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The composition of the shots are superb. The short prologue gives a first person retelling of how Keillor invented the town that "time forgot and the decades cannot improve." That introduction, however, is so short that it's almost unfair to say that this is a Garrison Keillor book. He essentially wrote the foreword (although it's not titled that way), and the pictures tell the real story.
My only disappointment is that there isn't any color. Certainly sepia tones give us nostalgia the way we'd like to remember it, but sunset on a farm is something you can't appreciate in shades of brown. Rural life has its monochromatic moments, to be sure, but there's enough color and life to help us remember that not everything is nostalgia.
This gripe doesn't detract from the beauty of this book, though. Thankfully we never see Lake Wobegon, only hints and shadows. It allows us to preserve our preconceptions, but gives us a deeper feeling of connection with the area. If you're a fan of APHC, you probably already own this book (or you should). If not, take a look at a lifestyle that might be foreign to you.
"Culture isn't decor, it's what you know before you're twelve. It sticks with you all your born days. The apple doesn't fall far from the tree. You can try to wrestle free of it, like those geese who trail the V-formation, trying to look as if they aren't part of this bunch, as if flying south were a personal decision on their part, but your feint towards independence only makes it clearer who you really are. Some people like hot dish better if it's called cassoulet, or pot roast if it's pot-au-feu. Fine. Suit yourself. Same difference."
Whatever you call those culinary delights, you'll like this book. Come see Father Kleinschmidt's Annual Blessing of the Snowmobiles. Ja, you betcha! Reviewed by TundraVision.
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I picked up this book as an attempt to make use of the pictures from my very(free) digital camera. I am amazed that I can make my many mediocre pictures into rather good pictures without spending an hour searching for clues from the help text.
I must also comment on the good navigational tools this book offers. This book includes a good index, too often missing (either the "good" or the "index") from other publications. The best part is the clear and thorough table of contents, which saved me more than a trip or two to the index anyway.
I always seem to be a sucker for Tip boxes. Happily, they are strategically placed throughout the book. They are the keys to truly mastering the program with techniques for getting the job done quicker or avoiding pitfalls.
The author's apparent knowledge of the complexity of photography and the software makes this book a great technical reference. His casual tone and approach make the book a great learning tool. While I am more likely to be found reviewing a restaurant or coffeehouse, I make this exception for a book because it is so tasty!
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Of course our intrepid heroine comes up with the solution almost by accident. This was an interesting book, but not as well conceived as some of the others in the series.
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Clearly, this is a work of historical fiction, leaning more to the fiction side than the history side. Although Kennedy relies on historical sources, she is primarily a fiction writer. It becomes evident in the way she frequently imagines the thoughts and motives of Sheppard and the other players in his history. One soon recognizes that Kennedy has created William Henry Sheppard in her own image and likeness. The nagging question remains on every page: how does Kennedy know the thoughts and motives of Sheppard and his missionary colleagues unless they are recorded in their writings or conversations with others?
The picture of Sheppard that emerges is of a strong but flawed individual using African exploration to escape American racism and social ostracism. Traditional religious ideas of the missionary as one who sacrifices his or her life to deliver the Christian message to those who have never heard is largely absent from this book. One wonders why Kennedy didn't just write a novel about a black southerner who goes to Africa as a missionary explorer. Then, she would not have to use so many "probably he was thinking" or "imagine that he" or "it must have seemed to him" and the like.
In the end, a disappointing book. The "real" story of Sheppard and his mission remains to be written.
This book is about a black man named William Henry Sheppard A/K/A
The Black Livingstone...for good reason. Others complain about using conjecture in writing this story, however, the author, Pagan Kennedy, admits there are huge holes missing in the life of William Sheppard and I believe she did a fine job in telling this story. To make it interesting she just had to use conjecture or there would have been no book. There are plenty of facts, however, to prove that a whole lot of life-threatening danger was involved and original exploration and pathfinding done by the Black Livingstone.
This is the story of a black man's life that started as a nobody, then through hard work and some chicanery became a sought after celebrity and then in the waning years again became a nobody.
The relationship between Sheppard and his wife is an interesting one. All of her life she dreamed of living a certain way and after MANY decades she finally realized her dreams as outlined in the epilogue.
This was a fine book for me as the author did well in assembling the information at hand. I had never heard of Sheppard and the others in this story and am glad I read it!
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