated" rapist turned investigator who uses the all-seeing surveillance systems of the future to stalk his prey. Along the way he also gains some small measure of revenge against "Big Brother" for the mental emasculation that constituted his rehabilitation. It's too bad that none of Drake's other works come close to matching this level of intensity. Everything else I've read by Drake seems tepid and lame by comparison. Read it. Only 3 stars 'cause there are some really weak non-Lacey stories included to fluff up the word count.
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In a war not unlike the one in which Drake and i found ourselves a while back, an ad-hoc unit of odds and sods finds itself rolling hot to try to relieve their employer's provincial capital.
While these are members of Hammer's Slammers, the deadliest mercenary unit going, they are hardly the Slammers' finest, ranging from maintenance personnel pressed into service as the crew of a patched-up tank to their CO, Capt. Peggie Ranson, who is just this side of a Section 8, and a civilian reporter, who accidentally winds up along for the ride, who furnishes a viewpoint for the reader.
It is this viewpoint (one of several from which Drake tells the story) that makes this book, in my opinion, about Drake's best -- by giving us someone a lot like ourselves, putting us inside his head then and putting him through an accelerated version of the hardening process that produces a professional soldier from a raw replacement, Drake shows us even more starkly than usual, that war is, indeed hell. And why.
Drake is not going to let us get away from war without rubbing our noses in it; he wants the reader to see soldiers as *people*, not expendables, like bullets. He wants to show people who haven't Seen The Elephant what war is, and to -- just maybe -- convince a few of us that War Is Not A Good Thing.
Reading this book can be harrowing, as you watch men and women who are at least recogniseable and often sympathetic characters kill and die. If you can read it, watch those characters fighting and dieing, and not find yourself in some sort of emotional state as you read Chapter 13, which is a slightly-less-formal version of a military arrival report of Task Force Ranson's arrival in the capital, listing the few remaining vehicles and personnel that they rolled with, then you have Not Been Listening.
"...still i wonder why -- the worst of men must fight and the best of men must die..."
One of the absolutely most revealing looks at the military mind and what the military actually *DOES* that i have ever read.
As always, it's the characters that draw you into Drake's portayals of soldiers under fire. We follow events from the strangely detached POV of Captain Ranson, who must coldly proceed with her mission at all costs. A civilian reporter along for the ride provides the experience of a man who is at first ignorant of what war really is. By the end of the story, he's as hard-bitten as any Slammer. Equally gripping are the sub-plots incolving a new tank crew, a shell shocked veteran, and two maintenance workers pressed into service as tank crewmen.
The action starts up and doesn't stop til the very last page. I love Drake's ironic endings. The ending of Rolling Hot is bitter, but leaves you with a real sense of the futility of war.
It's been a long time since David Drake did any stories of Hammer's Slammers. I wish he'd write some more!
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I picked up "Oblique Approach" expecting a David Drake type SciFi quick read, shallow and fun. Much to my surprise this book turned out to be much more than its cover or authors would indicate. This may well have been Drake's way of saying that he can do better than potboilers. It may be that he and Eric Flint are natural collaborrators.
Whatever the reason, this is a book chuck full of history, geography, culture, combat, intrigue, complex characters and good old fashioned SciFi and a great read. My only gripe is that now that I've read the first book, I've got to read the series.
The result is an engaging look at an alternate reality where Belisarius, a real-life general of antiquity, is contacted by a sentient "jewel" from the future. It shows him a horrific future in which the Indian Malwa dynasty conquers the world for the forces of darkness, and he immediately enlists to stop them. He is given knowledge about gunpowder and modern weapons, and he sets about gathering allies for the war that only he can see coming. The action is almost nonstop as Belisarius journeys to India with new allies to learn about his enemy and help the oppressed Indians begin a revolution from within.
Detractors will point out that Drake has done this before with S.M. Stirling, and that is true, up to a point. One major difference, though, is the fact that the sentient gem in this series is not all-powerful from the start; it grows and learns throughout the book, gradually becoming more self-aware and developing a personality. Another aspect that makes this book stand out is the cast of characters. Many of them are familiar from history lessons, and all are individual and interesting. The interplay between strong characters keeps the book from becoming just a dry series of battles and strategies.
To sum up, this book has all the fighting action to satisfy a fan of military SF, combined with an intriguing premise. It is skillfully written, and I am eagerly awaiting future installments of the series.
This isn't a fast-action book. This is a thinking book. Belisarius is a general with an excellent mind and the will to use it. Furthermore, Belisarius is not the only character in the book who can do something right. (I'm not crazy about "only you can save the world" books.) I also like the fact that he's devoted to his wife.
Continual Sci-Fi action highlights this novel as it does the other two.