The price is right for this well-indexed, well-organized reference. It boasts 3,000 entries and all are in a logical context. The print is adequately sized and the margins are wide. There are no annotations, which would have been helpful.

My problem with the book is the selection of quotes. Many famous quotes do not appear, and some very obscure ones do. It could be the authors wanted to stay off the beaten track, and draw attention to the less familiar. The result is quotes you don't particularly want to quote. It seems as if a computerized word-search was done, and this was the outcome.

Surprisingly, there are not too many Shakespearian Quotation Dictionaries available. If you wish to have such a reference, you will not find many alternatives. I would give Arden's a lukewarm recommendation in that it could fulfill a need, and there are not many choices.

THE ARDEN DICTIONARY OF SHAKESPEARE QUOTATIONS. Compiled by Jane Armstrong. 396 pp. London : Thomson Learning, 2000 (1999).

The present compilation contains 3000 quotations, both well-known and lesser-known, from Shakespeare's plays and poems. The quotations vary in length from short sentences such as "For he was great of heart," through to longer passages such as Hamlet's soliloquy, "To be or not to be," which can run to almost a page or more. Most quotations, however, are quite short, and many consist only of "a strikingly expressed thought or resonant phrase" such as "Do you smell a fault?"

Speaker, addressee, and act/scene/line references are keyed to the Arden Shakespeare series, and some are followed by brief annotations which help clarify the context. The book is rounded out with a 4-page Life of Shakespeare; a 12-page Glossary; an extensive 45-page Keyword Index; and an Index of References to Plays.

In her Preface, Editor Jane Armstrong writes that, as in "the 'commonplace books' in which Shakespeare's contemporaries recorded memorable extracts from their reading," her book has been organized by topic - e.g., ABSENCE, DESIRES, GUILT, HASTE, LOVE - since she feels that this "often clearly reveals the concentration round a subject in a particular play; and ... sometimes shows ideas recurring through Shakespeare's work, either in similar form or in a progression from the more straightforwardly expressed to the increasingly complex and embedded" (pp. xi-xii).

The book, in other words, has been designed to serve a twofold purpose - primarily as a commonplace book or compilation of themes, and only secondarily as a dictionary - and because it contains only 3000 quotations readers are occasionally not going to find what they may be looking for.

I was surprised, for example, to discover that a key line from 'Titus Andronicus' - "When will this fearful slumber have an end?" - has not been included. In fact, SLUMBER doesn't even appear as a topic, since the single line containing it has been subsumed under SLEEP. I was also, until I carefully read Armstrong's Preface, surpised to find that, although there are twenty "heart" quotations, HEART itself does not appear as a topic.

To locate the line "For he was great of heart," which has been included under the topic NOBILITY, you will have to search the Keyword Index. In other words, if you are searching for a particular line you should FIRST CHECK THE KEYWORD INDEX, since the book has not been arranged as a dictionary of words but as a commonplace book of topics or themes, and a more accurate (and less misleading) title for it would have been 'The Arden Commonplace Book of Shakespeare Quotations' or 'The Arden Dictionary of Shakespeare's Themes.'

A truly complete 'dictionary' that would perfectly satisfy all readers and in which we would all find all of our favorite passages and lines could of course only take the form of a rearrangement of Shakespeare's complete works, something clearly impracticable in a handy-sized book of just 396 pages.

Within its limits, and given its aims, I've found that in use the Arden compilation is an interesting book that does a fairly good job on the whole. Many of my favorite lines are there, though others aren't, but in compensation I've been guided to interesting new lines and have enjoyed exploring certain themes. The main frustration I've encountered is that many passages seem too truncated, and I would have liked to have seen more of the poetic context. But this of course would have meant a much larger book.

The book is bound in a decorative glossy wrapper, stitched, well-printed on good thin paper, and is quite a handsome production. As a small 8vo in size (8 by 5 inches) it's not too big, has a nice look and feel to it, and is easy to consult and read. Although it isn't perfect (what is?), I'd say it's a useful (though occasionally frustrating) reference that will also provide interesting browsing material for the Shakespeare enthusiast.

In sum, this is a book with many attractive features, but don't expect to find everything you look for in it : only a Complete Shakespeare or perhaps something like the Schmidt Lexicon could provide that. And to avoid the possibility of confusion, don't forget to read Jane Armstrong's Preface, in which she makes it perfectly clear that this book is _not_ primarily a dictionary of words. It's intended to be something more interesting!

This is a very unusually well-chosen, well-structured, and well-indexed book of Shakespeare quotation; and, speaking of something more intangible, it is also a very inspired book of Shakespeare quotation. For example, I picked this book up to find quotes that could in any way be associated with a very poetic and esoteric subject, looked up a basic word associated with my subject and found right off six or seven very interesting quotes. Quotes that don't look like they'd make it into a run-of-the-mill collection. It's like the editor, Jane Armstrong, has given Shakespeare's inspiration and genius the benefit of the doubt and included his lines that carry much more meaning and mystery than what their basic subject heading might indicate. In other words she has included lines that may have seemed too elliptic in the construction of their thought or too mysterious within their general subject for other compilers to have included them. As books of quotations go this one is very practical and unusually interesting.