Whereas, Alexis de Tocqueville offers his perspective on America as an outside observer, the literary genius James Fenimore Cooper offers his assessment of culture, politics and society in 19th century America. He doesn't hold democracy to be sacrosanct like we do today, but rather like any other system of government with its advantages and disadvantages. His look at the nature of liberty and its relation with equality is particularly intriguing.

He is cognizant of the dangers posed to American self-government, which values legal equality. Equality, is a virtue, only insofar as it pertains to equal rights and equality before the law. Any effort at establishing equality of outcome is tantamount to tyranny and opposed to liberty. Cooper illustrates the precarious relationship between liberty and equality. Unless, tradition, custom, the rule of law and the Constitution are revered and upheld- the American Polity could easily collapse into majoritarian tyranny under a demagogue.

One gains an appreciation of the system of government established by the American founding fathers after reading this book... They established a constitutionally-limited federal republic, with limits not only on the power of government, but with limits placed on the power of majority rule, so as to limit the fundamental role of government to protecting the rights of its citizens. This constitutional republic sought to balance out monarchial, democratic, and aristocratic elements...

Cooper is too good to be true! I love reading his books because he creates such beautiful pictures while he binds you to an imaginative story line. His stories bring you to the battlefront and into the very mind of the hero.

This book has a beautiful format. It is very useful. I do recommend hardback editions thus allowing you to pass on your treasures to further generations. James Fenimore Cooper demands immense reverance from attentive readers. No library should be without this book.

This was an ambitious endeavor by the authors to view everything related to Last of the Mohicans...all the films, comic books, television shows and specials...and to analyze why it has lasted, why the myth is important to american culture, why the book keeps being produced. The wealth of detail was fascinating.

I chose to read this series in chronological order and not the order in which they were written. This being the third to be written but last in order, I read this one last. I must say that I was surprised at how enjoyable a read it was seeing that the last two I read (The Pathfinder and The Pioneers) were pretty disappointing. This novel has excellent descriptions of the prairie setting and the characters involved without weighing the reader down with page upon page of needless descriptions or rhetoric. The story line was very well-conceived, plausable, and coherent; qualities which not many books can boast. Of course, this being the last book in the series, I was concerned about how the author would conclude the saga of Natty Bumpo. Not wanting to spoil anything, I must say that I was very impressed with the way Natty's character was handled. There is nothing worse than reading five or so books and having the author ruin them all by messing up the character at the end. No need to worry here. This novel pretty much has all the ingredients which make The Deerslayer and The Last of the Mohicans exceptional: indian warfare, revenge, some romance, the differences and similarities between Natty's and the American Indian's religious views and philosophy on life, and of course just some good ol' action. I would recommend reading this series in chronological order, but if you do have to skip one of them, The Pioneers can be that one and you would not really miss a beat.

Third in the Leatherstocking Tales series, The Prairie finds Nathaniel Bumppo beyond the Mississippi as the encroachment of civilization pushes him further and further afield. There are five books to the Leatherstocking Tales. Cooper did not write them in chronological order. Accordingly, The Prairie relates the close of Bumppo's career among the Pawnee and Sioux of the Great Plains. As with The Pioneers, The Prairie starts slow and takes time to develop. Additional concessions must be made for a least one plot twist that tickles the limits of plausibility. It should be remembered, however, that the age and the romantic style of writing then in vogue permitted latitude today's novelists are not afforded. Be that as it may, once past this questionable plot development, it matters little for the book is that grand.

Sioux and Pawnee, contesting the plains, find Bumppo, a wagon train of shifty settlers, and a bee-hunting suitor caught between them. What follows is a historical novel which includes every ingredient required for a masterful yarn. Bumppo, in this case "the trapper", represents the ultimate antiestablishmentarian as he longs only for freedom and the space to enjoy it, despising the restrictions of polite society. It is a message that has not lost it's power. Indeed, James Fenimore Cooper, through the Leatherstocking Tales, exquisitely captures a period and place in a manner so evocative that the reader longs to range beside "the trapper" through thick and thin , through the length and breadth of the fledgling American frontier. Having read more than my share of historical fiction, The Leatherstocking Tales rate as one of the finest examples. The Prairie is no exception.

Fare thee well, Natty Bumppo.

This large, very elaborately written book is the first of the Leatherstocking tales Cooper wrote. It is, however, about Natty Bumppo's (aka Deerslayer, Leatherstocking, Hawkeye) final days. In this novel, he's more of a peripheral character, witnessing at least 2 other, very intriguing adventures.

The story is integrated in fantastic descriptions of the prairie; reading it you can almost feel the beauty and power of the unenslaved American wilderness.

Fascinating, though too long. I recommend starting with Taylor's _Liberty Men and Great Proprietors_, which seems to have been less of a "labor of love."

The tale of James Fenimore Cooper's father on the New York frontier in the 1790s is an Horatio Alger story run amuck. Born to a poor Quaker farm family, William Cooper learned the craft of making and repairing wheels before reinventing himself as a land speculator, founder of Cooperstown, judge, congressman, patrician farmer and Federalist party powerhouse.

Alan Taylor's WILLIAM COOPER'S TOWN: POWER AND PERSUASION ON THE FRONTIER OF THE EARLY AMERICAN REPUBLIC is an outstanding biography of an archetypical American character, an extraordinary social history of life and politics on the late eighteenth-century frontier and a brilliant exercise in literary analysis.

This is a wonderful read. Taylor's lively prose, compelling narrative and original, fresh story sustained my interest from cover to cover. I never would have imagined such a dull title could cover such a marvelous book. WILLIAM COOPER'S TOWN certainly deserves the Pulitzer Prize it was awarded.

Taylor not only describes William Cooper's rise from rags to riches and even more meteoric fall but analyzes Cooper's political odyssey in America's frontier democratic workshop.

"As an ambitious man of great wealth but flawed gentility, Cooper became caught up in the great contest of postrevolutionary politics: whether power should belong to traditional gentlemen who styled themselves 'Fathers of the People' or to cruder democrats who acted out the new role of 'Friends of the People.'"

Taylor argues "Cooper faced a fundamental decision as he ventured into New York's contentious politics. Would he affiliate with the governor and the revolutionary politics of democratic assertion? Or would he endorse the traditional elitism championed by...Hamilton." "Brawny, ill educated, blunt spoken, and newly enriched," writes Taylor, "Cooper had more in common with George Clinton than with his aristocratic rivals." "For a rough-hewn, new man like Cooper, the democratic politics practiced by Clinton certainly offered an easier path to power. Yet, like Hamilton, Cooper wanted to escape his origins by winning acceptance into the genteel social circles where Clinton was anathema." Taylor concludes "Cooper's origins pulled him in one political direction, his longing in another."

James Fenimore Cooper's third novel, THE PIONEERS, is an ambivalent, fictionalized examination of his father's failure to measure up to the genteel stardards William Cooper set for himself and that his son James internalized. The father's longing became the son's demand.

Taylor analyzes the father-son relationship, strained by Williams decline before ever fully measuring up to the stardards he had set, and the son's fictionalized account of this relationship.

James Fenimore Cooper spent most of his adult life seeking the "natural aristocrat" his father wanted to be and compensating for his father's shortcomings. It is ironic that the person James Fenimore Cooper found to be the embodiment of the "natural aristocrat" his father had longed to be and that he had created in THE CRATER and his most famous character, Natty Bumppo, was the quintessential "Friend of the People"--Andrew Jackson.

I enjoyed this book immensely and give it my strongest recommendation!

This is the story of William Cooper, the founder of Cooperstown, New York, and of how his son, James Fenimore Cooper, used his father's life and experiences in his novels. Described in this way, this sounds like a narrow book, of interest mainly to specialists. But anyone interested in early America should read this book: it reveals truths not only about these two men but about the whole period. One of the key themes of the book is that the Revolution, which in a sense made William Cooper by pushing aside the old aristocracy of New York, also unmade him by creating an anti-aristocratic politics that ousted him and other Federalists in 1800. A fascinating minor detail: the city fathers, in their effort to maintain a proper tone in Cooperstown in the early 1800s, outlawed stick ball, the precursor of baseball.

The title page of James Fenimore Cooper's 1823 novel "The Pioneers, or the Sources of the Susquehanna" defines it as "a Descriptive Tale"; and indeed the narrative is more a series of descriptions rather than a straight-forward plot. There is a well-drawn set of characters living quiet country lives. There is a plot "teaser" that is fairly obvious and finally resolved in the penultimate chapter, and there is a vague love triangle that never intensifies. In fact,Cooper seems to be not so much concerned with events as with attitudes. The story opens at Christmastime of 1793, and the settlers discuss the tumult of that year in Paris and the Vendée. (One of their company is an émigré who keeps muttering "Les monstres!" and "Mon pauvre roi!") Unfortunately, Cooper seems to have lost track of his time scheme because several months later in the story it's still 1793. This is one of the Leatherstocking Tales, which means that Nathaniel Bumppo (called Leatherstocking by the newcomers, Hawkeye by the Indians) is one of the major characters. But "The Pioneers", unlike "The Last of the Mohicans", does not involve Natty in dangerous adventures. (Which is just as well -- he's suppose to be 70 years old.) Instead, the novel presents frontier life in central New York at a settlement on Lake Otsego through commonplace but colorful occurrences: a fishing expedition, a turkey shoot, a gathering at the Bold Dragoon, a trial. The remarkable aspect of "The Pioneers", and the reason today's readers will identify with it, is the many arguments for the conservation of natural resources, both flora and fauna.Natty Bumppo's concern is understandable, as he is a man of the wilderness. More surprising is the wealthy entrepreneur Judge Temple's insistence that "we are stripping the forests, as if a single year would replace what we destroy. But the hour approaches when the laws will take notice of not only the woods, but the game they contain also". Later, both he and the Leatherstocking are appalled by the indiscriminate slaughter of birds in a single outing. This ecological attitude gives an unexpectedly modern tone to "The Pioneers" and makes it sympathetic reading in the 21st Century.

Even though this is a difficult read if you are not in the right frame of mind, I felt it was an excellent book. This book illustrates the final days of Hawkeye and the dilemmas that he encounters as an old man. I believe that the only major problem of the novel was the unbelievable and corny ending. Overall a good book.

Marmaduke Temple opens this story as he retrieves his daughter Elizabeth from a boarding school in New York City shortly after the Revolutionary War. As they descend the mid-winter mountains of upstate New York into the valley the Temples call home, they meet the other major characters of the story, Natty Bumppo, Chingachgook, and Oliver Edwards. Cooper prefaces this book by telling us that he wrote it for his pleasure, not ours. As Elizabeth's first night back home consumes 178 pages, I was beginning to take the man at his word, but, from here, an outstanding tale unfolds.

The Pioneers is a book in the romantic style of it's age which also carries contemporary messages. The loss of wilderness and wildlife were already a concern in the late 18th century. As the population shifted westward, Native Americans were supplanted and the wilds they inhabited were methodically tamed. Marmaduke Temple and Natty Bumppo, the conservationists, approach the issue in differing ways. Temple exemplifies the responsible management of natural resources while Bumppo longs for the departure of civilization so that nature may reclaim it's own.

Surrounding the ecological message is a story of a human dimension that, though expectedly formulaic, is nonetheless pleasing to behold. The characters are finely wrought as is the portrait of 18th century American life. Easily transported, the reader will find the descriptions of natural surroundings evocative of period and place.

I was sorry to see the last page, though the last page was masterfully done. While James Fenimore Cooper need not be proclaimed by me as the author of classics, I consider this book one and the same and rate The Pioneers a resounding five stars.

Those hoping for an attack on mob rule and Andrew Jackson will be sorely disappointed; this 'treatise on Jacksonian democracy' is hardly a commentary on the current events of Cooper's age, and does not even mention Jackson. Rather, Cooper, spends more time discussing the merits of proper pronounciation than slavery! Further, for a polemic that greatly hurt its writer's reputation, the book is pretty weak and tame.

First published in 1838, The American Democrat is a wide-ranging series of essays, many of them couched in theoretical terms, about the historical and cultural bases of American democracy, and an informed critique of many aspects of American politics, society, and culture in the 1830s.. Cooper wrote the book shortly after returning to Jacksonian America after a seven-year sojourn in Europe, and it reflects much of his discontent with what he found. As a cogent and informed commentary on 19th Century America it belongs with a book with which it has often been compared -- Toqueville's Democracy in America.

Whereas, Alexis de Tocqueville offers his perspective on America as an outside observer, the literary genius James Fenimore Cooper offers his assessment of culture, politics and society in 19th century America. He doesn't hold democracy to be sacrosanct like we do today, but rather like any other system of government with its advantages and disadvantages. His look at the nature of liberty and its relation with equality is particularly intriguing.

He is cognizant of the dangers posed to American self-government, which values legal equality. Equality, is a virtue, only insofar as it pertains to equal rights and equality before the law. Any effort at establishing equality of outcome is tantamount to tyranny and opposed to liberty. Cooper illustrates the precarious relationship between liberty and equality. Unless, tradition, custom, the rule of law and the Constitution are revered and upheld- the American Polity could easily collapse into majoritarian tyranny under a demagogue.

One gains an appreciation of the system of government established by the American founding fathers after reading this book... They established a constitutionally-limited federal republic, with limits not only on the power of government, but with limits placed on the power of majority rule, so as to limit the fundamental role of government to protecting the rights of its citizens. This constitutional republic sought to balance out monarchial, democratic, and aristocratic elements...

The Ways of the Hour was James Fenimore Cooper's last novel, published in 1850. Set in a rural New York county seat outside New York City, it is a courtroom drama of a woman accused of murder and theft, and of the men and women who defend her case. The surprise ending is perhaps as unexpected as any in crime fiction. Cooper used the novel, among other things, to express his discontent with changes in New York State's judicial system during the 1840s, with the corruption of courts and juries, and with new ideas of women's rights. The accused woman, Mary Monson, is a notable character in her own right. The Ways of the Hour should be considered a classic in the history of the mystery novel -- as it is perhaps the first novel to revolve almost entirely about a courtroom murder trial.

Instead of reading from the beginning, I started with The Red Rover first. I enjoyed it immensely; it was filled with sailors' superstitions, eery encounters with unknown ships, and many tales of the 'unexplained' occurances on sea. There were wonderful descriptions from Cooper that appealed to the senses. The Red Rover is a page-turning tale of suspense. The reader is left to ponder over the identity of the captain Red Rover and the nature of his near magical power over his men, yet Cooper gives the reader a slap in the face when we realize that it is our hero, "Wilder", who is not what he seems! The story continues and ends with more identity-revealing. I finished The Red Rover with a dazzled mind, and then turned to The Pilot. Expecting more intriguing tales of the sea, this book was a let-down in that it nearly focuses on two young lieutenants trying to kidnap their lovers from England and whisk them away, back to America. Redeeming the tale slightly is the vague pilot himself, never named, but patterned on a heroic and rather "chivalrous" John Paul Jones.

From the book jacket, "Inspired by _The Last of the Mohicans_ by James Fenimore Cooper," _Last of the Breed_ is part of the "Adventures of Wishbone" series. Wishbone, a perky Jack Russell Terrier, connects modern-day events with books he remembers "reading." In this particular adventure Mr. Leon King, a local real estate developer in Wishbone's home town of Oakdale, wants to build a Tastee Oasis fast-food outlet on the edge of the town park. He gets permission to do so, by nefarious means, from the Oakdale Town Council. The moral of the book, from which Wishbone draws parallels to Cooper's novel, is that the land is important and progress (in the form of fast food outlets) isn't measured by paving over every available inch of landscape. What is especially impressive about Steele's treatment of _Mohicans_ is that he is truthful to the original. He does not gloss over the violence (he includes a throat-slashing and the Massacre at Fort William Henry), nor does he try to change the ending of Cooper's novel. Wishbone even says, "I had forgotten how sad the ending of this story is. Let me just take a moment..." before moving back to the "triumph" over Mr. Leon King. _Last of the Breed_, while certainly not a substitute for Cooper's _Last of the Mohicans_, is certainly a good primer for reading Cooper's novel. Moreover, it treats readers, both children and adults, to a throughly enjoyable ecofriendly story. Well done, Wishbone!