List price: $26.00 (that's 30% off!)
List price: $14.98 (that's 13% off!)
The tutorials in the Getting Started book that came with PSP7 are much more useful than what is found in this book. I was hoping that Paint Shop Pro Web Graphics would serve as a great supplement to the documents that came with PSP. Unfortunately, I was disappointed.
If you are familiar with Paint Shop Pro 6, or work with web graphics on a more advanced level you may find this book not extremely helpful. I do feel it is a very good beginners book for using the latest version of this software. JASC Software has made tremendous leaps to improve this program and with a few exceptions this book covers the software in a concise manner.
On the downside, I was extremely disappointed in their not covering a few topics that the advanced web graphic artist would need, and those were Alpha Channels, Adjustment Layers, Actions, and Masks. . I wish these types of books would come with the images used in the book on a CD. The examples in this book are available on-line as an almost 3 MG zip file.
A graphics expert might find this book lacking in detail, but it was perfect for my needs. In addition to describing the basics of Paint Shop Pro, topics such as creating backgrounds, making buttons, and working with layers were all covered. There is also a section on retouching digital photos, something even the casual hobbyist would find useful.
The book itself is an attractive publication containing an extraordinary amount of full-color illustrations. My only complaint was that a few topics could have been covered in a bit more detail. Perhaps a few more web design tips would be a nice touch as well. Those were the only items preventing me from giving the book 5 stars.
Here is a collection of 100 such replies.
"We do not live long enough to learn all of the things which it is essential for our survival to know:" and Harold Bloom, "there's no time to lose reading bad books." Reading for Life provides not only a path of guided study for the lifetime student, but, through the commentaries, examples of Godly leadership, and Godly readership, from the faculty of one of the most distinguished liberal arts facilities in the country.
As a writer and a student of literature, I've rarely been so (grandly, confidently) assured of the value of this discipline, as by Reading for Life
[I've also rarely felt so ambitious!]
Bischoff, David: "The Sorcerer's Apprentice's Apprentice" Coarse, elderly Vincemole Whiteviper, apprentice to the dishonest adventurer Sir Harry Springraff, is narrating his memoirs to his own much-abused apprentice: how he lost what little fourteen-year-old innocence he had on a quest for a suspect wizard's treasury. The plan was for Vincey to seduce Relfalyn, the wizard's beautiful 18-year-old apprentice. Funny how things work out...The physical setting reminds me of an AD&D-based computer game.
de Lint, Charles: "Sign Here" Unusual style: entirely dialogue, without even "he/she said", 4 characters (2 appear only once), only 2 characters per scene. A stranger in a bar offered Peter enlightenment regarding the structure of the world - magic - if he'll sign over his soul. Peter's friend Robert employs unusual tactics to try to free him. The dialogue suffers from *too* much realism.
Friesner, Esther: "Homework" Parody by someone who's read the Evil Overlord checklist. Prince Gallantine is having trouble with his captor Morbidius, who's finally wised up. Then Morby's nine-year-old nephew Andy, seeking to avoid his villain apprenticeship homework, turns up. :)
Helfers, John: "Blood and Scale" A wizard's apprentice, offered only death as an alternative, agrees to become the apprentice of the dragon who wiped out the rest of his party.
Hoyt, Sarah A.: "The Muses' Darling" Shakespeare, as a young struggling playwright, is an apprentice to the meteoric brilliance of Kit Marlowe. This story takes Marlowe's treatment of Faust as having a personal application. I also recommend Neil Gaiman's quite different treatment of Marlowe and Shakespeare in _Sandman_, a subplot starting with "Men of Good Fortune" in _The Doll's House_.
Huff, Tanya: "When the Student Is Ready" Oddly enough, *this*, rather than de Lint's contribution, is an urban fantasy set in Canada (Toronto, not Ottawa, though). Sixteen-year-old Isabel has been encountering a mysterious street person a lot lately - but is it just poverty and homelessness that seems to cloak him in invisibility? (Even complete with smart-aleck talking crow.)
Levine, David D.: "Zauberschrift" is the complex, legalistic Latin in which spells are written, instructions for the immensely powerful but mindless daemons (spirits) forming the basis of a wizard's magic. (The author's note says he based this story on his first summer job; he must have been a programmer. The analogy between the magic system and programming is interesting without being heavy-handed.) The protagonist quit his wizard apprenticeship when he inherited the family dye business on the deaths of his father and older brothers, but his native village has asked for his help after his old master's death. The weather spells that have protected the village for years have been corrupted, and no affordable wizard can be brought in to fix the problem.
Lindskold, Jane: "Final Exam" Narrated by Danny Bancroft, whose Talent killed his mother to save his life at birth. When his family spoiled him as a child, he felt undeserving, because he could remember what happened. Since this manifested partly as bullying, he landed in counseling - with a Talented counselor who may ape Nero Wolfe's body language, but not the rest of his style. (After all, imagine Wolfe as a counselor.) But Danny's been coasting as an endless undergraduate, and with his dangerous abilities, if he fails the senior magicians' test, his magic will be sealed.
Patton, Fiona: "What Has to Be Done" After the events of "The Svedali Foundlings" (_Assassin Fantastic_), Coll has begun his personal crusade to rid Cerchicava of the Trade (necromancy) in earnest, "apprenticing" himself to old Mona Masaccio, despite the fact that as a retired Death Mage, she considers him a traitorous fool, while she represents everything he hates. The latest series of mutilated corpses, however, interest them both, as they carry signs of non-standard organ collection - as though someone's trying something new.
Reichert, Mickey Zucker: "Flanking Maneuver" Amazingly unrealistic story of a young conscript - a blacksmith's apprentice - in a tribal war, and what happens after he meets the captured daughter of an enemy chieftain.
Smith, Dean Wesley: "The Last Garden in Time's Window" The narrator doesn't believe that his grandparents died from a gas stove leak in their trailer. Having just returned from their funeral, he doesn't care about the danger of using his half-learned magic. *Very* rushed.
Waggoner, Tim: "Till Voices Drown Us" Braided non-linear style, following Michael back to his childhood home to learn one last lesson from the great-aunt who taught him to bear his mediumistic powers, when one spirit shows him something disturbing he's never seen before.
West, Michelle: Camille, like all apprentices to "The Augustine Painters", is a foundling - one thread of the story follows her present, in which she faces her do-or-die test of mastery, her best friend apparently having come to grief only days before; the other follows the discovery of her talent. They aren't wizards, as such; in their art, they depict possible futures that, with hard work, may never happen. Not only is this cool - for instance, while they can work more quickly in pencil, they need color to identify strange people, places, and battle standards - but deeper mysteries are revealed even as the story unfolds.