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Johnny is a shy, likeable boy who tries to act brave in spite of thinking himself a coward. His lower lip quivers almost continuously as he and his friend Fergie set out to find the missing professor. (He has every reason to be nervous in a story that reminds me of "The Haunted Doll's House" by that master of horror himself: M. R. James). For reasons that remain a mystery until the last few pages, our youthful hero is plagued by a tiny human skull and an ominous jack-o-lantern after his friend, Professor Childermass disappears.
As skeletons, demons, and a haunted clock all conspire to make Johnny's life miserable, Fergie and Father Higgins pitch in to help him. The climax to "The Spell of the Sorcerer's Skull" takes place on a remote rock off the coast of Maine, appropriately named 'Cemetery Island.'
The book is set in the nostalgic early 1950s (Johnny's father is a fighter pilot in Korea), but you won't have much time to feel nostalgia. You'll be too busy feeling scared. One of the reliable features of John Bellairs's adolescent fiction is that he doesn't try to make his ghosts cuddly or mawkish, like so many so-called 'teen-age horror' authors.
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It is divided into five sections: the first is on the making of a man, the emergence from the shadow of the mother; the second is on the rites of manhood, in which he discusses initiation, the warrior, work and sex; the third is on the measure of a man, where he speaks of images and exemplars; the fourth is called a primer for now and future heroes, where he talks about quests and homecomings; and the fifth is about men and women, love, marriage and intimacy - this section also includes a long series of self-help exercises.
Sam Keen is a regular contributor to the magazine Psychology Today, has run many workshops for men and women, and has put on television series, so this is an easy-to-read book, which communicates well. It is quite freewheeling and careless at times, and there are some errors of fact in it: Unlike Iron John, it is not the product of deep study, discussion and meditation on mythic themes. It makes a distinction between prophetic feminism and ideological feminism, lauding the former and putting down the latter, which not only includes the man-haters but also the goddess-worshippers. He does at least mention patriarchy, and seems to see that it is a problem.
But when it comes to the crucial questions of how men and women are going to change society and themselves, he skates all round the question of power as if it did not exist. He does not appear to have heard of Connell, or any of the sociologists in men's studies, who make it so clear that there is a problem of unequal social power, of unequal access to resources, of unequal participation in the great power issues of our time. And so in his discussion of men and women and their relationships it is all conducted at the level of adjustment and negotiation and fair fighting as if the ground were level and the fighting could be fair. He wants women to take responsibility for their part in the problem, as if it were merely a psychological problem which could be solved at that level. For example, in an apparently fair and balanced account of feminist demands, we get this: "A feminist vision demands sexual, artistic, economic, and political equality (Military?) It further demands that men assume an equal share in the private sphere - the creation of hearth and the rearing of children." (p196)
The insertion of that one word - military - shows that he is entertaining that favourite gibe of misogynist men, that women want everything except the hard part of being a man - going to war, fighting and perhaps being killed for one's country. But the facts are, if you compare the figures, that forty times as many women die in childbirth as men die in wars. The gibe about not wanting to go to war is just that - a gibe.
So in spite of all its apparent balance and reasonableness and genuinely interesting matter about men, and despite the very nice personal touches which appear throughout the book, this one also ultimately lets us down, if we want to understand what men are and what they have to do. We still have to go to the Connells, the Segals, the Kimmels, the Brods, the Hearns, and all those less glamorous people if we want to know what is really going on and what really needs to change.
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I liked this book because it was very suspenseful and it made you want to read on and on so that you could find out what happened next. I also liked this book because Johnny has to go through a lot and it shows how much of a friends he is to Professor Childermass.