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Overall, it took me a while to warm up to the book but by the end I was rooting hard for the truth to emerge. The actual ending was a little corny but ok. It's a book filled with a fun assortment of characters. More than a few humorous jabs are made at the modern publishing world and modern society in general. Not a laugh out loud book but one that made me chuckle to myself.
A New York Times notable mystery in 1997 - for those who are fond of books with credentials.
Mortimer reminds me a little of bestselling Japanese novelist, Haruki Murakami, in that his characters in this book are quite ordinary people who live quite ordinary lives but have the absurdly bad fortune of simply being in the wrong place at the wrong time.
The protagonist of Felix in the Underworld, Felix Morsom, is a moderately successful, quiet, sensitive novelist at Llama Books who manages to become involved, much against his will, with a man named Gavin Piercey.
Soon after meeting Piercey, Felix notices the man everywhere in his life: at book signings, during radio talk shows and, most especially, at one fateful meeting where Piercey introduces Felix to a woman named Miriam. This meeting will have serious, but hilarious, repercussions on Felix's life.
From the moment Felix meets Miriam, his life becomes one of turmoil and wild, unbelievable events. He receives a letter from an agency calling itself PROD; he is accused of a brutal murder; he becomes involved with London's homeless population.
Mortimer's handling of the plot is superb, his writing as smooth as silk and the characters, although slightly cliched, are still polished and hilarious. One of the funniest is the lawyer, Septimus Roache, the man Felix turns to in desperation when he attempts to prove his innocence in the murder. Roache is an obtuse and self-satisfied man who has little to no interest in his clients and really doesn't listen to a word Felix is telling him.
Mortimer, who himself was a successful barrister before becoming a writer, knows how to create a rollicking good murder mystery and this is part of why Felix in the Underworld works as well as it does. Another large part is Felix, himself, an engaging character we can't help but like; a man who maintains his dignity and poise even in the face of adversity of the highest, and most unexpected, order.
Mortimer calls himself a "Champagne socialist," and is a champion of the poor and the downtrodden. In this book he manages to take us on a trip through contemporary British society, especially homeless society. The book is fun, though, above all, and never sounds like polemic. We can credit Mortimer's superb writing skills for that.
The snobbish character of Simon Tubal-Smith, Felix's boss at Llama Books is contrasted wonderfully with Esmond, a homeless man who was, at one time, a manager in a supermarket. Esmond left his job and home for a life in the streets when tragedy struck. Felix, himself, spends some time as a member of London's homeless population and is reminiscent of George Orwell's Down and Out in Paris and London.
The dialogue is pure Mortimer and always fun. When Felix is temporarily residing in jail, his cellmate is a man named Dumbarton who allegedly beat another man to death. "You killed him?" Felix asks. "Thoroughly," Dumbarton replies, quite satisfied with what he did.
Felix is both self-effacing and hilarious as he attempts to cope with unhelpful lawyers who do just as much to convict as help him, as he tries to sort out the mystery behind PROD, as well as develop his budding relationship with Brenda Bodkin, his publisher's publicity agent.
Although this book is a little formulaic at times, the formula works and works well. Maybe that is because Mortimer is a master who never lets us down. Felix in the Underworld is a first-rate murder mystery, a comedy of errors and a satire of the British class system. It is always delightful and filled with surprises up until the very last page.
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Linda Sobek may have been "genetically gifted" but her beauty did not bring her happiness. Not to blame the victim, but her physical perfection was what got her killed.
What infuriated me was the fact that Tom Rathbun, Linda's murderer, had been allowed to walk free from an earlier rape charge. ([...]I'm sure that Linda wasn't the only woman he's killed.
As for Rathbun trying to convince the court that he and his victim had "consensual" sex, what a dreamer. As if a woman like Linda Sobek would willingly TOUCH him....he is creepy.
Good book for anyone thinking of getting into the modeling business....what NOT to do!
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The most glaring fault with this book is its extreme bias. When reading about the Davidian "cultists" you almost feel like you are reading of Cthulhu worshippers in an H.P. Lovecraft horror novel. On the other hand the section on the history of the ATF has the feel of being plagiarized from an ATF publicity pamphlet. Perhaps because he is the author of several 'true crime' books Mr. Linedecker does not seem able to look past the simple crime scene aspect of what went on at Waco. He covers Waco as if it had been bank robbery, and seems oblivious to any greater picture.
Other problems with this book are a result of when it was written. Coming out so soon after the fire, many of the myths had not yet been exposed. The apparently untrue myths propagated in this book include: the babies being beaten during the siege, tunnels under and around Mt. Carmel, the brave FBI agent running into the burning building to save Majorie Thomas, and the FBI agents seeing the fires being lit. Events that have come under dispute, such as who fired first in the initial raid, are reported with only the government's perspective, possibly because other viewpoints were not available when this book came out.
This book also has no footnoting, or even a solid sources section. To the extent that sources are made known they are stated in the text and it is often very difficult to figure out where Mr. Linedecker got what piece of information. When you can determine the sources, they appear to all be either mainstream media, government spokesmen, or people with a real anti Davidian axe to grind.
On the plus side, the book is well written. The writing is almost conversational, uncluttered with obscure phrases or references, and it makes for a quick and enjoyable read. Even in its coverage of events it has some good points. If you can get past the astonishingly biased account of the initial raid in chapter one, its history of the early Davidians in chapter two is as good as that given in other books, and more clearly written. The book's main strength, however, lies in its coverage of the intents and methods of government agencies. It does a pretty good job of explaining what the official motivations of the ATF's initial raid were, how the negotiation teams were set up, and it examines the motives (if uncritically) behind the various tactics employed by law enforcement throughout.
Although it has some interesting aspects, because of its deficiencies, I cannot recommend 'Massacre at Waco.' Instead I suggest 'The Ashes of Waco' by Dick Reavis.
With that said, I can't pretend that the book is well written. The writing is quite mediocre, with immature word choice, frequent grammar mistakes, and paragraphs that have just one sentence. Linedecker sometimes goes off on tangents that don't really contribute to the story for several pages. He provides long lists of people who were part of the cult, but doesn't really get into their heads to make us understand why they joined the cult. Also, the eight-page photo section doesn't really serve any purpose. Even so, I still recommend this book because I think that it's important for people to understand the truth about the tragic events that took place in Waco in 1993.
Overall, this is a good place to start to find out about it. This book is a good read. Definitely. Check it out.
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Background info, such as cult mind thinking and exactly WHY the group went as far as they did is not looked into here. It is an okay resource into the case, but incomplete.
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