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Bryce Courtenay is a good writer. He is able to involve us in the story from the beginning with well-drawn characters. The central character starts the book off as a small boy, living in South Africa during the Second World War. As if the black/white race problems are not enough, we find out (those of us who didn't know) that there is also extremely bad blood 'twixt English and Boer. So when young Peekay is sent to be the lone Englishman attending an Afrikaner boarding school, he is really in hot water. Thus begins one of the most unusual educations you could wish for and how Peekay eventually manages to turn every disadvantage to his favour is part of the delight of this chronicle.
Besides being a good yarn, this book has considerable depth and we can follow Peekay quite closely as he learns all about Latin and Greek, cacti, boxing and especially, human nature. By the age of twelve, he is so well versed in these matters, not to mention the machinations of the Pentecostal Church and the workings of the South African Prison system, that he is clearly a boy apart, who may be destined for stranger things still.
If you have the slightest interest in South Africa, you will enjoy this book from many angles. It is a story about the twentieth century and one of its most pressing problems, which we have now brought forward into this one. In any case, most readers will have trouble putting it down, as it is the story of an unusual life told with passion and honesty.
He's a child with no father, raised in a land where the native is the slave. He's a child with a destiny--a destiny even greater than he can imagine. He's also a warrior who will use his skill to inspire the people.
He is fostered by such magical mentors, who together make up a sort of unified Merlin: Doc, the scientist and musician who teaches Peekay how to observe and think, the closest thing Peekay has to a father; Inkosi-Inkosikazi, the Zulu witchdoctor, most renowned medicine man of all the tribes who gives Peekay the gift of transcendence; Geel Piet, the sly prisoner who becomes Peekay's boxing coach and gives him the power of a warrior; and Hoppie Groenwald, the boxer, the first man to ever take Peekay under his wing--he gave Peekay the maxim that would make him great: "First with the head, then with the heart."
As we read the story, we watch the growth of a boy who will one day become something of a king. The people call him Onoshobishobi Ingelosi--the Tadpole Angel. They love him. They revere him. Thousands of black South Africans converge in peace to witness the warrior skill of a little boy who somehow has the power to liberate them.
The only problem is that the story doesn't end with this book. The story continues in the sequel called "Tandia" where Peekay the man uses all the skills he's obtained to try to liberate South Africa from hatred.
If you read The Power of One and don't read (or cant' read--it's very hard to find in the US) Tandia, you may feel somewhat disappointed. But if you can read both, your life may very well never be the same.
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I found this to be an absolutely riveting spectacle of a time and place that have a paramount significance in human history.
I did find myself early in the book rather frustrated by Peekay's absence. I was rabid to get back into his story, and didn't want to spend time learning the story of this book's namesake.
However, my patience was rewarded as I found the stories of Tandia and Peekay to converge into a mammoth story of love, conquest, and the indominable power of the human spirit.
As I read the story of Peekay's first title bout with Jake "Spoonbill" Jackson, I felt my heart racing and my legs shaking. I don't think that I have ever been so immersed into any piece of literature as I was during that sequence of events in the story.
The classic 'good vs. bad' showdown is largely shaped by the evil actions of the much hated Jannie Geldenhuis. His racial malice really serves to construct the backdrop on which "Tandia" scores, and it serves to inject a ton of emotion into the story.
I suppose the only way that I can express my great love for this book was by telling you how much the ending really rocked me. Without giving away the ending, I was deeply overcome by emotion, to the point of shedding tears.
Definitely one of those books that have altered my outlook on, and the course of my life. My heartfelt thanks to the author, Bryce Courtenay, for this masterpiece of fiction. Bravo!
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Nevertheless, I loved this book for all of the 650+ pages that Bryce decided to put into it... Being very critical, I would say that gee yep, this coulda been better and all (as I did not like all of the things that happenend in the end), but it was a great read from one of the best authors in the land of OZ (for this type of literature). He has a great style and command of words that makes you want to know what is going on with the characters, and is very conscious of what is going on at the time as well. No, this is not big time literary stuff, but it is simply GREAT entertainment that won't leave your head and will keep your mind off the othe worries of the world...
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On the one hand, I applaud Mr. Courtenay for publishing such a personal experience, as I don't know whether I could be as frank as he has been in front of an unknown audience. It certainly would make interesting reading for health-care professionals who treat terminally ill people (not just those with HIV/AIDS/ARC).
On the other hand, the story didn't grab me by the heart. I didn't find Damon particularly heroic, even though I realize that he went through hell for most of his life between the haemophilia and HIV. He was a man who had a pre-existing condition, contracted a disease and lived with and died from the disease. He is no different from anyone who has cancer or any other terminal illness, nor is he different from any other person who consistently has been discriminated against. His story's a personal tragedy, but I didn't get the feeling of the awful things that happened to him a community tragedy... what happened to him is called "life".
Mr. Courtenay gets full marks for detail and poignancy. At times, I did feel that I was going through the process with the Courtenay family... and that made finishing the novel difficult. For example, I thought that I didn't want to go to the hospital AGAIN several times throughout my reading of the book. I liked the depictions of Damon's interactions with his family and caregivers and how Damon addressed obstacles in his treatment as both patient and person.
By the same token, the book was almost too detailed and repetitious in places, leaving me to wonder if I really cared if Damon made it to the next chapter. This also had the result of my feeling like Mr. Courtenay's counsellor/psychotherapist in many places throughout the book, which irritated me.
I'm not sure what to think about this book. It's definitely not a light read, and has some good points, but I don't think that it's one of Mr. Courtenay's must-reads. I'll have to read the next Courtenay book to make my decision on what kind of writer he is.
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