A master work which starts off slowly and then fizzes into unexpected space. Pregnant with insight.

The Critical Edition of Q : A Synopsis Including the Gospels of Matthew and Luke, Mark and Thomas.

This is an exceptionally clear and easy to use book.

The section on the history of "Q" research is a splendidly clear and concise review of the work done today and would bring you up to speed very quickly.

The layout of the synopsis in 8 columns is actually a great deal easier to understand than at first glance and quickly becomes user friendly.

The Synoptic Gospels, Q and other canonical texts are paralleled in Greek with the gospel of Thomas being paralleled in Coptic. Q is translated into French, German and English with the parallels of Thomas being translated into Greek, French, German and English.

I would not hesitate to recommend this work to anyone who is studying in this field or has an interest in it.

This newest updated version of Q is a MUST read for all!

Informative and thought provoking;for all serious thinkers..... this book clearly settles the case....once and for all.

Mike in Melbourne,Fla.

i have to admit,james robinson really won me out on this one.this is his storytelling before his ideas started to grow a little stale,lately.it's an easy and fun read,is the best i can,or anyone else,can put it.it has a nice sense of fantasy and the mystery of unexplored places. chance falcon,a pre-adolescent school girl is trying to win her father out into the next "falcon",the title of a wizard passed down generations except the only catch to it is yo gotta be a son.and it's too dangerous for her anyway,but she proves her dad and all of us she take take the most dangerous of adventures and come out true.it's got suspense and adventure and paul smith's artwork fits in this series like a glove.it's simple yet gorgeous.kinda how jeff smith's artwork fits into bone,smith's illustration belongs in leave it to chance. read this book to go through a wonderful romp of adventure.

This graphic novel (originally published in 4 comic books) introduces Chance Falconer who lives in a modern world where magic exists. Chance is the daughter of the great Lucas Falconer whose family has protected the city from supernatural threats for generations. As Chance tries to prove to her father that she's ready to be trained in the "family business" a mystery is uncovered and a great adventure ensues.

I LOVE this book and the rest of the series. The artwork and the writing work perfectly together - telling a complex and intelligent story without losing the sense of innocence and fun that is at its heart.

I've given copies of the book to adult friends of mine, children, and early teens and all of them have enjoyed it.

I won't buy a book for a kid or teen unless I've read it and liked it. I've had a hard time finding adventure books about girls (there are so few) that fit this bill. But "Leave it to Chance" is a winner.

I took freshman physics in college. I picked up this book as a bit of a review. It is well worth reading. It is pitched at a level that a 12 year old could understand, but contains physics that would educate and entertain adults. I recommend getting the accompanying work book as well. There are concept questions and math questions. The math questions at the end of the chapters require knowledge of arithmetic ( not heavy algebra or calculus ).

I recommend this book for those that just like to read educational material for fun.... this is a light enough read to allow that. I also recommend this book for science students that want to get the concepts of physics down, before they get bogged down in the math. It makes your higher level physics book much easier to read.

If you dont get this book, you are really missin out on a good thing.

Katherine
PS yes real girls do read physics

As a new teacher returning to physics for the first time since engineering school ten years ago, I found this book to be a wonderful resource. The analogies that Hewitt uses are extremely helpful in explaining concepts to students.

The book was the district chosen book in a lower level physics class that I no longer teach, but I still use it in my honors class as required reading to insure that students understand the concepts before we get to the math.

I absolutely loved the service provided. I received the books 10 days early and in mint condition!!! Excellent job.

This was the four-part Eleseworlds tale that put James Robinson on the map and set the stage for his history-spanning Starman series. It furthermore is regarded as the best thing anyone ever did with the original DC heroes since the actual Golden Age.

It's also a lot of fun. Great character play, sharp historic details - with a couple of odd exceptions - and top-notch art by Smith make this a must-read for super-hero comics readers. In addition, it's fairly accessible for newer readers since most of the stars of this comic are not that well-known and thus made accessible for once.

Much has been said about "Marvels" and "Kingdom Come" as being the best comics of the 1990s. But I'd gladly pit this against those, and with its grounding in the real world, it holds its own very nicely.

The Golden Age is another "Elseworlds" examination of comics history. By using such rarely seen characters as Captain Triumph and Mr.America along with the "big guns" of the era (Green Lantern, The Atom,etc.)James Robinson visits a Post WWII America where superheroes are considered suspect, and only those who conform are to be trusted. Using superheroes to comment on McCarthyism may seem to be a stretch, but Robinson makes the story challenging with many twists. The "alternate history" concept gives the author the freedom to take chances, but also eliminates the element of "this can't be happening" suspense. Too many sub plots (Hourman's addiction, Starman's breakdown) get in the way of the more compelling central tale.

Paul Smith's art is a wonder throughout. Shifting from the well-lit scenes of Dyna-man to Paul Kirk's despair, Smith constantly creates visuals that hold your attention and never let you forget the true wonder of this medium; the ability for two dimensional, brightly colored figures to fascinate and entertain.

I'm a huge mark for Golden Age heroes. The major problem with the comic books of yesteryear is that the heroes were two dimensional, completely lacking in personality. They were all upstanding, usually rich, and basically boring, when not in costume. If it wasn't for the creative gimmicks and colorful costumes, the men and women behind the masks were interchangeable. James Robinson's updating of these classic Golden Agers is insightful and refreshing. He takes these legends and creates distinctive, and relatively believable, personal backgrounds for each of them. Yet he does this without diminishing the fun and nostalgia of those earlier tales. While congratulating Robinson, I feel inclined to point out the influence of Alan Moore's Watchmen. While Watchmen may have set the standard for alternate takes on the traditional DC/Marvel universes, Robinson and Smith's work here easily lives up to that lofty standard.

Paul Smith does a great job on the art, subtly employing updated pencilling techniques along with a very distinctive golden age era style. The colors in this book are also great, obviously far superior to the comic books of decades past. My only problem with the art lies with the lack of differentiation between some of the alter egos of these costumes heroes. Since most of these guys basically had the same blonde hair, chiseled features, erect postures, and well tailored suits back in the day, sometimes it's difficult to tell them apart, at least in the early chapters. As you read on, Robinson adds humanistic touches of doubts, addictions, regrets and redemption to enrich the characters well beyond their original incarnations.

This collection covers a complete story arc, which is great, but I must admit that I would love to read more tales of the Golden Age from James Robinson and Paul Smith. James Robinson is easily one of the top 5 to 10 comic book writers out there. Check out his popular, and critically acclaimed, Starman (another update of a Golden Ager) series if you don't believe me.

Former Nam grunt, American Neal Morley, operates out of London for the shrouded government agency, the Bureau. His superiors send Neal on assignment to Brussels, a city where he busted up an international drug ring at a high cost to his own health. He is to interview a puppeteer, Serge Cailleau, who earns a living smuggling refugees into Belgium. Serge believes that his latest party is actually terrorists planning an assault on the participants of an upcoming European Union meeting.

However, during a performance, someone kills Serge. With little to go on, Neal begins to make inquiries. However, he also uses his time to finish up his mess from last year since the head of the drug ring was never busted. Neal realizes he is not quite the superman he felt he was before the drug ring case, but worse yet, his own agency has little confidence in the agent anymore.

DEATH OF A MARIONETTE is the paperback version of a fabulous espionage thriller released in the middle nineties. The story line retains its crispness even though the EU has moved way beyond that of the novel. Neal is a fantastic character who provides insight into the psyche of the Viet Nam vet, which in turn explains why he needs to stay in the "cold." The support cast adds drama and tension as the audience wonders what each one has up their sleeve and if that individual will betray the hero. Frank M. Robinson and Paul Hull provides sub-genre fans with a triumphant thriller.

Harriet Klausner

Though I'm happy to say that I've read this book as a member of the English-literature canon, it has been a dry read. Inspired to approach it by the movie Castaway (Note however that the film is not based on the novel), I'm confronted by a overwhelming need for a modern interpretation of the stranded-isle genre.

Slow in action; ponderous with 18th century circuitious, flowery and repetitive prose; haphazardly concerned with supportive plot details -- it wasn't a long read, but about as enjoyable and juicy as a Mexican pastry.

I'd be surprised if this is still on school reading lists today considering it reflects an appauling stance on slavery and white supremacy (though true to the era). Furthermore, it openly espouses a fundamental, Calvinist theology that most school districts would altogether avoid.

Crusoe's spiritual journey is the sole theme of the book that addresses any sort of intellectual character development. Even though it grows distastful in some respects, expunge this topic from the novel and your left with a comic book. And if reduced to a characture, why wouldn't you opt for something like Stevenson's child-friendly Swiss Family Robinson? Something filled with adventure, intrigue, humor and drama?

To make this novel more enduring it would certainly have benefitted to analyze Crusoe's enduring lonliness and its effects on his psyche. Until the character Friday appears, Defoe barely mentions solitude even being an issue for Crusoe. Is not man a fundamentally social creature? Would there not be painful, enduring mental extirpations to work through?

Sigh...what else is there to say but it's a book to check off the list and move on.

Robinson Crusoe is one of the first English novels. Written by Daniel DeFoe in the early 18th century during the rise of economic theory, this book chronicles the struggle of an economic hero shipwrecked on an island. He takes advantage of people, always looking to make money or increase economic value. Although Crusoe has religious experiences and gets preachy at times (DeFoe was of Puritan stock at a time when Puritanism was a significant force), Crusoe is a practical man. He does not let morals get in the way of carving out a prosperous life -- there are scenes where the main character is no role model. The novel is episodic, with Crusoe hopping from one scene to another. The narration isn't smooth. However, the "flaws" when compared to later writings may be forgiven because Robinson Crusoe is an early novel. Writers had not worked out the fine points of the genre. DeFoe is an important early English novelist who cobbled together economic theory, religious opinion, travel writing, and borrowed material from a contemporary shipwreck victim to create a work of fiction. Robinson Crusoe is often mislabelled as a childrens book. Perhaps in a watered down abridgement, it is a good children's book. The original, complete, unabridged work is a literary classic that should be read by any student of English literature.

Robinson Crusoe is best taken at two levels, the literal adventure story of survival on an isolated island and as a metaphor for finding one's way through life. I recommend that everyone read the book who is willing to look at both of those levels. If you only want the adventure story, you may not be totally satisfied. The language, circumstances, and attitudes may put you off so that you would prefer to be reading a Western or Space-based adventure story with a more modern perspective.

Few books require anyone to rethink the availability and nature of the fundamentals of life: Water, food, shelter, clothing, and entertainment. Then having become solitary in our own minds as a reader, Defoe adds the extraordinary complication of providing a companion who is totally different from Crusoe. This provides the important opportunity to see Crusoe's civilized limitations compared to Friday's more natural ones. The comparisons will make for thought-provoking reading for those who are able to overcome the stalled thinking that the educated, civilized route is always the best.

One of the things that I specially liked about the book is the Crusoe is an ordinary person in many ways, making lots of mistakes, and having lots of setbacks. Put a modern Superhero (from either the comic books, adventure or spy novels, or the movies) into this situation, and it would all be solved in a few minutes with devices from the heel of one's shoe. Maybe I'm old fashioned, but I liked the trial-and-error explorations. They seemed just like everyday life, and made the book's many lessons come home to me in a more fundamental way.

Have a good solitary trip through this book!

We used Lonely Planets for holiday travel in southern France for the first (and possible last) time. The recommended restaurant of Peter Mayle fame, Gu et Fils, on Frederick Mistral in Aix was either a typo or non-existent as we located the street but no restaurant to be found. Restaurant Le Merou Bleu of Marsailles was a mediocre tourist trap with despicable service. The impersonal nature of the LP recommendations for hotels merely define the facilities, but do not say enough about the character or level of cleanliness. We checked in (and out of) one of Lonely Planet's recommended two star hotels in Avignon and for about five euros more per night, found a potential three star hotel that was much better siutated, cleaner, bigger and quieter.

Boy was this book a disappointment. Other LP guides weren't this bad. It seems this book only tries to get you to those places every other tourist is at, and only by public transportation. It skips out-of-the-way places that locals know and love, chooses hotels in noisy central sections of larger towns only. Worse, my 2002 edition still didn't give costs in Euro! Thanks to friends living in various areas of France, I was able to visit wonderful places that aren't even mentioned in the book. Restaurants were poorly chosen, and almost always tourist traps. If you rented a car (which is a really smart way as a group) you won't find any info in this book about getting around, or doing such duh! activities as wine-tasting routes, swimming holes, you-pick farms, sound-and-light shows. LP, if you're reading this: ever heard of the Puy-du-Fou? Everyone in Europe seems to have been there!

I expect to use a book like this to help me plan a trip. It should be organized by region so I can decide among things that are close by. And I need the kind of information that goes beyond just listing the sites: is it crowded, charming, dangerous, special?

This book tries to answer these questions with a personal tone. As I read it I start to get a sense of the writers personalities and tastes, so that I can gauge my agreement with their opinions.

I wish the hotel and restaurant reviews shaded towards the high end a bit more. But I haven't found a series (I also have their guides to Europe and Mexico) that I can trust as well as this one.

I was inspired by the compilation of bird dog stories found within this book. If you enjoy the excitement, fear, despair, and elation associated with the training, ownership and running of all breeds of bird dogs, you will enjoy this book. The authors help you relive the moments you have endured with your own dogs in addition to helping you imagine the hunts you have yet to experience. This is a definite must read for bird dog enthusiasts.

I borrowed this book from a friend and had a tough time putting it down. Great stories from writers who truly love their dogs. A few of the essays are sad, but all of them allow us to share a part of a fellow dog lovers life with his best friend. Definitely a must read.