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Most of the book works its way through various scenarios in which death may occur under particularly tragic circumstances such as senseless acts of violence, the loss of a child, and suicide. In each chapter Anderson addresses the "why" of such actions and their effect on both the departed and those left behind. Each chapter includes transcripts of actual discernments and comments from Anderson about what can be learned from each.
I admit that I bring a healthy dose of skepticism to the premise of the book; however, there is no doubt that the messages conveyed by the discernments bring comfort, hope, and a sense of relief to those who seek Anderson's help. This is one of those realms which we all must judge for ourselves. If you find it is an area you would like to explore, this book would be an interesting and intriguing choice.
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True, the start of Romola is bogged down in detail, but it is introduced by a wonderful, stirring and majestic 'Proem' which sees the Angel of the Dawn sweeping across the Earth and loftily states how humanity is the same now as it was when Romola is set. After this, the notes are best ignored - consult them separately, and concentrate on getting into the book. It is a stirring and sometimes hard read, and moves one with awe at what Eliot has created - you really feel you are experiencing Florence in the 15th century. There is one scene that stands out for me - the haunting and almost surreal episode where Romola drifts by boat to an apparent coastal haven. Images of peace and life are reversed disturbingly.
So ignore Leavis and the dissenters. If you've read another Eliot, you'll like it. If you haven't, maybe start with something else, but come back, for it's a rewarding read
After the first attempt I was mildly disappointed. I came away with no true sense of the whole that is fifteenth century Florence and a bewilderment at the inconsistent central characterisation of Tito Melema and his golden-haired wife, Romola. The supporting actors were brilliant, from Fra Girolama's fantatical Catholicism to Bratti's salesmanship. But I was left disappointed, believing in the superficality of Tito, the maddening naivety of Tessa, and the almost puritanical martyrdom of Romola.
So I re-read it. Slowly.
It is now extremely clear why this great work of english literature is, as Eliot herself puts it, a "book of mine which I more thoroughly feel that I swear by every sentence as having been written with my best blood".
Each scene is mesmerically depicted, the infintesimal attention to details and Eliot's total control of her subject matter shines through.
Renaissance Florence wasn't so well depicted by its contemporaries.
From Tito's waking at the Loggia de' Cerchi to his final fall at the Ponte Vecchio his character moves through a full range as you would expect from a man in his early twenties. His child-like mesmerism coupled with his Greek tutorage gives rise to a cherubic man whom Florence loves. His fatal flaw is his desire for love and a single terrible lie he gives that, like Murphy's Law, evolves into a a stigma that alters his very persona. What is all the more damaging is that you truly believe he is unaware of the pain he causes. He is truly egocentric, in an almost blameless way. For Romola, you cold argue the opposite. Indeed she is potentially more culpable. Her fierce intellectualism is offset by a descent into a world of religious supersition, a world where religion is used as a political tool. Throughout she has the knowledge of where her actions will take her and a terrible sense of duty and restrains her. From the beginning, with the story we hear so often of Tito's escape from drowning, to his final near drowning at the hands of the mob, to his strangulation by his father there is a certain bitter justice until all that he leaves is his proud and world-scarred wife Romola and the innocence that he preserved with Tessa. Tito's move from innocent 'hero' to startled villain is an excerise in human failings. Yet it is not a sufficient single human tragedy, as Eliot says, "Florence was busy with greater affairs, and the preparation of a deeper tragedy".
In many respects 'Romola' is Eliot's King Lear. The parallels are many, including Baldessare's depiction. There is no Edgar, nor Edmund but the Fool is here in many guises. In taking one of Shakespeare's finest themes, Eliot has given true life to fifteenth century Florence and it is, perhaps, best encapsulated by Romola's final statement to Tessa's son, Lillo:
"There was a man to whom I was very near... who made almost everyone fond of him, for he ws young, and clever, and beautiful...I believe, when I first knew him, he never thought of anything cruel or base. But because he tried to slip away from everything that was unpleasant, and cared for nothing else so much as his own safety, he came at last to commit some of the basest deeds - such as make men infamous."
So, Eliot's 'Romola'. Read it, delight in it because it truly is, as the author can rightly claim, one of the finest works in english literature.
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The book chronicles the search for George Mallory and Andrew Irvine by the 1999 Mallory & Irvine Research Expedition. It juxtaposes the dramatic turn of events during their expedition with those of the 1924 British Everest Expedition which saw Mallory and Irvine attempt a summit climb, only to disappear into the mists of Everest, never to be seen again. It makes for a spell binding narrative, as past events are woven through present day ones.
The 1999 Mallory & Irvine Research Expedition was a meticulously well prepared and well organized venture. With its discovery of George Leigh Mallory's body, it enjoyed much success. The research and analysis that went into its ultimate, well thought out conclusions were comprehensive and fascinating, with its strong reliance upon forensics and deductive reasoning. Their reconstruction of Mallory's and Irvine's last climb is riveting. Unfortunately, the ultimate question still remains unanswered. Did they or did they not reach the summit of Mount Everest back in 1924?
The beautiful photographs of the personal effects found upon Mallory's person underscore a certain poignancy about the discovery of Mallory's well preserved body. The photographs which memorialize this discovery are amazingly lovely and tasteful, considering its subject matter, and hauntingly illustrate the finality with which Everest may deal with mountaineers, no matter how accomplished.
The photographs also highlight how ill equipped for the harsh climatic conditions were the early Everest expeditions. It is amazing, and a credit to those early expeditioners' courage and fortitude, in braving such an inhospitable and harsh terrain with the inadequate clothing and equipment available to them at the time. Mallory and Irvine were certainly intrepid explorers!
This book is a fitting tribute to two men who sought to make a historic summit and, in their attempt, would forever be a part of Everest.
This is a beautifully produced book. The paper is heavy and glossy, the photographs are fantastic and the makeup is flawless.
The content I would have to say is uneven. The electrifying discovery of Mallory's body is well written and in good taste. The trials and tribulations of getting financial support are well done. The duplicity of the good and gray BBC is an eye-opener. No punches are pulled about the various expedition team's strengths and weaknesses. However, it shows the faults of a book written by committee and the continuity is sometimes poor. I felt the pages and pages devoted to oxygen tanks were, to put it kindly, far too many.
The 1999 expedition uncovered a treasure lode of documents and artifacts about Mallory and Irvine's last day on earth and can be considered a total success. The big question: Did Mallory and Irvine summit Mr. Everest some 29 years before Sir Edmund Hillary? Maybe. To this reader the most compelling evidence was what was not found on Mr. Mallory's body: the picture of his wife that he always carried in his billfold. He had said he was going to leave her picture on the summit of Everest. Maybe he did.
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On a side note, Viacom's MTV division had a pissyfitch about the spelling of the title and demanded a change even though the spelling has been in use for thousands of years before their 'Aeon Flux' cartoon. White Wolf politely stepped aside and let MTV have their way, and are now changing the title to Trinity. Thus the back-order, since they had to do some re-printing....
In the last couple of years under the JFK Assassination Records Review Board Act our government has spent millions of dollars into the research of the assassination of our 35th President John Fitzgerald Kennedy. As a former Federal employee, on several occasions I have offered all of my research under the Whistleblowing Act to the Clinton administration without receiving replies. President Clinton's former Chief of Staff, Leon Panetta, in the past (1992), had supported this author's research as a former Congressman for the County of Santa Cruz. This author believes that it was certainly unethical and boardering upon fraud when President George Bush signed into law The JFK Assassination Records Review Board Act and did not disclose that he knew George de Mohrenschildt since 1942. In order to understand the conflict of interest George Bush played in the JFK assassination investigation in 1963 and in 1976, one needs to look at his entire career with the CIA and Zapata Oil industry.
TRACKING THE JFK ASSASSINATION
Santa Monica College Corsair - November 17,1997, by Donna Lynn
As the 34th anniversary of John Fitzgerald Kennedy's assassination approaches, Bruce Campbell Adamson, a self-taught genealogist, historian, author and Santa Monica College graduate says that he is close to solving "the crime of the century." When his father died in 1980, Adamson applied for a job at the Santa Monica Post Office. He says he "wanted to work outdoors" because it seemed to be a "healthy" job with few problems. "It took me five years to get hired," he says "And I retired in five years." Adamson ended up filing a federal lawsuit against the Post Office in a worker's compensation claim. He was the case in 1991 and has used the money to research the JFK assassination. "I started researching it (JFK) because I was tired of the subject, said Adamson. When I began my research Oliver Stone's movie, JFK, had just been released and I was sick and tired of all of the theories generated by the tabloid news agencies." This motivated him to write and publish The JFK Assassination Timeline Chart, and eight volumes (now ten) of Oswald's Closest Friend; The George de Mohrenschildt Story. Each bit of information led to another, and Adamson soon discovered that some of his own family members were coincidentally associated with persons connected to George de Mohrenschildt in one way or another. In the past 14 years, Adamson's research has taken him through the government and the Central Intelligence Agency...In a trail that leads from oil fields to Wall Street to the sales of helicopters used in the Vietnam War, Adamson claims that he exposes evidence that Lee Harvey Oswald did not act alone. Everything that we are today exists today because of the past, he said "If historians don't get the story right, then our lives today are based upon lies." He also link's "alleged lone assassin" Oswald to de Mohrenschildt, an aristocrat who had ties to the rich and famous. Adamson asserts that these elites may have benefited financially from JFK's death. The wealthy "were also retaliating for their political as well as other motives," said Adamson. "Wealthy individuals having prior knowledge of the plans to kill JFK could sell short on the New York Stock Exchange and buy their company back for half the price after the assassination," Adamson aid. On the day of the assassination, the stock market lost 11 billion in paper." Adamson's main theory focuses on a U.S. oil depletion allowance, which grants oilmen a 27.5 percent tax break when reinvesting in their other corporation. Adamson says that Texas oilmen plotted the assassination of JFK to gain more power, and that the Warren Commission found Oswald guilty without a fair trial. He places de Mohrenschildt with a group of friends -- one of whose grandfather's chartered the oil depletion allowance in the 1920s."... De Mohrenschildt died on March 29, 1977, of a self-inflicted gunshot wound to the head. Adamson, however, says de Mohrenschildt could have been murdered, since the CIA was on his back about his knowledge of the assassination. Adamson asserts that de Mohrenschildt, prior to his death, told a close friend that a number of oilmen, FBI and CIA agents were behind the JFK assassination. "De Mohrenschildt had complained to his friend, CIA Director George Bush in September of 1976 about being harassed," Adamson wrote. "Shortly thereafter, Bush contacted the FBI Director and it was not long after that de Mohrenschildt would find himself in Parkland Hospital receiving nine shock treatments." Were the shock treatments CIA-sponsored, Adamson asks? While Bush was CIA Director, more than 200 Top Secret documents came up missing, including the letters between de Mohrenschildt and Bush, says Adamson. Like Oswald, de Mohrenschildt went to his grave insisting that Oswald was "just a patsy," and that Oswald was not the assassin, according to Adamson. "That's a dying declaration," Adamson insists. "When someone makes a statement on their deathbed, they're likely telling the truth." Is finding the truth about JFK's murder Bruce Campbell Adamson's destiny? Is Adamson possessed by the genetics of his own distinguished American heritage, driving him to correct an error made in history? Is he driven by Hustler magazine's bounty of $1 million to whoever determines the murderer? "Circumstantial evidence does not lie," says Adamson. "And people should not be afraid to focus and speak of these associations in our society, which allows free speech, nor should they fear retaliation for alienating the rich and famous." "Adamson's fascinating bloodline hasn't gone to his head. He maintains that he's just "a simple guy. I'm nothing special," he says, but "here I am trying to solve the 'crime of the century,'" for which "there is no statute of limitations on murder."
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