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Pamplemousse and Pommes Frites travel to Auvergne to judge whether Chef Dulac is worthy of Le Guide's Golden Stock Pot Lid award. However, instead of a quiet escape, Pamplemousse and Pommes Frites become embroiled in a situation that could destroy not only the reputation of Le Guide, but also the international esteem that French cuisine deservedly has. Placing a TV camera on Pommes Frites, Pamplemousse expects to learn the truth behind the efforts to demolish reputations.
For fans that enjoy humorous satire, the release of a Monsieur Pamplemousse and Pommes Frites tale is always a time of rejoicing. The latest novel, ON PROBATION, is an extremely amusing story that as usual takes comic shots on anything that accidentally steps in the way of the dauntless, likable lead duo. Michael Bond uses irony to provide his audience with a wild spin through the kitchens of France and will send tourists seeking previous tours conducted by the dynamic duet.
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Obviously one of the first places to start is with the Qur'an itself. But to Westerners who've never opened it, the book can be intimidating and arcane. Michael Cook's little volume on the Qur'an is a decent introduction to its structure, basic principles, interpretation, and history.
Some points in Cook's book are of more immediate service to the beginner than others. Cook's discussion of the difficulties encountered in translating the Qur'an's Arabic into other languages may not be of great interest to the beginner. But his overview of the various Muslim schools of exegesis or interpretation certainly will be, for this discussion begins to reveal to the reader that there's no more of a uniform way of reading the Qur'an than there is of reading the Hebrew and Christian Bibles. As a consequence, Qur'anic verses can mean different things to Muslims coming from different exegetical traditions. Cook illustrates this point in Chapter 4 by discussing the "sword verse" (Sura 9:5) and the "tribute verse" (Sura 9:29). These two verses are frequently appealed to by commentators on Islam's attitude to "infidels." Cook does a fine job of showing that the verses can be read either as harshly intolerant or as live-and-let-live, depending on how one parses the text.
One of the many merits of this short book is that Cook encourages us to think about the meaning of "sacred scripture" in general. Whatever else scripture is, regardless of the religious tradition we're talking about, it's fluid and living and multi-layered. To condemn a sacred text on the basis of a cursory reading and a literal interpretation of a few ambiguous verses is a rush to judgment.
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But who cares? I'm a sucker for cookbooks with lots of glossy photographs, and I don't care what anyone thinks, I love Martha. If you do, too, then you will enjoy this book.
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Most of the information in this book can be gleaned for free from catalogs like *Jessica's Biscuit.* What's most disappointing about it is the bland prose and uninspired selections. I had hoped to learn about unknown gems or at least find new appreciation for some of my own favorites. No such luck with this p.r. approach to cook book criticism.
You can be pretty sure that cookbook publishers deluged "Food & Wine" magazine with review copies, over the years. And you can be pretty sure that Susan Wyler saw much of this stream of books. So she's an ideal choice to be an author of this book.
Michael McLaughlin, her co-author, is author or co-author of at least twenty cookbooks, including "The Silver Palate Cookbook," which was inducted into the James Beard Foundation's Cookbook Hall of Fame. Very importantly, Mclaughlin is cooking and life-style book buyer for Cookworks, a gift and gourmet chain in New Mexico, Florida and Texas. So you can be pretty sure that he sees a giant stream of cookbooks too.
The result of the authors' skill and experience is a valuable book. It's not one that you'd read at a few sittings. Rather, it's a book directory for dipping into, now and then. It offers a paragraph of description of each cookbook, plus it recommends a selection of recipes from each cookbook.
It puts each book into one of these categories: general interest cookbooks, regional America cooking, ethnic and international cookbooks, vegetable and vegetarian cooking, low calories, reduced fat and spa cooking, single-subject cookbooks, cookbooks from chefs, restaurants and TV personalities, cookbooks featuring grilling and other techniques and equipment, breads, baking and desserts, good reads, references and cookbook series.
Tremendous numbers of cookbooks come into print and go out again, quickly. The authors were smart to concentrate on books in print and smart to look upstream at books about to be published.
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The main flaw in this book is that it presents as authoritative information which is in reality quite controversial. For example, his chapter on Muhammad's life includes a brief phrase about the satanic verses incident (without calling it that) that fails to describe differing points of view on the subject. The whole chapter on the Prophet's life, and much of the rest of the book, has perhaps also been too much influences by anti-Semitism in the Middle East arising after the founding of Israel. He also reports lots of traditions outside the mainstream (such as Ishmaelite Arabs who followed Jewish law) without giving a clear indication of how they might have fit into the larger scheme of things.
His chapter on "The Sources," while perhaps the most controversial, does give a fair presentation of the dilemma scholars face as to whether the Islamic tradition about the Prophet is fundamentally correct or fundamentally a later invention. I disagree with his conclusion, but it's his book. Here he presents enough of the evidence for interested readers to make up their own minds.
Given the contraints of this series, Cook may have done all he could. This is an interesting work, but there are probably better ones out there.
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