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Written from Alec's point of view in chapters alternating between his adventures as a young man and his life now as an old one, ISLANDS OF SILENCE is a strangely haunting novel. Although I found it slow going and in places was bored to the point of skipping whole paragraphs that seemingly had little to do with the plot, the prose was poetic, the details singularly perfect, and I worked my way through to the last page and was rewarded by an end satisfyingly appropriate for a story as mystical and sad as this one. Martin Booth has created here a horrific portrait of war, painting the devastation in chapters I will not soon forget. It would be hard to call ISLANDS OF SILENCE a love story; equally difficult to consider it a coming-of-age novel. Rather, it is a beautifully if sluggishly written account of one man's attempts to come to grips with a world that has hurt him too much.
Readers who enjoy complex, mystical tales of love and loss will most likely find ISLANDS OF SILENCE a brilliant addition to their collection.
The story begins in a mental ward where Alec has been a patient for a very long time. He's in possession of his faculties, but has eschewed speech for many years and as the story progresses the reader begins to understand Alec's motivation for this silence. We're given glimpses of his childhood and the memory-portion of the story really takes off when Alec puts his archaelogical degree to work investigating brochs off the Scottish coast. When researching ruins on an island off the coast, he sees a beautiful and mysterious young woman (note: I would not characterize her as otherworldly, she is very much human flesh) who is incapable of speech--although she is able to make sounds. Alec is mesmerized and eventually is able to meet and spend some time with her in an almost intimate setting. She allows him to make sketchings of her and there's even some minor physical contact. In spite of her inability to speak any language, she and Alec communicate during their brief time together and Alec either falls in love with her or becomes infatuated (the reader can be the judge). I found this part of the novel a bit of a stretch, but Alec is young at the time and the woman is very beautiful, so who knows? It is about this time that WWI is starting to heat up and pacifist Alec is incarcerated for his refusal to serve in the military (his military step-father is behind the charges) and taken from the coast and his incipient romance.
After multiple beatings and several months in prison, Alec is offered a release if he's willing to serve in the miltary with the medical corps. This section of the book is particularly riveting and revealing. Booth's depiction of the March 1915 naval assault on Dardennelles, Gallipoli is so well-rendered that the reader is almost transported to the beach (much like the opening scene on Normandy in the film 'Saving Private Ryan') and the horrible scenes and thoughts that follow. Alec shares his thoughts prior, during, and immediately after the assault and Booth provides the reader little chance to catch his or her breath. It's gripping stuff and brings the book much closer to its conclusion.
All in all, the writing is wonderully vivid and the alternating past/present chapters works very well in the context of the novel. I found the love story to be central to the story, but also a little difficult to buy into. I particularly enjoyed the war writing and the present day musings of Alec and how the author tied everything together. Part mystery, part war-novel, and major part love story, this is a very good read and one that's recommended.
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Comedies, Volume 1 contains: The Comedy of Errors; The Taming of the Shrew; The Two Gentlemen of Verona; Love's Labor's Lost; Romeo and Juliet; A Midsummer Night's Dream