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Much like her "Women of the Pleasure Quarters", Lesley Downer's lastest effort is well-written and a wonderful read. I kept turning from the text to the photos to gaze at the creature who was so enchanting.
With each change of her name, Madame Sadayakko morphed into another creature who managed to survive the blows and upsets life sent her. Her pre-geisha and geisha life is fascinating but what truly captured my attention was her and the troupe's struggles to stay afloat once Japan was far behind.
Ms Downer's book is about a young lady who was very much a pioneer in her days in women's liberation in a Japan still ruled by tradition. The book bridges the 100 years between Sadayakko and us, enthralling us with the excitment of her days.
Sadayakko began her life as a geisha, married a young upstart of an actor, Otojiro and thus began an adventure that brought her and her compatriots traipsing over a good part of the Western world. It would be fair to say that her and husband, made a great contribution to the West's fascination with Japan. Two thirds of the book is on Sadayakko's life as an actress, her change in fortune and the whirlwind that surrounds it. However,the real Sadayakko seems to be a misty figure within these chapters. Sadayakko's character is cleverly captured but not her soul.
The real woman starts emerging only in the later part of the book covering the period upon the death of her husband and Sadayakko's life with her first love, Momosuke. In these last pages, tantalising glimpses of the Sadayakko's personality starts showing through, leaving the reader thirsty for more. Perhaps the private Sadayakko will never be uncovered due to the loss of her diaries and papers but the picture that emerges is one of a woman who was remarkable for her achievements in her time and ours. The graceful smile that enchanted many 100 years ago still has the same effect on us today.
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"Women of the Pleasure Quarters" begins with a first person account of Ms. Downer's attempts to gain the "inside" perspective to what has been for centuries a virtually secret society. Throughout the book, I found captivating her recounting of meetings and conversations with those connected with the geisha life: proprietors and "clients" of the tea houses, teachers, artists, wig makers, and the maiko and geisha themselves. The diversity of aspects woven into Ms. Downer's journalistic endeavors (mostly from time spent in Kyoto and Tokyo) are impressive, encompassing folklore, poetry, theater, music, fashion, art, and the geisha's mastery of charm and conversation. It's an entertaining read, more so than I expected, and her photos add a nice, diary-like touch to the writing.
Aside from the author's documentation of geisha life, there's also much to be told about Japanese history and legend, and the evolution of the role of geisha and maiko, beginning with the 17th century tea houses and ending with the present times. While I found the history and literature lessons to be mildly interesting, I was much more fascinated with the participation of Ms. Downer in her ventures behind the gates of the "flower and willow" world. To me, the bouncing around between first and third person story telling--present, then past, and again--upset the flow of this book, but only slightly (my only criticism). I wanted to read more about the author's tales.
All things considered, I'd recommend this book to just about anyone. By her curiosity and persistence, Ms. Downer gives us much more than just an acquaintance with the women behind the painted faces.
Women of the Pleasure Quarters: The Secret History of the Geisha is a valuable edition to your geisha collection - don't pass it up!
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Her accounts of the northwestern mountains did make me want to visit that area, however. In general, however, I felt the book was overshadowed by a negativity about the Japanese and their values and ways. I wonder if she has ever wished she could rewrite the book with a bit more sympathy.
On a practical note, I think parts of the book are rendered unnecessarily difficult to understand and follow for someone with no Japanese language ability. For example, she continually refers to cicadas as "semis," when the English word would suffice and be clearer.
Nevertheless, I think this book would be interesting for anyone who has spent time in Japan and who has some Japanese language ability.
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