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Saleem was born on the stroke of midnight on August 15, 1947, the precise moment of India's independence from Great Britain and Pakistan's formation. He and one thousand other babies (the Midnight's Children) born in India throughout the hour each has some supernatural power such as witchcraft, time travel, gender alteration, etc., or otherwise is simply a mutant. Kind of like the X-Men, except they're too self-serving to band together and fight crime (and too bad, as there is a lot of narrative potential in this idea).
Saleem routinely hides in a washing-chest in his house to find inner peace away from neighborhood kids who taunt him for his large misshapen nose and other odd facial features. One day in the chest, he has a strange accident -- he sniffs a pajama cord up his nose, triggering an effect which causes him to hear voices in his head and realize he has telepathic powers. By telepathy, he establishes communication with the (heretofore unknown to him) other Midnight's Children, but they prove unwilling to unite. An operation performed on his nose to stop his severe dripping snot problem clears his nasal passages to reveal an uncanny olfactory ability, enabling him to sniff out emotions and ideas as well as smells.
Saleem also gives an extensive background on his family, beginning with how his maternal grandparents met, up to his pyromaniac-turned-singing-star younger sister. After his (Muslim) family relocates to Pakistan, almost all of them are killed in the 1965 India-Pakistan war, and in the 1971 war for the independence of Bangladesh, Saleem is conscripted in the Pakistani Army as a human bloodhound.
Eventually, Saleem marries Parvati, one of the Midnight's Children, the witch, who bears a child fathered by his arch enemy Shiva, another of the Midnight's Children, whose special attribute is his ability to crush people with his overdeveloped knees. Shiva works as an agent for the government of India, who demand to know the indentities and whereabouts of all the Midnight's Children, and Saleem is the only one who can tell them...
Like E.L. Doctorow's "Ragtime," "Midnight's Children" blurs the line between historical fact and fiction, weaving fantastic events against a realistic backdrop of a land in turmoil. Saleem is an extraordinary character, not a hero in the traditional sense but a deformed symbol, a vessel for carrying and displaying the problems and hopes of the people of India.
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The eponymous character is a kindly, benevolent old man, a foreigner in India, who is totally out of kilter with the world in which he lives. His fondness for cats betrays his need for relationships, given the evident absence of personal contact in his everyday experiences. In many ways, the only satisfying aspect of his life is the past, where he spends much of his time reflecting. His sole relationship with any meaning is with another extremely unhappy, demoralised expatiate who hates everyting about the circumstances in which she now finds herself.
Together, they make a sorry pair. He is kind, mild-mannered, gentle, unassuming and much put upon. She is much more aggressive, though an anchronism, living very much in the better days of yesteryear. The world in which they now live is extremely unfogiving and unkind to them. The past they left behind, however, was equally unattractive.
The ending was in many ways a blessing. The misery of the surroundings and the leading characters will live in my mind for a long time, as will the conduct of the self-absorbed young foreigner who brought this tale to a climax. In many ways, he is the epitome of all that is unacceptable today. The small kindnesses he experienced are disregarded and his selfish demands take precedence over anyone else's needs.
If you are looking for a fast-paced thriller full of action, you have come to the wrong place. If, however, you want to enjoy a real story which challenges all of the emotions as well as having a beginning, a middle and an end then this book will deeply move you.
All in all, a very sad story, made all the sadder by some of the most beautiful, compact writing you will ever encounter.
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Indian writers are hot right now, but no one comes close to Desai's fine blend of realism and romance. A child of a German and an Indian, Desai probably is able to synthesize a cultural viewpoint all her own. Her unique (often satirical, always witty) eye sees much, and her writing is a bafflingly brilliant mix of poetry and economy.
Not a bad story in the batch... you'll want to read them again and again!