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Why only 4 stars? Even if the book is well written and is easy to understand, I had expected more from the book. The authors should have added some extra chapters dealing with other learnings from NLP that apply for relationships. Maybe I should be happy, at least that leaves room for others to write books. Also, the publisher has applied some low cost techniques: the paper is a bit cheap and the font used is a bit small.
Patrick E.C. Merlevede, MSc -- co-author of "7 Steps to Emotional Intelligence"
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The Star of the Sea carries First Class passengers as well as those in steerage. A member of the English aristocracy, Earl David Merridith of Kingscourt, his family and their nanny are ensconced in relatively comfortable quarters, along with other such men of substance. There is a sharp contrast between First Class accommodations and the cheapest berths, below decks, where hundreds are warehoused like cattle and disease is rampant. The poor are forced to endure yet more punishment with unsanitary facilities and insufficient food. Vessels like the Star of the Sea, with its well-meaning Christian captain, are all that is left for such throw-aways. Many succumb daily to a variety of shipboard diseases, sent quickly overboard to their watery graves.
A man who wanders the decks at night, when the others are sleeping, is much remarked upon by all. He is a small-boned figure, with a crippled foot, who treads the upper deck incessantly, back and forth, mumbling to himself. Called "the ghost" or "the monster" in his filthy clothes and unkempt appearance, he is, in fact, one Pius Mulvey, a survivor of the unremitting brutality that decimates Ireland's poor. Mulvey has, in fact, become a monster, a creation of his own extreme circumstances. Traveling the roads of Ireland and England, Mulvey has tasted every form of depravity and honed criminal skills along the way. While others suffer tragedy and find a source of strength, Mulvey has fed off his own venal acts, capable of the most heinous crimes. As a creation of his situation, his survival-at-any-cost attitude, Mulvey becomes an "Everyman" of the famine, a stark example of what becomes of a broken human spirit after repeated degradation and suffering.
Due to unwise investments, the Merridiths have lost the land their family has held for generations and, by opting to save themselves, they turn away from the destitute souls who seek to stay on the land. The only Irish citizen they take along is Mary Duane Mulvey, the widowed nanny of their two children. During the course of the journey, the Merridiths take pity on the duplicitous Mulvey, believing him victim rather than victimizer. They welcome him into the intimate circle of their family, oblivious to his true nature. Mary Duane recognizes Mulvey at once and is loath to have anything to do with him, yet she has a history with Mulvey as well as with David Merridith, adding another layer of complication to the relationships.
O'Connor's writing is impeccable, his illustration of the socio-economic class struggle of the mid-1900's pitch perfect. This horrific tale witnesses the virtual annihilation of a proud race. There is great compassion on these pages and piercing awareness of a dispassionate fate, the legacy of the famine. For some of the characters, their endless trials render them more complex; but for others, the façade of humanity is ripped away, revealing a heart scarred by rage. The claustrophobia on the Star of the Sea is almost unbearable, each day a burden, another glimpse of the past. Many live in hell and it is familiar, as is depravity and the utter loss of hope. Whatever the future for these unhappy passengers, they are forever marked by the passionate love and abject loss of a land that no longer provides for the living, become instead a vast graveyard of dreams. Luan Gaines/2003.
O'Connor presents four main characters who recall the pivotal experiences of their lives which lead them to make this fateful, 27-day journey. The reader becomes emotionally involved with their stories, acquiring a broad background in Irish social history--and its tragedie--in the process. Thomas David Nelson Merridith, Lord Kingscourt, is the ninth generation of his Protestant family to govern Kingscourt, with hundreds of workers dependent upon him. Now bankrupt, he and his family are going to America, first-class. Their nanny, Mary Duane, has recently joined the family, and her stories of her past loves, her marriage, and her loss of her own children illuminate the bleak prospects available to this warm and intelligent, but desperately poor, woman.
G. Grantley Dixon is a caricature of the liberal American do-gooder, whose reports about the plight of the Irish poor are influenced by his own socialism and by the reform-minded traditions of his family. Self-centered in his attitudes and limited in his social graces, he is detested by Merridith. Pius Mulvey is a mysterious ex-convict who comes from the same town as Merridith and Mary Duane, directly connected to both of them. One of over 400 passengers who have paid $8 per person for passage, he is crammed into the fetid and dangerous quarters known as "steerage," expected to stay alive on one quart of water a day and half a pound of hardtack.
O'Connor pulls out all the stops here in this big, broad melodrama, but an honesty of emotion and a fidelity to the facts here saves the novel from bathos and gives the reader cause for thought. Moments of both ineffable sadness and high drama arise, and O'Connor's imagery, especially his sense imagery, is arresting. Occasionally, his compression of time, for the sake of story, leads to anachronisms--several mentions of evolution, with parallels between monkeys and Irishmen, ignore the fact that Darwin's Evolution of the Species was not published until twelve years after this famine. Still, O'Connor presents a compelling story with many unforgettable details of Irish history. The ending is preachy, but the author does provide a follow-up on the characters after their arrival in America. The fact that at least one character becomes a politician (later accused of misappropriation of funds) will surprise no one accustomed to politics. Mary Whipple
O'Connor has created some wholly unlovable characters. A notable few of the cast are brilliantly moral, despite overpoweringly desperate conditions in the midst of an historical bleakness. Lord Kingscourt, sailing with his wife and two sons, comes on as a quite likable fellow at first, a fellow fallen on hard times of his own --- and hard times of his own making. As you get to know him, his darker side slowly emerges. I finally found myself nearly devoid of sympathy for this errant soul. But Lord Kingscourt is a product of his past and his choices, as indeed we all are. He fell in love with the wrong woman and spent his life in marital misery. Mary Duane, his children's nanny --- and the object of his desire --- sees things from a different viewpoint. She lost a husband and a child, and now she does what she must to survive. Lurking in the corridors, on the decks and in the hold is the Ghost, Pius Mulvey, a murderous prison escapee with a plan for assassination aboard the ship. As the Star sails, Lord Merridith, his wife Laura, Mary Duane and the despicable Pius Mulvey are profiled.
Everywhere in this novel are the stark reminders of the chasm between classes. The present action takes place onboard the ship bound for America with her starving and diseased, but hopeful, cargo. Unfortunately, many of the steerage passengers, carried below decks in the frigid hold with clogged toilets and stinking blankets, will not make the journey alive, much to the good captain's sorrow. Meanwhile, in First Class, the tables are set with fine cutlery, the wine is abundant, and the beds in the private cabins are warm and snug.
I am a week late with my review of this book because I just didn't want it to be finished. I love to savor a good book, but this one gets inside your soul. There is so much going on --- injustices that evoke a sense of outrage, a dose of history (with a few authorial liberties taken), secrets revealed right and left about the characters, and a few famous ones, like Charles Dickens, wandering onto the page now and then --- that it helps to put it down and take a while to ponder O'Connor's message.
This is one of the best books I've read in a long time, written with the musical lilt of the Irish and a hint of the Erin impishness. O'Connor didn't simply write this book --- he choreographed it.
--- Reviewed by Kate Ayers
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However, by the end of the book, you have a reasonable idea of what NLP even if it seems a little jumbled and mixed-up!
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see www.7eq.com/books for more NLP book reviews
I used it when I was training call center Advisors at GM Onstar
for Sitel Corporation
I particularly like all the mindmaps in it.
This book is an easy read for people in human resources and sales
or even computer trainers who are trying to
become good at standup delivery.
Its also good for managers
who need to train others and develop
exciting training for high technology companies such as
the Big 3 Auto Companies.
Elegant NLP basics covered with a customization
for people who train, teach and empower others.
If you manage people this will enhance your mission.
If you want to learn about NLP and Training this is the book
to have for your collection.
I'm currently using this material develop my teaching
lessons at the University that I'm teaching Computer
Science Courses.
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(The book has 190 pages, not 224.)
This volume is one of three. Originally, all in one book it was more roughly 7" x 6" in size. Being 8.5" x 11" makes the reproductions bigger, but unfortunately, the majority are still in black and white or not there at all. Many works mentioned, are not included in this (or older editions). What good is mentioning a work of art, the reader is likely not to be familiar with, and have a hard time finding elsewhere? This makes the text, frustrating.
Starting with Rome in the first chapter, following with Caravaggio, the Carracci, Caravaggio's followers, Painting outside of Rome, and ending with Architecture and Sculpture. An introduction giving a brief biography of the author and enlarged bibliography has been added.
Wittkower is an important art historian and gives a comprehensive analysis of this time period which is essential for anyone interested in Baroque art. If it had all colour reproductions and included more of them, I would give it 5 stars.