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Until 1864, the Army of the Potomac had never won a campaign. Each Union attempt to capture Richmond drove south, was repulsed, withdrew to Washington, found a new general, and tried again. After his successes at Vicksburg and Chattanooga, Grant came east to a promotion, to general in charge of all Union Armies.
Grant brought a different focus, and Catton defines this superbly in this book, drawing on many of Grant's memoranda to other officers, as well as President Lincoln. Catton captures the essence of a Grant campaign: hold on to the enemy, grasp and retain the initiative, and always move your logistics aggresively forward.
Catton also tries, albeit weakley, to show that Grant was not a "pure" attritionist. He offers examples of Grant's desires to push west and sever Richmond from the Shenandoah. Catton explores the political reality of uncovering Washington to a Confederate thrust, while attacking the logistics that sustained Confederate armies, while Sherman simultaneously attacked Atlanta and its strategic railhead. Catton states that after the battle of Cold Harbor Ggrant's numerical superiority was at its lowest level, but he does not provide the hard math to support this stance. On the other hand, Catton shows well the manuever warfare used by Grant to slip away after Cold Harbor, steal a march, and get across the James River before Lee, stripped of his cavalry, could discover the move and react.
This book does a very solid job of capturing Grant's determination, his unyielding efforts to impose his will on the leaders and staff of the Army of the Potomac, and to integrate the political realities of volunteers, political appointee generals and a presidential election with the cold hard reality of constant campaigning.
A good read not just for students of the martial art, but for any leader who must address the Sisyphean task of invigorating old "we've always done it that way" people with a new ethos and drive.
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The most compelling parts of this book are not by documentarians, but by historians. These are essays by prominent Civil War scholars, including Shelby Foote and James M. McPherson, authors of the most highly regarded books about the Civil War--"The Civil War: A Narrative" by the former and "Battle Cry for Freedom" by the latter.
The illustrations in this book are not as good as those in "The American Heritage New History of the Civil War," but does have more and better maps.
Persons interested in an overview of the Civil War would be better off turning to the PBS video or to a book.
In view of Ward's excellence in writing I would give him five stars, and also because he tells the full stories of Gettysburg, Bull Run (both of them), Antietam, Shiloh, and Appamattox Court House. He brings the Civil War to life like nobody else can. I am especially touched by his quotation from the letter of Col. Sullivan Ballou of Rhode Island, it was a tear-jerking moment for me when I saw the series and when I read this book over and over again. This book is an amazing readable account of a gone-by era and I appreciate the effort that Ken Burns and Geoffrey Ward to bringing this bloody, romantic, and adventurous era to life just as they have in The West with Dayton Duncan, Baseball, and Lewis & Clark.
Read this book for the story and the pictures!
Burns and Ward have done the same service for a new generation. This is a fine one volume treatment of the Civil War done in a most accessible fashion. The words provide a good overview and summary of the subject. What brings it alive are the many pictures, maps, focus subjects and commentaries in this coffee table book. The media and elements come together to fascinate and captivate the reader. This book is a companion to Burn's monumental ten part PBS television series by the same title. The book captures it's style well, and even uses some of the most memorable documents -- like the romantic and haunting Sullivan Ballou (sp?) letter written prior to the first Bull Run that foretold the passing of its author and a simpler America.
Althought the material is strictly introductory, even the serious Civil War student will find fascination at haveing a story they know so well, so well illustrated and illuminated.
Introduce your children to this book and watch them become interested in our country's greatest story.
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My gripe with this revised edition is the overall quality of the press: the pages aren't as glossy and weighty as the original, and worse, the photos look poor by comparison. Trust me, the choice of paper matters! Otherwise, it's still a good recommendation for anyone looking for an absorbing yet accessible history of the traumatic period when America tested its democracy in blood and fire.
This book bears comparison with another recent heavily illustrated one-volume overview of the civil war, Geoffrey C. Ward's The Civil War (companion to the PBS documentary). This book has more striking illustrations, in that they are in full-blown vivid color, whereas many in Ward's are in sepia or black and white. Ward's, though, has much better maps. It is frustrating that in this book it is not always clear exactly where battles occurred, because of the lack of maps. On the other hand, this book is better written than Ward's.
This book is useful as an adjunct to other accounts of the civil war, but if you are interested in reading only one general book about the war, this is not the one.
Item: WOMEN of the South ran out of PINS and walked around with downcast eyes looking for PINS. Thorns were gathered and dried to use as PINS. Item: CONSCRIPTION: In the South conscription was well implemented, in the North it was a DISGRACE. If drafted, a man could get out of it for $300 or hire a substitute to take his place. The COLORED ORPHAN ASYLUM on FIFTH AVENUE was attacked and burnt because of conscription exempting blacks. Item: PRISON CAMPS: 55,000 soldiers died in the prison camps of the North and the South, the conditions of which rivalled Nazi Concentration camps, indeed may have been worse. Item: BATTLE OF CHATTANOOGA - an uphill "miracle" of courage by Union soldiers. The South lost the war not through want of courage and skill but because the war "wore it out". Not one mile of railroad was produced in the Confederacy during the war. The moral dimension of slavery may have been another factor but only in the latter half of the tragedy. Again, the Union navy played a pivotal role which I for one was completely unaware of. Reading this work has been an engrossing and revalatory experience for me.
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Banners at Shenandoah is very much young adult or even for younger audiences; it's the story of a young man who becomes Sheridan's guidon bearer. One thing I did like is that the account is not romanticized. Northern depredations in the Shenandoah, scouting in Southern uniform, etc. are described--though strangely separated from the idol-worshipping view of Sheridan himself.
But I found the account vague, bloodless both literally and metaphorically, lacking in description and tension. The Rebels, in particular, are faceless--you'd hardly know they wore gray.
Not something I'd recommend seeking out. There is better Civil War young adult fiction out there.
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I listened to the audio version of this book, and the reader initially struck me as monotone. Yet very quickly one becomes absorbed in the interesting content the book has to offer.
No, the book is not as detailed as Shelby Foote's 3-book narrative of the Civil War. But I am glad I listened to Catton's first, as it outlines the events leading to the Civil War, major battles, and personalities that made my understanding of subsequent books greater.
I recommend this book either for the general reader who has only time to read 1 book on the Civil War, and I recommend the book for Civil War readers as an overview of the entire conflict to create context for subsequent readings.
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