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What is nice about this book is that it is a textbook, and not a cookbook nor a book that tries to include everything and fails at all of them. This book never lists too many results; instead it aims at the understanding of the subject matter. Its treatment of Cauchy's theorem clearly exposes the fact that different points of view (derivatives, series, integrals) in the complex plane lead to the same object, analytic functions. The sections on geometric and applied topics, such as linear fractional transformations and fluid mechanics, are a delight to read.
The book assumes nothing other than calculus (Green's theorem) as background. Topological concepts are kept at a reasonable level and some are introduced later when necessary so as not to hinder the development of its main topic. Some short side issues are discussed in tiny sections within the exercises. There are also plenty of regular exercises ranging from elementary calculations to rigorous proofs. This book also contains an appendix that I love on the zeros of polynomials, including the cubic and the quartic.
What attracted me most in this book is that one can read it straight through. There are no secondary undeveloped paths, sections to omit, unnecessary details, or long list of formulas. I recomend it for any course or self-study at the introductory level complex analysis.
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List price: $6.95 (that's 50% off!)
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I think this was a classic Doctor Who adventure. There really was no actual need for the aliens involved in this tale. It would have sailed along on its own merits with just the Fourth Reich group, a resurrected Adolph Hitler!?!(I won't spoil anything) and the time travel to WWII.
Both the Brigadier and Doctor are brought to life in this story. Although, neither this incarnation nor the Brig met in the original series, the conversations between them are just right. You can easily picture/hear Colin Baker and Nicholas Courtney saying these lines.
The solo trip back to WWII by the Doctor and the subsequent trip with the Brigadier were pure Doctor Who fun.
And I myself was not surprised by the ending. In traditional Doctor Who fashion... all the clues of what was going to transpire was there in the text.
A fun Doctor Who adventure! I can't say that for a lot of the novels I've read in this series. But I can on this one. Give 'The Shadow in the Glass' a try!
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As with any Justin Richards book, the story sets up slowly, each chapter introducing a new character and idea, or a new setting. "Shadow/Glass" opens as a UFO crashes near a RAF military base in 1944, and slowly works up to the present day. Neo-Nazis gather in England and Antarctica, using alien technology -- and someone who looks a lot like Adolf Hitler -- in preparation for the Fourth Reich (given how many other Fourth Reichs there have been in recent DW, this should really be the Eighth Reich...).
As the mystery unfolds, the retired Brigadier and intrepid journalist Claire investigate Hitler's death, and the Sixth Doctor travels through time and meets a war epic's worth of historical figures. Tension mounts and builds up to the showdown with the aliens, and Hitler's suicide in the Berlin bunker in April, 1945.
At the end, the book self-destructs, with a too-short action sequence and a too-stale historical reenactment. Because this is the Sixth Doctor, there's some forced angst literally on the final page, and the Brigadier makes an unusually clumsy metaphor to try and cheer him up.
But never mind the rushed ending -- "Shadow/Glass" is a fun mixture of time travel and authentic history that, in its best moments, summons up the thriving spirit of "Doctor Who" and makes for great potboiler sci-fi. Highly recommended.
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The Sixth Doctor meets up with the Brigadier, and hijinks ensue. Since the Sixth Doctor has already met the Brigadier in the book series (in one of Gary Russell's books), there is no need to have yet another initial meeting between the two. Instead, Justin and Stephen can get on with the story.
And what a story it is. Did Hitler survive the events of the bunker at the end of the war? What's going on in that strange house? Why has an entire English village been cordoned off since World War II? All of these mysteries come together in a delightful fashion.
Colin Baker *is* the Sixth Doctor in this book. I could see him perfectly in this part. The Brigadier is perfect as the wise old soldier who's still got the will to go on an adventure even though his body may not agree. The "companion" role is taken by a television reporter who is also well characterized. She's got a nose for a mystery, and it shows. What happens to her in this story actually surprised me, though it was almost poetic when I thought about it afterward. It's something that Cole and Richards couldn't do if they had been forced to use a real companion from the series.
There's also a wonderful use of continuity in this book. I love continuity as long as it's used well (for an example of how not to use it, see The Quantum Archangel). This book references both the series, a previous BBC book and also a previous Virgin book, which surprised me a bit.
This book is a lot of fun. Don't expect anything truly deep and meaningful out of it, but it's a nice, straightforward adventure that will make you smile.
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The story is neatly divided into two sections with Fitz immediately becoming separated from the Doctor and Compassion. The Doctor and Compassion are captured by a government task-force and mistaken for spies while Fitz has adventures at a place called Mechta where things are not quite what they seem. Boiled down to their basic elements, both segments are fairly unoriginal, but the Fitz sections manage to rise above expectations due to the inspired execution. One mistake made is that for the second book in a row, Fitz begins an ill-fated romance with a native of the environment that he finds himself marooned in. PARALLEL 59, while not doing a bad job in this department, pales when compared to the Fitz relationship portrayed in FRONTIER WORLDS.
The sections containing the Doctor and Compassion rarely move beyond the type of adventure that we've seen time and time again, though to balance this out there are some hilarious portions mixed in. The secondary characters in this section all seem rather bland and faceless. There's the group of outlaws that we know so well from various other Doctor Who stories. There's also the large government-controlled project featuring bureaucratic types that we've seen in those same previous Doctor Who stories. Add one or two double-agents, and you're left with the entire dull cast. None of these characters leap off the page and become anything more than the simple two-dimensional figures we've been seeing.
Overall, this book was fairly disappointing, yet there were one or two very entertaining sections, and the further adventures of Fitz were rather enjoyable. I wouldn't mind reading further solo books from either of these two authors in the future, but I don't think their styles were really suited for co-authorship. It led to a feeling of inconsistency here that was very distracting.
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Convinced that they're from another planet, Haltiel, the Skalens set about interrogating the Doctor and Compassion. But the denizens of Parallel 59 are very politically charged, and some of them don't want the Doctor to repair the damage to the space station (which had unwittingly been caused by the Doctor and friends). Compassion escapes, and finds the obligatory band of rebels. However, she and the Doctor are marooned, forced to leave the TARDIS behind in the space station. Not only must the Doctor recover his beloved time machine, but he must also save Fitz from the true nightmare of Mechta...
This is the first novel by the editor of the BBC books, Stephen Cole, and it looks as though it could have been a real disaster, a case of too many chefs (Peter Anghelides is acknowledged to have helped out also). But Anghelides seems to have carried on with the most effective device of the previous novel (his own 'Frontier Worlds'), by having Fitz narrate his time in Mechta. This again brings us closer to Fitz, a character who had previously seemed lifeless. There's nowhere near the same level of wit as in Frontier Worlds, and Parallel 59 appears to be quite formulaic (how many cultures has Fitz lived in now?), and Compassion seems to bear a gun as unthinkingly as any Ace (but without the same gung-ho). The opening's also quite dull, as we're told about the dramatic escape from the space station, rather than being shown it. This adventure is also the first to feature an unclothed Doctor, but this sight doesn't seem to faze his cell companion, Compassion, so we must assume that the Doctor is fully humanoid in appearance (no hidden appendages like the Centauri in B5). But then it's hard to see Compassion reacting to anything much.
There is a point in the novel where all the plots and counterplots seem facile, but there's an even bigger twist towards the end. And this novel's conclusion is it's real saviour, for it is genuinely pulsating. If you go and reread the opening pages, you do realise that there are subtle signposts to what's going to happen. With three authors contributing, Parallel 59 could have been a disaster. It's a triumph that a clear narrative emerges, and the authors certainly couldn't be faulted for the use of their imaginations. There are duff parts certainly, but the final drama, I think, makes up for it. Parallel 59 certainly gave me that always desired DW buzz.
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The premise to this book is fabulous. A society exists where God is real and death has meaning. Their faith isn't defined in the same way that ours is, as their religion is based upon fact and hard evidence. This is a beautiful premise and that it ended up being mishandled was quite frustrating. After carefully setting up this interesting scenario, Stephen Cole quickly backs away from it and confounds our attempts to view this sort of society by introducing us only to characters who begin the book full of doubts about the "facts" of their religion. The beautiful background simply never materializes, as apart from a few information dumps at the beginning, it never quite makes the impact on the story that it should have. No one that we see has really bought into the religion (though we are told that loads of other people in the population have), so it's difficult for the reader to understand the doubts that the characters already have. People with doubts are certainly interesting to read about (and they are portrayed extremely well here), but one really gets the impression that there was an opportunity wasted here.
That said, the characters that we do encounter are drawn extremely well, never falling into cliché or stereotype no matter how easy it would be for them to do so. Every action is believable and interesting. The regulars get a lot of good stuff to do and each of the secondary characters leap from the page. This makes up a little from the fumble that I mentioned earlier. The characters that we end up being presented with are drawn extraordinarily well.
The action flows fairly quickly and entertainingly. There are a few nice twists and turns to keep the reader interested, but there are also some long fight/escape sequences that go on for a tad too long. The prose is quite variable; while it mostly remains passable in some places it's quite effective and in other places it's difficult to read. A little sharper editing could have fixed these problems quite easily. What we have is good, but needs some further refinement. The ending also feels a bit confused and uncertain, with a few Doctor Who stereotypes rearing their ugly heads. If I never see a bad guy laboriously explaining his intricate plan to the Doctor before allowing him to escape, then I doubt I will miss it all that much.
Something else that should have been left on the cutting room flow was the strange and pointless "romance" that Fitz gets himself involved in. I put the word romance in quotation marks, because it's one of those romances that leaves you unsure of just what happened. It comes out of no where, lasts all of ten pages, and then leaves no impact on the rest of the book. On the other hand, the other slight romance in the book is handled relatively well. It's nicely understated and does everything right that the Fitz romance did wrong. It's just a pity that this one, too, dissipates halfway through the book.
It's a shame that the book contains the flaws that it does, because this really could have been something really special. If it had gone through another draft or two, we'd be discussing one of the great Doctor Who stories. The addition of an another character, one without doubts (or perhaps showing the Holy Man, Nathaniel Dark, at a point while he still has complete faith), would have made a world of difference in showing off the excellent premise. While I will always enjoy something that aims high like VANISHING POINT does, it's even more frustrating when a book like this doesn't quite pull off all the tricks that it could have.
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In outline form this novel may have looked like a real corker. There are surprises and revelations at many turns -- one of the main supporting characters is a cross between a homicide detective and a priest, so there's a lot of mystery afoot.
Unfortunately, you have to read the prose in order to finish the novel, and there are missteps aplenty. On the first page, we see "smoky clouds" blow across "the moon's laughing face". There are bizarre attempts at comedy. The villain has a penchant for eating bananas, so of course a henchman will slip on a banana peel at a pivotal moment. The two romances (a priest and a prostitute, and Fitz is seduced by a deformed woman) don't seem to work very well, especially in the latter case -- perhaps because, after the sex, all the repercussions are glossed over. Realistic, perhaps. Interesting to read? No.
Even though the Doctor has a good presence -- that mixture of wacky irreverence and ferocious concentration that has suited the character well for decades -- he still gets kicked in the head while hiding behind a man's legs in the book's very first scene.
I wanted to like "Vanishing Point" more than I finally did. The book raises a lot of moral questions and the religious content is fresh. However, it was a chore to read and in the end did not leave a huge impression.
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It then becomes a study on genetic engineering, though that part is not very deep. The issue gets glossed over and replaced with a "should we experiment on people who don't know they're the subjects of experiments?" book.
Finally, it becomes an action/adventure story. This is where the book fails, I think. There is a place in this world for books that examine hard issues. There is a place for adventure stories. They can sometimes even coexist. However, in this novel, the reader gets a bit of whiplash as it moves from one to the other.
That being said, I did find this novel quite interesting, and one of Steve Cole's best. While he doesn't write a theological text, the issues are brought up very well by the supporting characters who inhabit the novel. I particularly enjoyed the "monk" character (who's name I can't remember and the book is at home). What does a clergyman do when he begins to doubt? The conflict is well-established and his final decision, while inevitable, is still gut-wrenching.
The ending, though, is a disappointment. While I was on the edge of my seat wondering exactly how the Doctor was going to fix everything, I don't think it necessarily fit with the rest of the book. Year of Intelligent Tigers is a good example of how to do a "heavy" book that still has good adventure elements. In Vanishing Point, it falls a little flat.
It is still well worth a read, though.
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Given everything I had heard about the book, I had really low expectations going in. Given those expectations, I actually enjoyed it quite a lot. It's nowhere near classic Who, and there are a lot of problems with it, but I did end up finding it worth my time.
The thing that did it for me was the characterization of Fitz. I've had the benefit of reading a lot of Post-Earth-Arc books with Fitz in them, so perhaps that coloured my view a little. Anyway, Fitz is extremely well done in this one. For awhile, I really found the constant "womanizing" of Fitz extremely annoying. Every time he looked at Tarra, Romana or any of the other women characters, he was constantly thinking of how they looked, how he would follow those legs anywhere, etc. It got on my nerves.
However, as the book wore on, I started to realize something. This was Fitz's coping mechanism because he's scared spitless throughout the book. The events are too much for one human to handle, and he's taking refuge in what he's always done: going after the ladies. It also sets him up for a horrific revelation later on in the book involving one of those women, which might not have been as powerful if it hadn't been set up by Fitz ogling her earlier in the book.
The other really good character is somebody who's "related" to Fitz. I really ended up caring what happened to him, and his sense of betrayal. I thought he was going to be a stock character, but he turned out not to be. Unfortunately, I can't go into any more detail without spoilers. You'll know who I'm talking about when you read it, though.
The Doctor is also well-characterized, but he's not really anything special. He does Doctorly things, he has to make a momentous decision that can have drastic consequences. He's able to make that decision because of the direction the Eighth Doctor books was going to be changing, so at least it's not a reset-button issue.
The Faction Paradox come across as run of the mill villains in this book, which is a shame after the set-up Lawrence Miles gave them. In this book, they're more of a "Nothing can stop me now!!!!" sort of villain. I swear I could almost see one of them twirling a moustache at times. It really let the book down, I think.
It's too bad Miles couldn't finish the story that he started. I'm not a big fan of his, and it may have been just as bland, but it would have been nice to see what Miles would have done with his creations. Instead, we get a stock story that really doesn't go anywhere and the only reason it goes as far as it does is due to editorial fiat.
Too bad, but it's still an enjoyable read. Just don't go in expecting a masterpiece.
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Almost everything is set right in this book. I thought the writers found a great way of tying up all the loose ends rather nicely in this book while causing a few more problems. Although I am very fond of Gallifrey and I happen to be a fan of most of the stories set on the Doctor's home planet, I'm not bothered by it's destruction.
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