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Most of Crane's poems are written in a free verse using simple, yet quietly powerful language. His words are full of irony and paradox; his vision is sometimes sarcastic and often dark, yet frequently surprises with gentleness and compassion. Reading Crane, I get the sense of meeting an ancient sage on a barren, wind-swept plain. His poems often have an oddly scriptural flavor to them; these are verses that invite return and reflection.
Stephen Crane writes, "I have a thousand tongues / And nine and ninety-nine lie." Nonetheless, in "The Complete Poems of Stephen Crane" the attentive reader will discover a reservoir of disturbing truth.
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The rest of the stories have to do with Civil War episodes and other moments in the US history. My favorite tale is the one that's on the cover of the book: the Open Boat. It is masterfully told, the story is tense, sad and exciting. The reader can feel the up and down movement of the boat, the cold wetness of the clothes, the seasickness the characters suffer, the desolation at every failure to approach the coast, the relationship between the characters, etc. It is a pity that Crane died so young, since in these short stories he shows himself as a talented, gifted and mature writer.
The stories are well paced with vivid characters and little epiphany by story's end.
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The author contends that for a certain interval these men associated with and admired each others literary accomplishments. "South of London in 1900, a galaxy of talent assembled that beggars in accomplishment anything the English language has since produced." He provides quotations and photographs that demonstrate social intercourse between the big five. Between the initial overview and the concluding summary, three chapters provide respectively a view of Stephen Crane on a visit to England to meet the other masters of ficti! onal prose, a study of the collaboration between Ford Madox Ford and Joseph Conrad, and an examination of one of English literature's most famous disputes - James vs. Wells.
I found the book informative and interesting and recommend it to any admirer of any of the five writers singularly or in combination. About those we admire our curiosity is insatiable. Did Shakespeare like his eggs over easy or sunny side up? We have his Hamlet, his Lear, isn't that enough? Some might say no. We have Crane's "Open Boat", Conrad's "Heart of Darkness", Ford's *Good soldier, James' *Ambassadors, Wells' *Time Machine*. Still, it's natural to inquire about the virtues, quirks, and foibles of their creators. *Group Portrait* gives us a taste of the traits that rounds out these illustrious authors.
A sad epilogue to which Mr. Delbanco refers in his lead chapter is that this literary summer was so brief. Crane died in 1900. Eventually the other associations wither! ed. By 1906 the friendship between Conrad and Ford had coo! led. *Boon* published in 1915 dissolved Wells' ties to James with its ridicule of the latter. For a while there was Camelot albeit a loose confederacy of brilliant writers. A genius needs a tough ego to sustain him for the long haul to fortune and fame. An alternate lesson from *Group portrait, perhaps one not intended, but nevertheless patent, is that collaboration must eventually give way to ego.
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"The Little Regiment" and Other Civil War Stories is a small collection of Civil War tales by the masterful storyteller Stephen Crane. This particular collection contains; "A Mystery of Heroism", "A Gray Sleeve", "Three Miraculous Soldiers", "The Little Regiment", "The Veteran", "An Indiana Campaign", and "An Episode of War". Each story describes the plights of soldiers or ex-soldiers in a manner that few other authors have been able to portray. Preceding the selection is a short biography of the gifted author.
Crane's short stories are surprisingly true to the Civil War, despite his being born after the subject. Through his literary work, Crane provides a window into the life of the soldier - a detail dismissed in the majority of literature due to the centering on generals or famous leaders.
The literary style Crane presents is said, by some, to be confusing, especially due to his naming a certain person and then neglecting to call that person by their name later in the story (i.e. if an author starts a conversation in a book naming a soldier as "John" and then later refers to him as "the soldier"). However, this form of writing conveys a sense that the soldier is any soldier and that the name has no particular influence on how the soldier acts or reacts, therefore defining not a single soldier, but rather the general soldier - every soldier. Crane also presents environments not from a visual perspective, but rather from the perspective that a human consciousness would be in possession of.
The work of Stephen Crane is rather remarkable and deserves to be read in centuries to come. Despite the quality of his work, however, the book is composed of rather cheap materials. It is suggested that the reader purchase this collection only if they have the intention of reading the book a relatively few times, and that if the reader looks to have a book that will last a while to get a copy of his tales in a better quality paper. To conclude, the stories will make a great addition to any library although it would be best to get a print of higher quality paper composition.
Basically, it is the story of Maggie, an undeveloped character who takes the back-seat to her loud and abusive parents, her swaggering, self-confident brother Jimmie and his friend, the boastful Pete.
The novel chronicles the injustices that surround Maggie, who is quiet and doesn't fight back. A chilling look at poor, urban life in the late 1800's, it is also a tale critical of society's judgmentality and questioning of morality. A more complex novel than it seems on first look, it is wonderful to take apart and examine the relationship between Maggie and Pete, Maggie and her mother, and Maggie and Jimmie.
Most importantly, however, are the quiet moments of transcendence in this novel.
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The story takes place in 2008. The Emperor of Japan is assassinated by nationalists who want to spread the Japanese power around the globe like they did in World War II. The nationalists are also angry that they have to pay to import oil. What better way to do this than to invade Russia and conquer oil-rich Siberia? Russia, of course, is bankrupt. And it is also under the control of a madman. At this point I already had trouble with the realism of this book. It seems that every thriller involving Russia has some insane President in control of that country. I expected that Coonts would not start putting stock characters in his books, especially as world leaders, and I was wrong.
So Japan invades. They have a new fighter called the "Zero", which has a stealth system that prevents it from being captured on RADAR. This system is totally illegal for Japan to have under the terms of their treaty signed in 1945, and I found it surprising that the United States doesn't know about it in the book. Japan also has nuclear weapons, but that information is also unknown to the United States intelligence. So the new Japanese fighters destroy the Russian air force, and the United States intervenes with a squadron of F-22 "Raptors". However, the madman in the Kremlin has his own plans, and the climax has Russian and Japanese bombers on their way to nuke the other country, and only the United States can stop them.
I found this book disappointing not just because of the implausible story line. The characters are undeveloped and the reader cannot have feelings for any of them. Coonts at least doesn't have his air force pilots being tall blond jocks. I give him credit for his mix of pilots in the squadron. But that's about all I give him credit for. Another question: What about China? Coonts doesn't even include China in this book. You would assume that they would want to do something, right?
An implausible story line, stock characters, bad dogfight scenes. I think Coonts needs to stay with the Jake Grafton series, and I hope you agree.
This is a much faster-paced & faster-reading book than Tom Clancy's Red Storm Rising, for example. He is Clancy's equal with the realism of his combat scenes. As a former combat aviator in Vietnam, he is especially masterful with the aerial battles involving Cassidy, Kimura, & Chernov, the American, Japanese, & Russian protagonist fighter pilots. He's also not too bad with submarine warfare, either.
The action starts quickly & grabs you from the start. I was unable to put it down & probably read it faster than any other novel this year. I heartily endorse this book for fans of modern military fiction.
Coonts also shows us how supreme power on the part of both the Japanese and Russian leaders, creates a mindset that causes them to forget about the people they govern and causes them to focus only on their own personal gains.
I found myself cheering when the good things happened, and feeling down when the unfortunate occurred. Coonts gives a wonderful description of all of the charac! ters and events that unfold, without boring us with extensive detailed hi-tech information.
I recommend you pick this book up, find a cozy spot to read it, and just enjoy this extremely fast paced highly entertaining novel.