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In four major sections he covers the essentials related to the relic: first, its known history; second, the various scientific studies applied to determine its nature and origin; third, an analysis of the imagery imprinted on the surface of the textile; and, last, a summary of statements made by ecclesiastical authorities on the relic and the scientific findings related to it. Moretto is an advocate of the Shroud, that he makes clear, but his guide aims to present just the facts as they are known. He leaves the pronouncements and judgments to others. And he lets the reader decide for him or herself about the antiquity of the relic.
The book has become something of an international best seller and has appeared with editions in six languages, recently in this English version. Since the Shroud is most of all a visual thing, perhaps the most visual of all Christian relics, Moretto has taken this characteristic of the object as a cue to his approach in the book. He presents the analysis visually, with short textual elements attached almost as captions to the nearly 200 photographs, illustrations, and diagrams, most of them in color. The visual presentation drives the theme of the book.
Perhaps the chief glory of this handy book is the double-page color foldout of the Shroud. Here Moretto provides the viewer with an objective reading of the imagery on the relic. This includes not only the frontal and dorsal views of the human figure but also the various stains, holes, patches, mendings, and scorch and water marks. Here the visual elements are presented more legibly than can be seen on the object itself and labeled with didactic explanations. Here, in all its subtlety, one can see how the Shroud is rightly a thing to be seen.
In attempting to capture the material history and presence of the relic, Moretto has eschewed tendentiousness and opened this amazing cloth to the view of an vastly larger audience than has heretofore been possible. He has sought to provide entrée into the world of the Shroud and its history to the broadest range of readers. He has admirably succeeded.
Moretto's companion volume on the worldly political history of the relic and its possession by the Dukes of Savoy (later Kings of Italy), "Sindone: la storia, 1416-2000," appeared in 2000 (Elledici, Turin). It is to be hoped that this study, too, will eventually appear in an English edition. The Shroud can be studied in many ways and its recent confrontations with science have made it something of a modern touchstone in the perennial debate between religion and modern scientific/technological culture initiated by Galileo at the beginning of the seventeenth century. As a serious cultural and historical document the Shroud needs to be studied more, and we can hope that Moretto's important contribution will help stimulate future inquiries at the same time it satisfies the curiosity of the layperson.
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The last five chapters are the highlight of the book. These climaxes are expertly written and will keep you reading till the very end. The first few pages might seem confusing, but it makes perfect sense when reading it thru the second time. King Solomon's Mines is a novel with riveting, good vs. evil character development and it is a worthwhile read. I recommend it to anyone who likes a first-rate adventure.
Out of all the different publications to choose from, I say consider a copy from Regnery Publishing, Inc. ... 1999. For it has an easy to read layout and print. It also has numerous typos and makes me wonder if that isn't directly from the 1885 original. Other than that, the book has a nice introduction to the author and his works. Giving some Hollywood film history of King Solomon's Mines along with other interesting notes. This really opens up the story to the reader, and makes it a memorable one.
Sir Henry Rider Haggard (1856-1925) is best known for his African adventure novels, notably King Solomon's Mines and She (1886). Their strengths are that they are not only undeniably amongst the most exciting and thrilling adventures ever written, but that they capture the very essence of the colonial empires - an attitude that is stubbornly maintained today by American imperialism - of treating the natives fondly, but with a certain superiority and disdain.
The essence of the story is the adventure of an elephant hunter as his safari heads into the interior of South Africa in search of a fabled diamond mine, and to rescue the missing brother of an English gentleman who accompanies him. They are aided by an enigmatic native guide who is more than he seems. As they stumble into Zulu territory, they are drawn into the local politics and discover that their European methods are less effective here, and that they need to learn new tricks. Quickly, they find themselves in deadly peril from a merciless king and a malevolence sorceress who conspires against them.
In the end, King Solomon's Mines is more than just the sum of all its parts because Haggard's intelligent and observant characterizations give him the opportunity to put together a revealing social commentary about race and class, while still telling a captivating story. Against the conventional wisdom of the time, Haggard treats his black characters sympathetically, and even dares to suggest that English society might be less than perfect (an audacious heresy in Victoria's reign). So, like Gulliver's Travels, King Solomon's Mines not only tells a great adventure story, it leaves the reader with something more robust to think about.
It is also interesting to see the book in its historical perspective. "King Solomon's Mines", 1885, records European ignorance of and fascination with Africa, which was still partly (as Joseph Conrad later called it in "Heart of Darkness") a blank area on the map: The source of the Nile had been discovered only two decades earlier; Henry Stanley and Richard Burton were still living, the memories of David Livingstone and John Speke were still fresh; and the Berlin Africa Conference was taking place just as the novel was going into print. If that's not of interest to you, skip it. Want to curl up with a good book? Here's one for you and your kids.
Professor Pierre Arronax was a French marine biologist. He was on a big case of a big creature living in the sea. After a lot of research he thought it was a giant se unicorn. Professor Arronax was recognized for excellent biologist. He was told to join the ship Abraham Lincoln for the hunt of this big creature. Some ships had been attack by this animal; the survivors told that threw huge jets of water, glowed in the dark. Finally they took of from the port, looking for hunt this big animal. Professor Arronax, Council, Ned land the harpooner started a great adventure. They were 3 days on the out on the deep blue sea with no sign of the creature, didn't know what would happen to them. That day they saw something glowing in the night and were moving very fast towards the ship. Started a fierce fight between the ship and the creature. After an hour of fighting they realize it wasn't an animal it was machine made up of steel! This machine destroyed the ship Abraham Lincoln. The only survivors were Professor Arronax, Council and Ned Land. They were prisoners of the evil machine. When they woke up, there were inside the machine Called Nautilus. Named by Captain Nemo, held the 3 men aboard the submarine. Will Professor Arronax, Council and Ned land could escape?
The book 20,000 Under the Sea was written by Jules Verne. I recommend this book to persons that like adventure books. This book was written in the year in 1910, is high quality book.
The book begins when Professor Pierre Aronnax, the narrator of the story, boards an American frigate commissioned to investigate a rash of attacks on international shipping by what is thought to be an amphibious monster. The supposed sea creature, which is actually the submarine Nautilus, sinks Aronnax's vessel and imprisons him along with his devoted servant Conseil and Ned Land, a temperamental harpooner. When they are returned to their senses, the find themselves inside a dark, gloomy, desolate, endless, predicament. They are locked in a cell. However they soon meet Captain Nemo who agrees to let them move about the ship freely on one condition. They must remain aboard the Nautilus. So begins a great adventure of a truly fantastic voyage from the pearl-laden waters of Ceylon to the icy dangers of the South Pole, as Captain Nemo, one of the greatest villains ever created, takes his revenge on all society.
The detail that Verne pours into this book is amazing. This is one of the few books that are capable of making the readers feel that they are actually there. His descriptions of how the Nautilus operates, how Nemo's crew harvests food and his account of hunting on Hawaii are excellent, and the plot never falters. The characters are wonderfully scripted; each one having their own unique personality, and they are weaved flawlessly into the awe filled spectacle.
This is the book that predicted that there would be submarines, and that submarines would eventually go to the South Pole. It predicted the development of the SCUBA suit; it even predicted nuclear powered ships. The technology used in this book makes it easy to understand even today. This book is widely recognized as a classic- in my view, correctly.
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A charming story, I read it as a child, a teenager, and an adult, and I've enjoyed it each and every time.
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There are some minor problems of inconsistency and fuzzy writing, however, although not as prevalent as in previous entries. For example, in one scene, Carthoris is said to be fighting a force of a dozen Dusarians; three of these are killed, and so three are left. Huh? Carthoris seems to know exactly where to find water in the dead city of Aaanthor, despite the fact that he has never been there before. Wha? Vas Kor, one of Carthoris' chief enemies, fails to recognize him merely because Carthoris is dirty, tired and covered with blood; this is just a bit hard to swallow. Perhaps worst of all, the book ends extremely abruptly, just as all of Barsoom is about to be plunged into that world war. We never learn the fate of several of the main villains, nor do we see the end of hostilities as the realization of the true facts becomes known. This is a short book, and would not have suffered by the addition of such scenes to make it more satisfying. Still, this is a fun entry in the John Carter series, one that all lovers of fast-moving fantasy should enjoy.
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reading pleasure. Concise, informative, and illustrated completely in full color, this book describes the fascinating history of cats and features 40 longhair and shorthair breeds, detailing for each its origin, coat,
color, body, head, eyes, tail, character, ideal owner, environment, feeding, care, mating, faults, and varieties, in accordance with North American standards. In addition, colorful symbols assist the reader in
understanding and appreciating each breed at a glance.
Over 200 full-color illustrations covering shorthair and longhair breeds, with a description of origin, physical and personality characteristics, ideal owner, diet, care, and much more, including helpful symbols for such traits as Good Mouser , Good with Children , and other traits.