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Even if the poetry was less than stellar, this book would be worth buying just for Keillor's introduction. Instead of gushing empty platitudes, he takes a hard look at what makes a poem good (as opposed to just technically proficient.) Anyone interested in writing poetry should do themselves a favor and read it (Personally, I'm thrilled that someone else thinks Elizabeth Bishop, Sylvia Plath, and Allen Ginsberg are overrated, though I have to admit T.S. Eliot is growing on me...)

There's a far larger public today which is actually prepared to read poems for pleasure, and Garrison Keillor has put together a poetic omnibus, also arranged by subject (I particularly like the group of poems on "Yellow" followed by the ones on "Snow"), which is otherwise quite the opposite of the old workhorses. Yes, prior centuries are represented, but the center of gravity lies among good modern poets, most of them still living, most of whom you never had a chance to read in school. They have been selected for both memorability and straightforward style. There are often flashes of humor, and trendily obscure versifiers need not apply, but there's no lack of depth or sophistication. (Think Billy Collins, who is well represented here.) Those of us who already read a lot of poetry, and those of us who suffered with glazed eyes through opaque symbols in English class, will both find fresh pleasures, simple ones and subtle, in this treasury.
It's what a poetry anthology should be: a sampler, a taster's counter at the many-flavored ice cream shop of verse. You can find old friends and new ones, and learn who you want to explore in depth later on. And this anthology lays out a richer feast of new friends than any other I've encountered.
As a bonus, there's Keillor's bluntly opinionated preface, in which he trashes Marianne Moore in favor of Elizabeth Bishop, "Saint Sylvia" in favor of Anne Sexton, and T.S. Eliot on general principles. It was a hoot even though I disagreed with him on two out of three.

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Here Collins works perfectly. It's almost as if two old buddies had been in a pub one afternoon and decided to thrash out a book one one of their lives. Although it must be noted that Billy is a very personable character, who is very easy to strike up a conversation with. That being said, Collins pulled off my walk in the park in matching Bragg's wit, humour, tales of a bananna and a woman (I can't say anymore) and political morals.
I love Billy Bragg and what he has adamantly stood for all his life, and I think I may just come to love Andrew Collins too. But one thing is for sure, this biography has earned my respect double big time!

Second: This book was excellent.
The book really gives a great background on Billy's growing up, his influences, and his rise to "fame". It is great to see even the simple insights into his music, like the girl from "The Saturday Boy"...and how she approached him after all those years. Of course, he did not remember her, but that makes it all that much more ironic and colorful.
The book itself was clearly written, well-organized, and most importantly it finally gave us fans a great look into Billy's life and music.
Summary: ALL fans of Billy's should buy this book.







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