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Each of the three parts of this book was translated by a different person, as a result it takes a bit of time to get adjusted to the new style as well as a new phase of the life of Taha Hussien.
The first part of the book, specially with the third person style can get a bit tedious but if you perceiver through that you will get the double reward of enjoying the book and learning more about this truly unique man.
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Norris presents an accessible description about dolphin behavior and the science involved in that study. Although I have a science background, I know little biology, and yet Norris clearly presents this work in terms I could understand, and that any thinking person will be comfortable with. I have since purchased other books by Norris on dolphins, and schedule snorkle trips everytime I visit the Islands. If you have seen the latest IMAX movie "Dolphins" (dedicated to Norris), now is the time to read the book!
I am not sure today's children would enjoy this book. The 19th Century British-isms will probably be quite tedious to any but the most precocious of children. And nothing really "happens" so to speak. No adventures of overwhelming magnitude. Rather, the children's imagination governs what happens throughout the book. Small things are turned into events of great importance. Children brought up with video games will most likely be bored. But for an adult, ahhh! This is a find. It will make you yearn for the idyllic childhood you never had or anybody had for that matter.
Each chapter is like sunlight shining on a bead of dew in April. Or something similarily poetic. Grahame's the better writer anyway.
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The first 135 pages of the book are something of an instruction manual, or an explanation of why poetry seems so strange at first. He patiently explains the obvious : sound matters as much as sense; words have musical value; there is a "poetry language" -- or perhaps several poetry languages? -- that we discover through reading anything & everything in sight. He comes up with the happy comparison of poetry as language being put through a synthesizer!
He speaks of the need to build up a "poetry base" through much exposure to the poems of the past and present; he "opens up" the Wallace Stevens poem "Anecdote of the Jar" and makes enchanting a poem that irritated me on previous readings; he makes apposite remarks on revision and inspiration ...
The latter half of the book is a neat -- but not quite comprehensive, as Koch himself admits -- anthology of poetry from across the globe, & encompassing three millennia. From Li Po (Li Bai) to Lorca, from Sappho to Snyder, from Ovid to O'Hara. Senghor and Cesaire are alongside Ashbery and Wallace Stevens. Marvell and Shakespeare, Whitman and Hopkins and several in between, before and after. Most of the poems are suffixed by a comment by Koch of less than a page (except for Keats's "Bright Star" which he allows to shine by itself!). Especially good, I thought, his brief note on the sonnet by George Herbert, "Prayer," which I have been trying of late to memorize.
Excellent reading for the train, the waiting room, the bed, or whatever region of the house you call your workshop or study!!
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The book is easy to read and very enjoyable. Having spent about a month in Austin this summer, I was pleasantly surprised to find this book in my college's library. Recommended for anyone interested in frontier history.