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Bill Pearce
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Almost everything of value regarding the psychological image of the puer is available in the first chapter which is reprinted in Reclaiming the Inner Child by Jeremiah Abrams (ed). Here the reader will find an entire section on Eternal Youth and Narcissism including excellent chapters by Joel Covitz (Narcissism), Alice Miller (The Search for the True Self) and Jeffrey Satinover (The Childhood Self and the Origins of Puer Psychology). This last I especially recommend to anyone interested in the puer.
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However, O'Doherty waxes much too purple for my taste when he lapses into streams of consciousness that seem to turn into whirlpools from which he cannot extricate himself. More unfortunately, while he has done tons of research on the details of say, seventeenth century Viennese table legs, he hasn't read too many diaries from the time. His prose seems awfully Victorian to me. Or pseudo-Victorian. Actually, there were times when it reminded me for all the world of Elinor Glyn.
His problem is that the novel isn't a seventeenth century form, and stream of consciousness, moreover, is a twentieth century construction. Still more incongruously, O'Doherty appears to have his eye on eighteenth century fictive diary prose such as Charlotte Bronte writes in Jane Eyre. However, he can't even separate the first person narrative of early novels from the stream of consciousness that readers today are familiar with. In addition, he uses three-point narration (Mlle. P., her father, and Anton Mesmer) and seems to be trying to do something along the lines of The Moonstone, yet another form that didn't exist in the seventeenth century. O'Doherty has set himself up for massive leaps of invention. Sadly, he never quite does what he sets out to do, and the thing shrivels in the bud.
I'm just addressing his prose style, though. If you can stomach it, then you have the pleasure of the devices he uses to work Mesmer, Mozart, Benjamin Franklin, Empress Maria Theresa, and most of the rest of the Hapsburg court, plus the French Revolution into 240 pages. They are actually pretty artful. So if you like that kind of stuff, and aren't fussy about the mode of communication, this might the book for you.
On top of that, there's sex, lots of it, and a blind girl Mesmer is trying to cure, and some neat messages about talent vs. function.
However, if you read for style and rhythm of language as much as plot, this will set your teeth on edge.
This novel may be technically out of print, but you can still buy it in many bookstores...There are probably lots of warehoused copies. Since it's on the Booker shortlist, there's a good chance it'll come back into print. Nonetheless, if you're interested, you ought to grab it while you can.
While there are horrific moments highlighting the destructive effects of ill-conceived parental control, O'Doherty sheds light on the mysterious penchant talented people have for falling into the hands of suppressive creeps. The doctor seems sincere enough, but even he cannot keep his hands off the lovely musician.
Chapters told by different characters, the story is a fine exercise in viewpoint and voice. O'Doherty sets his scenes with amazing conservation of adjectives. The language and syntax alone paints vivid pictures of court settings. This reader really got the impression O'Doherty did his research meticulously.
Now that the author's shortlisted for the Booker, we have good reason to snap up this out-of-print novel!
I would recommend this book for the serious student of Lilith over and above any other, due to the fact that it clearly contextualizes Lilith both as a historical and modern phenomenon within the culture that created her. This book is also not feminist, and the images of Lilith that come from out of the minds of men may have more meaning and impact on a male reader than a feminist pro-Lilith description.
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"The Way of the Dream is based on an extraordinary series of films made by Fraser Boa, who collected first-person accounts of dreams in street interviews with ordinary men and women in various parts of the world. He then asked the eminent psychoanalyst Marie-Louise von Franz to interpret these dreams on film, just as she would in a private analytical session. The resulting text is a primer explaining and demonstrating the art and science of dream analysis for the general public. The material covered includes dreams of men, dreams of women, what dreams tell us about ourselves and our relationships, the historical significance of dreams, and dreams about death and dying. Dr. von Franz concludes that one of the healthiest things people can do is pay attention to their dreams: 'Dreams show us how to find meaning in our lives, how to fulfill our own destiny, how to realize the greater potential of life within us.'"