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Durkheim's study in sociology contributes much more than this detail to the social sciences, but for my purposes of analyzing the sociology of media, this is the most critical point.
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Karma (Sanskrit for action) dominates the four moral lessons of Shilappadikaram: Divine Law takes the form of death when a king abandons duty, all must bow before a faithful wife, the ways of fate are mysterious, and all actions are rewarded.
A modern reader of Greco-Roman background faces five major difficulties in understanding Shilappadikaram: India's culture differs substantially, the book was translated from a foreign language, it was written ages ago, further complicating the first two difficulties, the three major religions, Jainism, Brahmanism, and Buddhism, are unfamiliar to most readers, and the reader hears none of the original music. This is comparable to watching the "Sound of Music" with the sound turned off; much of the splendor is lost.
Writen at the end of the third ancient Tamil literary epoch (sangam), Shilappadikaram is only one of three surviving Great-Poems. No texts survive from either of the first two sangams. Coupling this extraordinary rarity with rich cultural information makes Shilappadikaram irreplaceably valuable in understanding both modern and ancient Indian thinking. The reader starts Shilappadikaram acutely aware of the cultural differences between the two worlds. He finishes it reflecting on the similarities.
Shilappadikaram is the primary epic of Tamil literature; it is an epic still alive orally as well. The epic is of a woman wronged by her husband. The loss of one breast has mythic implications, tying the rightful wife to the rain goddess. Unlike the major epics of North India, this epic is short and has a straight storyline i.e. none of the "Baroque" qualities of the Mahabharata, for example.
If the term "epic" puts you off, just consider it a very old love story. It is simply a lovely story.
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With regard to the point of view expressed about Moghul and British colonisation, I feel that the critic has an unconscious Western bias, which is one of the main sores in India even today.
Of course, both these invaders also brought something positive with them, but we must remember that prior to their arrival India was one of the richest countries in the world and after their departure one of the poorest.
When you see the destruction made by the Muslims and in particularly by the Moghul Emperor Aurangzeb in Benares, you understand some of the material effects of these invaders, but their permanent attack on the Hindus' social and religious system was even worse.
In any case, I deem Daniélou's point of view is much more realistic that that of the French writer Guy Deleury who wrote recently in 'L'Inde continent rebelle - Le Seuil 2000'
Page 257/258
The Indian sub-continent can look back with neither regret nor shame on its short century of British domination, to which it owes its telegraph, its railways, its neo-gothic railway stations, the gaudy uniforms of its sepoy corps d'élite, its metropolitan ports, masonic lodges and even - the supreme paradox - the Congress Party, which led it to independence