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Some of their roles are direct ones. Hannah Snell, for instance, served as a marine in the Royal Navy, sent to India on the sloop _Swallow_ in 1747. She was a bit of a hero in the siege of Pondicherry, shot eleven times in the legs. She revealed herself as a woman to her shipmates when she arrived home, and they would not have believed it had her sister not assured them of the truth. She was the only woman sailor to be granted a pension by The Royal Hospital at Chelsea. Once she was fully recovered from her wounds, and her identity was open, she became a celebrity, performing on the stage, having her portrait painted, and issuing a vivid account of her life story.
Most of the women at sea were, of course, women without a subterfuge of being men. Lower rates were allowed to have wives and families on board, especially the warrant officers known as "standing officers." These were the gunners, boatswains, and carpenters who, once assigned to a ship, were attached to that one ship more or less for good, sometimes from her launch to her breaking up. If the wives were aboard at wartime, they were expected to fulfill nursing duties or carry powder to the guns. They were never recorded in the official muster book, and so they only appear in letters or court-martial transcripts. Sometimes wives at sea played a heroic role. When her husband, the captain of the _Neptune's Car_, bound from New York to San Francisco in 1856, fell ill and collapsed, Mary Patten took effective command of the ship and brought it in safely. As a book about "sailors' women," this one tells about the wives the sailors left behind them, and also the prostitutes. It recounts the affairs of Nelson, John Paul Jones, and the ever-ready Captain Augustus Hervey, who had affairs with aristocratic ladies wherever his ship was in port, and if his reports are to be believed, they initiated action as often as he did, and gave him presents in token of his powers.
Cordingly has obviously had fun compiling these diverse tales and descriptions, which also include stories of ruthless female pirates, heroic lifesaving female lighthouse keepers, and Tahitian temptresses. He has illuminated an aspect of seafaring life that does not make it into most history books, and his book is an entertaining look at what we usually think of as an all-male world. Over and over, the men couldn't have managed without the women.
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Well written and easy to read, each page is printed on glossy paper and clean typeface, with illustrations to help convey the mood of the book. Its an entertaining history of piracy (and if a book isn't entertaining, then why read it?). It may not have the depth of some of the more scholastically-oriented books available, but this book is a good place to start when building your library.
Overall, a good book to have around.
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Jim Hawkins, a young boy that helps to run an inn finds himself stumbling into an adventure after another. After the death of an old pirate that lived in the inn, he founds a treasure map in the dead pirate's chest that more than he thought are after... He sails with his adult friends to find this treasure aboard the great Hispaniola. When a dreadful plot of treachery and mutiny is exposed, Jim begins to see how dangerous this sea adventure really is. Once upon the island, Jim and his friends find it harder than ever to keep grasp of life...
A truly great book with the classic theme that never grows old. The old-English and pirate slang that is written in this book is a bit tricky but does not interfer with the plot and the adventure.
So, all hands on deck and grab Treasure Island!
'Treasure Island' is absolutely great. From the beginning to the end its filled with non-stop action. Jim Hawkins is telling the story, so as young people are, he is straight to the point. No unnecessary details are given which will certainly appeal to youngsters and best of all it is written in simple and plain English. For children this is a must-read.
If you think 'pirates', 'treasures' are too childish for you then I suggest you read it in your leisure moments. I'm sure you won't be able to put it aside till you've read the last page!
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The conclusion that Defoe and Johnson were one and the same has come under fire these last few years and is not the accepted fact it once was. This text includes portions of the original volumes by Johnson, but not the whole, although it can be argued that it includes the stories that most readers would want. There is also some question about the validity of the stories, but we may never know whether they are true or fiction. P-)
However, the down side of this particular volume is that it includes only a subset of Johnson's original writings. And, there is no added index with which to quickly reference particular names and such. While I don't quite agree that the editor has ruined the original, I do find that this version falls short of its potential. P-)
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David Cordingly manages to cover quite a vast subject without being overly verbose.