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When a former girlfriend of Elvis' partner, Joe Pike, is found murdered in the hills above Los Angeles, the sparks fly at an unbelievably rapid pace. The girl's father, a high roller with the city, considers Pike as part of the family, and wants him and Elvis to assist the police in finding her killer. With Pike's past, Elvis is pretty much left alone to deal with the police, until the murder suspect pool narrows in on, you guessed it, Pike.
In a storyline that just won't quit in suspense, you are taken on a rapid journey through a "rush to judgement" police investigation. With a myriad of colorful characters, and a plethora of twists and turns, you can't help but flip through the pages faster than a Japanese bullet train.
L.A. REQUIEM delves into Pike's past, as well as his personal life, giving the reader a much better overall view of the mysterious Joe Pike. With Crais' usual witty dialogue, and sophisticated violence and revenge, this is one riveting and entertaining read. This book is a must read.
It starts with Joe Pike's ex-girlfriend, Karen Garcia, being gunned down by the Hollywood Reservoir as she's out jogging. Karen's father, an Hispanic with huge political clout, doesn't trust the police to work the case so he asks Joe to act as an overseer to the case, and Joe involves Elvis Cole. As more evidence surfaces it looks like a serial killer may be at work and when the prime suspect is himself murdered, Joe Pike is arrested for the killing.
First, the plot is very well done. It has the requisite twists and turns and I don't think many people will figure this one out before the author wants you to.
Secondly, the writing is superb. Crais has always been a good writer in a mild breezy way, but with this book he shows us he can handle deeper emotions. This is a darker, more serious, book than his others and he handles it with aplomb. I, at first considered this series as a Spenser wannabee, but his writing has now pushed him beyond that. He is a very good writer.
Third, his characterization is rich. Joe Pike, who up until now has been Elvis Cole's spear carrier, emerges as the complex human being we've always felt he might be. Far from being the emotionless killer, we find that Joe's emotions are there but well hidden. The book does a wonderful job of explaining what made Joe the way he is. Some others have remarked that Joe is a little too unbelievable, but I don't think so. There really are men like this in the world.
I can't recommend this book highly enough. I gave it five stars and I don't give out that rating lightly. You won't be disappointed.
The flashbacks are connected to Pike's troubled relationship with his former police partner. From those same days, a former girl friend mysteriously disappears and is eventually found murdered. Her father asks Joe to help find the killer, and Elvis joins in as well. This is a bad time for Elvis because Lucy Chenier has just moved from Baton Rouge to Los Angeles with her son to be closer to Elvis. Soon the investigation puts their relationship on an awkward footing. At the same time, the police seem to be stonewalling. What could be their motive?
Before long, great danger is revealed that connects back to the past in unexpected ways. Finding the killer and keeping loved ones safe turns out to be an almost impossible challenge. You'll be rooting for Elvis and Joe, and feeling your heart pound as the tension builds . . . and builds . . . and builds. I recommend that you start the book early in the day, because you will probably not be able to put it down.
The book is also noteworthy for providing great character development of two members of the police.
The plot is particularly rewarding for its ability to test major characters to explain who they are and what they stand for in ways that no amount of dialogue could ever do.
After you finish this book, I suggest that you ask yourself what principles you stand for that you would back to the death. Hopefully, you will never be tested in that way, but this book will undoubtedly raise that issue in your own mind.
Do the right thing!
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Like all other Robert Crais' books, it had the compelling power which made it impossible for me to put the book down. I have always believed that for a book to be likeable, we must like the characters in the book and really feel for them. This is precisely the reason which I enjoy this book so much. I was rooting for Elvis and Joe all the way as I followed the story which simply took my breath away.
Pithy comment follows dry-witted humour in another very enjoyable detective story with the irrepressible Elvis Cole in control. For the first two chapters I found that I was chuckling to myself at least once per page as Elvis met the self-centered, big-shot director client, Peter Alan Nelsen. Although the humour doesn't continue at this pace, a light-hearted feel is maintained throughout the whole book. If you like your detective stories slightly on the humorous side with just a little bit of danger thrown in for spice, then this book (and all the Elvis Cole books) are just perfect.
Although this book is part of an ongoing series, it isn't really necessary to read it in the order that it was written. While the main characters are the same (Elvis and Joe Pike), previous plots aren't divulged.
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Anyway, this novel takes place in Los Angeles. It finds Elvis Cole sitting in his office, just another normal day. In walks an innocent looking young woman named Jenifer Sheridan. She tells Cole that she has a problem: She thinks her fiancee, Mark Thurman, is involved in something illegal. Willingly, unwillingly? It is Cole's task to find out the answer, and just what exactly Thurman is up to. Could it be another woman? Or is it something much worse, something much deadlier?
Cole and his partner, Joe Pike, find themselves up against rogue cops, South-side gangsters, and a haunting mystery. Oh, yeah: They're also wanted by the cops for murder.
Only Crais could weave a novel this complicated and powerful. You'll be loving every minute of "Free Fall", I promise you. I would know: I've been there.
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Hyper-parenting, as Dr. Rosenfeld refers to it, is on the rise, and yet our lives are busier than ever. If we feel the stress, we can believe our kids are experiencing it as well. Micromanaging every detail of our children's lives does not ensure a healthy happy childhood. But then what is the answer?
The authors of THE OVERSCHEDULED CHILD take us on a journey throughout this book, showing us a reflection of ourselves, our families, and our society. And at the end of the journey, after much self-evaluation, they give us simple and effective ways to avoid the hyper-parenting syndrome.
A must-read for any parent, educator, or care-giver, The Over-Scheduled Child is the stress management prescription for parents of all walks of life.
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One of the deeper "surface" lessons, the one Wilson shouts the loudest and at the same time refuses to do any more than tease you with, is that you have to decide for yourself what to believe -- but that deciding to believe anything limits what you will be able to observe in the world around you. This is heavy stuff, and ground-breaking to the average reader. As such, I've walked away from reading sessions alternately convinced that:
* Wilson is completely serious about all and sundry, straining to persuade you to approach the world with a more open mind; and
* Wilson is shoveling good-sounding but meaningless drivel on his readers for the sole purpose of a good belly laugh.
But even in this he's got a multi-layered agenda. Interpreting the book in line with one of the theories above -- as an earlier reviewer has done, with the former -- goes completely against the point of the book. WILSON IS NOT TRYING TO MAKE YOU BELIEVE. He presents no evidence nor standards of evidence (which the earlier reviewer did correctly note), EXACTLY BECAUSE his entire "surface" thesis is that one must constantly question THEIR OWN beliefs, within their own frameworks and based on their own observations (which the earlier reviewer seems to have missed).
Wilson's like that. Labyrinthine but consistent. Except he isn't, really. He ... Oh, just read the book.
In conclusion, this is a work that has earned a place on my bookshelf ... although I might have to wait a while to re-read it. "Cosmic Trigger" is a great foil to dogma of all stripes, but going through it too many times in succession makes it a piece of dogma itself, and the message gets lost.
Does this review capture Wilson, or Cosmic Trigger I in its entirety? Of course not, and Wilson is fully aware that his writings and non-beliefs defy any catagorization (his books are very hard to find in retail stores). All I can offer is my uninformed opinion that there is no wiser, more humorous, and generally more interesting than Robert Anton Wilson.
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The author (who lived with Frumkin for a time) never appears "on stage" in the book, and restricts herself to just-the-facts third-person narration. A certain moral outrage is evident nonetheless. The mental health industry does not come off well at all (Frumkin's institution is unfavorably compared to the one depicted in "One Flew Over a Cuckoo's Nest"). It's difficult not to come away with the impression that a little less bureaucratic negligence might have saved Miss Frumkin many wasted years. Fortunately, this is not a one-sided screed (not quite, anyhow): some of these medics and bureaucrats are just doing the best they can with the limited resources on hand.
The prose style is plain and straightforward--maybe a little flat-footed, too. But overall, the book is a good example of how facts can speak for themselves.