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The book that i read is Water World. Water World is a exciting story that takes place in the future were the world is covered by water. There are rumors however of a place that still has land. The key to figuring out the position of the land is a little girl. But beware lurking around is the Smokers, a pirate gang on power boats and jet ski's. Have a exciting time reading Water world.


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The decorated group of authors assembled here each contribute their modern interpretation to where it all began in crime; uncomplicated motive, meaningful encounters and your murders delivered by gun and blade. The editors give their thanks to the original masters of crime fiction: James M Cain, Raymond Chandler and Mickey Spillane etc in what is a highly enjoyable dish of "erotic tales of crime and passion". But with a liberal splash of humour and irony.
The people we encounter every day and think nothing of it: what does that bank teller, airline attendant, security guard have cooking on their mental back burners behind the facade of polite efficiency? Murder.
Reality checks in with the fedora hat and overcoat here; enjoy these 23 windows into the everyday world that includes bad men and nasty women with a grudge. Most of these stories would aptly be described as fantastical - how many gorgeous women can the average Joe bed in a day? - but they are fun rides into the seamier side of life.
~*
Andrea Thompson

Collins needs no introduction to readers of detective fiction or to anyone else, really, since his graphic novel, THE ROAD TO PERDITION, was adapted to film. And Gelb? Horror aficionados have prized his HOT BLOOD series, edited with writer and writing instructor extraordinaire Michael Garrett, for some time now. FLESH & BLOOD is a logical outgrowth of the HOT BLOOD series and succeeds as thoroughly. The reasons for the success of both series are the uncanny ability of the editors to mix each anthology with well-known writers and those who are soon to be well known and to get their best out of all of them.
This is far more than a collection of "dirty stories." The sexual content is graphic but always fits appropriately within the context of the tale. Collins's own "Lie Beside Me," co-written with Matthew V. Clemens, is an excellent example of this. The story begins with John Sand, a retired secret agent who is finding that domestic bliss is boring. Mrs. Sand decides to re-awaken their marriage by reminding Sand of certain aspects of his exciting past, just as the past suddenly --- and dangerously --- threatens to intrude. This is the story that Ian Fleming, alas, never got to write.
Then there is O'Neil De Noux's contribution, "The Iberville Mistress." De Noux is a frequent contributor to Gelb's anthologies. No one can write an erotic tale set in New Orleans, that most erotic of cities, like De Noux. This tale of a private eye who becomes an unwitting, though not necessarily unwilling, instrument of the termination of a marriage is worth the price of admission all by itself.
Loren Estelman contributes a fine and humorous offering entitled "A Hatful of Ralph" about a department store detective who finds out more than he should about the extracurricular activities of a couple of coupling employees, while Gelb's "Perfection" is perhaps the ultimate cautionary tale about getting what you wish for. Garrett is represented as well in "Sex Crimes," which is the perfect title for a little band of thrill killers who, uh, really get into their work.
There are a couple of surprises as well. Clemens and Gelb score a coup with "Walking to Paris," a story by the much missed and remembered Rex Miller, who comes out of an illness-imposed retirement to present this story about a stewardess with a penchant for the ultimate payback. And then there's "Bank Job" by Thomas Roche. I was heretofore unfamiliar with Roche's work, a deficiency in my literary education that I plan to remedy soon. "Bank Job," gloriously set in San Francisco, chronicles what befalls a policeman who finds himself kidnapped during a bank robbery and who is almost too distracted by what befalls him to figure out an escape. This story is perhaps the most bizarre in the entire collection and is certainly one of the best.
FLESH & BLOOD: GUILTY AS SIN continues the tradition established by its predecessors of combining sex, violence and mystery into a steamy literary mix that both titillates and challenges the reader. Hopefully, we can look forward to seeing new volumes of this collection for many years to come.
--- Reviewed by Joe Hartlaub

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Just be aware that there are only 14 pictures (printed on one side of a page) plus 2 pages of text.


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Man, if that guy can get published, then there is hope for anyone.
There appears to be no reason for the book except that the author had done some research on famous people of the 50s and didn't know what to do with it.
My guess: Collins was setting around drinking and wondering how to pay his bills when it dawned on him, "hey, why don't I use the names of these famous people and connect them in some way and see if I can sell it to someone as a novel?"
Those appearing include, Frank Sinatra, Jayne Mansfield, Sam Giancanna, Tony Accardo, Drew Pearson, Estes Kefaufer, and Joe McCarthy. Notice anything they have in common?
All of them are dead, which means they can't object to being in such a dismal novel.

I do agree, though, that with a cameo appearance by Jack Ruby (and the fact that Frank Sinatra and mobster Sam "Mooney" Giancana are major characters in this book) it's only a matter of time until Max Allan Collins/Nate Heller tackle the JFK assassination (I can hardly wait!).

The case Heller takes on may not be very well known but it's an important part of the Heller story and well worth your time. Collins, as always, has done a great job. --Brian

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The biographical information is complete and well written including Elvgren's personal, commercial and artistic endeavors. The information on his associations with other pin-up artists of the time is especially interesting.
The importance of Elvgren's models is emphasized, although he painted from photos rather than the live model. In many cases the model's photo and finished painting are side by side showing Elvgren's ability to capture form and expression.
The book includes about 200 of Elvgren's paintings in vibrant full color and covers his advertising work for Coca-Cola and others as well as his famous calendar pin-ups. It is a great source for the pin-up fan, or art historian.

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So what I look for is what kind of story is woven around what is usually the same old thing. In the case of a historical novel, I want to get a feeling for what people are thinking at the time. The fact that this one takes place a day or two before the Pearl Harbor invasion seems like a great situation. I liked it a bit, but still have a lot of problems with it.
First, as mentioned above, the story is very ordinary. Yes, you know when somebody has blood on their hands early in the story, he's probably not the murderer. But there were also predictable things that deal with what I was interested in, which was the historical events surrounding the story. First, we have both German and Japanese characters. As we are at war with them, or about to be, what a surprise that virtually all of them are unpleasant characters. Also, we get to see the time-worn tactic of having those in authority insist nothing bad is going to happen, just so we the reader can smirk and wait for them to be told "I told you so". I'm sure these situations occurred, but it trivializes an important event.
The part I dislike the most however, is why we need to have a celebrity enter the story as an amateur detective. I love Larry McMurtry novels, but hate it when he puts real-life characters in fictional settings. And I don't like it here. I don't care that the author had the writer of Tarzan as one of his boyhood heroes, and find this device only makes it more unbelievable.
So why three stars? Well, we DO get a decent glimpse into life in Hawaii around World War II. Those younger people that believe they invented sex can see that libidos ran very high in those days (and any other time, for that matter). And with the definate threat that the hunky guys might be blown to pieces at any time in war, the ladies were no doubt a lot more accomodating than you might think in that time. Think about that the next time you see your grandmother, or even your mother.
And the author does a good job of describing the actual attack. This, to me, is the meat of the story. The fact that it came when people were least prepared for it (early Sunday morning). The fact the people at first assumed it was a military exercise. And the quick sobering up that all of a sudden made America a little more grown up. This just about overcomes the "main" plot that is little more, if not less, than a TV detective story.

Myself, I'm more a student of the Pearl Harbor attack, and I read this mystery in part for the story itself, but mostly to see how the author wove the true-life events of late 1941 into his story. And the answer is, pretty well (of course, he's had some practice at this, having written several other disaster-based murder mysteries as well).
The crime-solving part of the story is a fairly standard follow-the-clues/unravel-the-secrets tale, and if it had been set in Dubuque in 1974, I don't think I would have given it more than three stars. But it's the way the tale is woven into the larger historical context of the Pearl Harbor attack (and it's not giving away any plot secrets to say that the attack ends up being part of the story) that's most interesting to me, and the author pulled it off quite well. True-life events, like the Mori "flowers in bloom" radiotelephone message (which may or may not have been in code), or a front-porch meeting between Colonel Kendall Fielder and General Walter Short on the evening of December 6, are drafted into service as part of this story. Author Collins credits his researcher, and lists in his acknowledgements many of the key titles in Pearl Harbor historiography, including the Prange trilogy. I second that commendation, because the factual scaffolding on which this story hangs seems pretty solid to me. Collins also does a nice job with the general "atmospherics" of late-1941 Honolulu.
On the whole, the setting and the real-world history involved elevate the workmanlike mystery quite a bit. And if you happen to be a Burroughs fan, so much the better.

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Most horror relies upon some external agent - ghosts, vampires, psychotic killers - but Regeneration takes a different approach. While the X-Gen Agency and its plans are pretty scary, the true horror of the novel lies in the choices Joyce makes about the way she is going to live her life. To be fair, which of us wouldn't think longingly of renewed youth if it was offered to us? And which of us, in Joyce's position, wouldn't jump at the chance to make a new start at life, particularly when the only other option seems to be suicide? It's not easy to fault Joyce for choosing the paths she takes, and not easy to divorce ourselves from her wholly, even at the end of the novel when most intelligent readers will be shrieking at her to stop and think before she destroys the rest of her life. She's a strong woman with fatal weaknesses, a smart woman who can be willfully foolish and, in the end, a woman who finds it easier to become someone new than to give up all the material considerations she's held so dear: her youth, her job, her image and her lifestyle.
Regeneration is compellingly crafted and highly readable, but if you're not prepared for a story about a group of people who aren't particularly admirable, then don't even bother. There's no happily-ever-after to the romance and, by the end, there's not even a glimmer of hope for Joyce's future. This isn't an uplifting book by any stretch. However if you like well-written horror, and you can find it in something other than raging blood beasts, then Regeneration may well be exactly what you need. Well worth the time.

