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Inside you will learn (and also see colorful pictures of): Commercially available materials, found and collected materials, tools and equipment needed, preparation of materials, and storage. All of the weaving terms are well defined to be easily understood, and broken into sub-catagories of weaving variations, bases, ribs and random weaves. You will learn the basic techniques of start and stop weaving, continuous weaving, how to upset your stakes at the beginning and then how to bend and tuck them in at the end. How to add new weavers, carving and attaching a rim. All about adding rim and base fillers. Ms. Sudduth also teaches you everything you need to know about dyes from the equipment needed, safety precautions, the difference between natural, chemical, and fiber reactive dyes... plus how to store them.
The book continues on to teach you stop and start plaiting, continuous plaiting, twined construction, start and stop twill, continuous twill, and ribbed construction; How to add surface embellishments such as curls, painting, stenciling, whitewashing, and adding other attachments.
The remainder of the book discusses (but not instructs) the non-woven forms of construction: coiled, knotted, stitch, wrapped, and cast and mold. The back has a list of suggested reading, suppliers, Basket Association and Guilds, Craft Schools offering classes, metric conversion tables, plus the names of all the contributing artists.
A very complete book, easy to understand, that not only teaches you - but will continue to inspire your creativety time and time again.
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This is a thorough book describing the various methods of etching, the materials, types of glass, types of techniques, etc. For example, etching cream - which is what I'm learning to use as a beginner is only capable of surface etching. Even so, this simple technique can make very beautiful designs on different types of glass. I've been practicing on jelly and juice jars I keep after finishing off said jelly or juice. That way, if or when I mess up it doesn't matter as much like it would had I practiced on an expensive wine glass or bowl. Soon I'll be ready to move on to the next project and type of glass to practice on. The authors discuss in particular detail surface etching, carving and shading. Applying and cutting various types of resists and etching creams, numbering patterns so you know which order to etch for a proper 3-dimensional effect, beveling, how to hold the carving/blasting wand, etc. is all here. Most of these techniques can be done now (at least on a small scale) with a small air compressor like the ones used for airbrush, portable blaster and tabletop sandblasting cabinets. Chapter 8 gives extensive advise on the various types of equipment (from hobbiest tabletop units to industrial room-sized) used for sandblast etching along with each piece of equipment's pros and cons.
I'm looking at one tabletop unit that is moderately priced (less than $270). With this one tabletop unit (which the book shows a photo of and discusses) anyone can start recreating even the most sophisticated designs and projects included in this book for beginners and beyond. Detailed step-by-step photos for each project are shown in each chapter and the patterns for each project are provided in Appendix B. The other Appendices cover a glossary of terms, suppliers of etching machines, stencil sources, sources for glass, further reading and handy reference charts covering Moh's hardness scale, volume/linear/pressure measurements and abrasive grit sizes including microgrit powders. It really presents a very broad overview of everything one needs to get started making beautiful glass etching/carvings.
And I want to stess again that page after page is a visual feast of gallery designs of what professional glass etchers can do. The cover of the book does not even begin to show how beautiful the artwork displayed inside really is. I can not stress this point enough. The artwork shown inside is truly worthy of anyone's coffee table. The fantastic thing is that I'm having a ton of fun learning this beautiful art - and all thanks to this one comprehensive book. Bravo! I want a sequel!
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What attracted me to this book when I was eight, was the color scheme of the paintings-subdued looking earth tones and brilliant shades of red. In addition, there is a photographic quality to Breughel's work. This book is a lovely tribute to the simple people that the artist lovingly immortalized in his work.
Overall, this cheerful book is still a great way to give young children their first exposure to classic paintings.
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It is helpful to know the scale of the patterns: the manger (made with basketweave print fabric and interfacing) is approximately 4.5 x 7 x 2 inches tall. Not pictured on the cover is a great camel pattern. The donkey, who kneels, is designed without legs -- an example of how intelligently the patterns are designed. Most nativities I've seen are either rustically wooden or regally porcelain. This book is both humbling and inspirational, so in keeping with both the Amish and the nativity scene. I look forward to any future books by either co-authors.
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365 activities to choose from which are grouped into 16 categories
Safety reminders are included to ensure safe play environments and to monitor potentially tricky materials
The authors explains the importance of quality tiem and quailty play
Few of the many activites includes:
Alphabet Hands
Atlas Adventure
Crayon Rubbings
Easy House of Cards
Family Calender
Gotcha!
House Detective
I've Got a List
Phone Words
Sand Painting