A series of short stories, tales told in a bar (the White Hart) among a group of scientists, writers, and laymen. The central story-teller is one Henry Purvis, an obnoxious fellow with a trick of pausing at the climax for a new draught beer, whom no one has yet managed to prove a liar. He tells almost believable tales of science and wouldn't-it-be-nice science. One learns of a silencer that silences more than guns, a carnivorous orchid with a secret, a ballistic computer with a sense of humour. Much of the delight in the tales arises from the fact that they were written in the 1950's, and it is amazing how much Clarke could see of the future. I suspect Clarke may have felt he'd written himself into a corner, because the series of tales and the book end rather suddenly, with a hint for the future but no real hope that Purvis will be back. A delghtful find, to be read by all who enjoy Clarke, bar stories, science fiction, and humour.

"Tales From the White Heart" brings some true fun into science fiction reading; a break from the deadly serious which is so often the hallmark of sci-fi. Like tall tales of the old west, the stories here are almost believeable, which makes them perfect for the English Pub background. Presented in short-story form, the book makes easy evening reading. I highly recommend "Tales From the White Heart" for both serious and casual sci-fi readers, from adolescent up.

Welcome to the White Hart, where every Wednesday night features a gathering of scientists, writers, and interested on-lookers who come to drink tepid beer and be regaled by the Tall Tales of one Harry Purvis, a man of uncertain origins, profession, and education, who claims to know so much about so many subjects of scientific interest. These tales were originally published individually, but together they are 'bookended' by "Silence Please" and "The Defenestration of Ermintrude Inch" to create a kind of frame story. Purvis' deadpan declamations of yarns that range from all-too-believable to patently absurd, combined with the fictional Clarke's own pointed comments about the White Hart, its clientele, and Purvis' overall credibility, make this perhaps the funniest science fiction book ever written. Using analogy in place of logic, Purvis posits wildly improbable advances in a number of different directions that in some cases have paralleled actual scientific developments that have taken place in the decades since these stories were written.

More serious-minded fans should take pleasure in the not-always-easy task of finding the precise flaws in Purvis' stories, which usually include just enough hard science to be credible to the casual layman. "The Next Tenants" is the only story in this collection that has any really serious message to it, and while the story is chillingly effective despite its absurdities, this book is really about laughs. From that standpoint, "Moving Spirit" is probably the best, featuring an eccentric millionaire, his illegal distillery, and a hilarious courtroom scene in which Purvis testifies as an expert witness with devastating results.

Despite the occasional slapstick moments, Clarke's humor is generally on the dry side, so this book may not please everyone. There isn't a lot of action in the traditional action/adventure sense, and female characters are usually absent or antagonistic. Still, if you're comfortable in a males-only, scientific atmosphere, there's plenty of good clean fun to be had at the White Hart.

As a journalist covering cold fusion, I turned again and again to this book to check or confirm facts, data, dates, chronologies, and other details and have found it to be the definitive resource in the field. Written by an engineer and vetted by scientists who participated in cold fusion research, the book is an indispensable guide to anyone interested in the history, data, issues, and future of this subject. Recommended without reservation.

I have read this book, "Excess Heat". I simply could not lay it down until I had finished it entirely. During the process of reading it, I kept repeating to myself (and my captive wife) how excellent a job "this man" did on setting down in philosophically logical terms the convincing facts and logic of the science of cold fusion. At one point I remarked to my wife that "this man" must have taken Apologetics in college and received an "A" mark, but then I remembered that such courses might not have been offered at our Alma Mater (MIT). I was impressed with the way the heretical errors developed, flourished and were brought out in clear plain logic in the book. I want to humbly congratulate the author on such a masterful account of what has happened in this important field. I predict this book will be required reading in some of the "truly best", finest universities in the future. Historically, it will be recorded that Beaudette wrote the truth at a time when science was a bit confused and not quite willing to accept it right away. Slowly it will gain momentum, understanding and finally acceptance. Congratulations on a book that is very well written with class, authority, and no doubt, with hard work, the old fashion way: a book for all seasons.
Dr. Michael R. Staker, P.E.

This book is a magnum opus on this fascinating field. Together with Fire from Ice : Searching for the Truth Behind the Cold Fusion Furor by Eugene J. Mallove, this is one book you really need to read. Not only because it is highly interesting, and a great work and example of what really good scholarship means, but also because it is very readable, detailed, honest and accurate. It provides a excellent insight about the early days of cold fusion, the confusion, and the later shortsighted, stupid rejection of the entire field by scientific establishment and mainstream media. The latter can be forgiven, they have no knowledge nor interest in the truth, but the scientists are really to blame. As you can see from previous reviews posted here by exceptional great minds like Arthur C. Clarke, prof. Bockris, and others, this is no joke at all. This is pure, honest, cutting edge science. This is the frontier thinking and research that made our age of technology possible. This is the science the world is needing so badly. Mr. Baudette has done a excellent job of presenting the fact and history of this exciting field of science. For people like him, and like Mallove, Clarke, Bockris, Pons & Fleischmann, and many, many others, I personally have the deepest respect. The truth will come out, one day. Let the critics state one desperate non-argument after the other - this is stuff is for real, and it's here to stay, boys and girls! And it's going to change our world for the better - sooner than you think. I wish I could rate this book 6 stars.

In 1948, Arthur C. Clarke submitted a short story, The Sentinel, to a BBC contest; which he did not win. However, the story was published in the Avon Science Fiction and Fantasy Reader in 1951, and in 1964 he returned to the story and began expanding it into a novel. He and the filmmaker Stanley Kubrick used this as the basis for a movie script which, in 1968, became 2001 : A Space Odyssey; for which both received Oscar nominations.

Especially considering the opacity for which the movie is notorious, the story is remarkably spare and straightforward. The narrator, a lunar geologist, recalls cooking sausage one morning at a research base on the Moon, when the rising sun revealed a metallic glimmer on the rock wall of Mare Crisium. He and a compatriot climbed the crater rim and found :

[A] roughly pyramidal structure, twice as high as a man, that was set in the rock like a gigantic, many-faceted jewel.

Though they initially believed it to be a relic of a lost lunar civilization (notice it is much different than the black obelisks which were eventually used in the movie), they soon realized that it must have been placed there billions of years ago by an advanced race from another planet. It took twenty years, but finally they were able to penetrate a protective shield around the crystal by using atomic upon it. Now they understand the structure to have been a kind of sentinel, waiting to alert the beings who placed it there that finally the human race has achieved a sufficient level of development to be worthy of their notice.

I particularly like the way that this tale, written by a renowned futurist at the dawn of the space age, actually resonates with age old religious concerns. The simple idea at its core is that it is by increasing our knowledge and developing our technological prowess that we will become superior beings, even gods. The geologist sagely worries, as must anyone who recalls the Fall of Man and the Tower of Babel, that the beings who left behind this early warning signal may even be jealous of our advances and may not be all that happy to find that they finally have company. Like all of the best tales of the fantastic, The Sentinel, though ostensibly about the future, illuminates the very mundane concerns we've always had about the nature of our being and our role in the order of things.

GRADE : A

This book contains some of my favourite short stories by Clarke. The book contains the following stories -

* Rescue Party - I havent read this story before, and found it a bit disappointing. Actually a bit pointless - just an ode to the human race.

* Guardian Angel - this story 'gave birth' to childhood's end. I havent read the book (yet), and have enjoyed the story a lot - especially the little surprise at the end and those parts of the story that show Clarke's scientific background.

* Breaking Strain - this story takes a known theme (which I'll not tell even in short so as not to spoil to those who havent read the story) into space, and the fact that it's somewhat predictable made it too long for my taste.

* The Sentinel - this story gave the inspiration to '2001: A Space Odyssey'. For some strange reason, I've never found a copy of this story in Israel in any stories collection or translation to Hebrew (though 2001 was translated to Hebrew). Though I allready new the plot, I enjoyed this story a lot.

* Jupiter V - I recommend this book just for this story. It's very interesting, and I just couldnt let the book out of my hand till I finished this story.

* Refugee.

* The Wind from the Sun - the idea of ships that sail by solar-wind race each other really caught me.

* A Neeting with Medusa.

* The Songs of Distant Earth - actually, I didnt like this one. I've read the 'none-original' version, and liked it a lot better.

Now that I take regular 1-hour trips by train twice a week and have returned to reading short stories, I'm glad I've found this book - it's very interesting reading, and shows all the good sides of short stories.

The most amazing thing about these stories is that they were written around the 50s, but it sure doesn't seem so. Clarke is a scientist, to be sure, but he doesn't overwhelm you with it. I think that's especially admirable since he could have easily fallen back on the science as a crutch and let this guide his stories. Instead, he spends equal time working on characterization, and the stories are better for it. His characters are supplied with quirks and attitudes which we can all relate to, even if you're not the captain of a space freighter or an envoy to a mysterious alien race.

This collection was actually released about 15 years ago, as I recall. It was definitely due for a reprint, as it was in my mind an instant classic... a perfect combination of carefully-selected stories, informative intros, and beautiful illustrations by Lebbeus Woods. Cheers to iBooks!

As a long-time admirer of both Arthur C. Clarke the man and his fact and fiction, I've been looking for a good biography for quite a long time, and am glad to say I've finally found one. Neil McAleer has done an excellent job, and obviously put a lot of time into research and interviews. This book was compiled from several interviews with Clarke himself as well as with many of his friends, family members, editors, publishers, fellow writers, colleagues, and the like. One is greatful to get such a great glimpse into the lives of science fiction's most famous author, as well as one of the 20th century's most famous visionaries. Truly a remarkable man, Clarke has had an almost unbelievably productive, meaningful, and memorable life. Here we learn about his upbringing and exploits living on a farm in England in his childhood, and through his experiences in school and budding interest in science and science fiction. We then learn of Clarke's going on to join the Civil Service and eventually the Royal Airforce (where he helped with the radar "talk down" system), and through his college years. We are able to see the development of his writing years, and his active and vital role in the British Interplanetary Society. All of Clarke's major novels and several of his short stories are gone into in detail, and oftentimes we learn of his motivation for writing them, and also something of his writing method. One of the most important and revealing aspects of the book for Clarke fans are the long behind-the-scenes look we get at the making of 2001: A Space Odyssey. We learn of the working relationship between Clarke and Kubrick, and also get a glimpse into the super hush-hush activities that took place on the set. This book covers his career up to the release of his novel The Ghost From The Grand Banks, and a little beyond. It also touches mightily upon his non-fiction writing, as well as his many other and less celebrated exploits - lecturing, popularizing of communications, diplomatic interests, and the like. We learn a lot about Clarke's vital role in the establishment of communications satellites. This is quite simply an essential book for Clarke fans, with much knowledge held within it to put across and share. The only real drawback to it is that it does only go up to 1992, and thereby misses out on some important events in Clarke's career (the release of further books, including his final novel, 3001, his collected stories and essays, his knighthood, the unfortunate (and falsely alledged) accusations of pedophilia against him, and the actual coming of the year 2001, just to name a few.) Still, this is by far the most comprehensive and thorough book about Arthur C. Clarke available. Obvioiusly, as with any biography, it's not a book you'll want to dive into unless you are already familar with the author and his works. If you are, though, then this is an essential volume to add to your collection.

In this novel, Arthur C. Clarke's entire life story is told. Also, actual interviews with Clarke and his family members are used. A fascinating bit of information is that Clarke co-anchored the moon landing in 1969 with Cronkite. This is a great book for any fan of Arthur C. Clarke.

Arthur C. Clarke had been one of my favorite writers since the early 1970's. The first book of his that I read was 2001: A Space Odyssey. I was hooked on Mr. Clarke and science fiction forever. This biography of Mr. Clarke is a pleasure to read. The most satisfying thing about the book is that Mr. Clarke in real life is very much the man you picture while reading both his fiction and non-fiction. The three most interesting aspects of the book was his early work with the British Interplanetary Society, his life in Sri Lanka, and his work on the movie 2001.

This collection has 5 ACC stories, and among them 3 of the best science fiction stories of all-time. You will be hard-pressed to find an SF fan who will tell you that 2001: A Space Odyssey, Rendezvous With Rama, and The City & The Stars are not three of the best science fiction books ever written. And the reason, is simply because they ARE three of the best! Each one is a masterpiece in it's own right, the kind of future story that could only have come from Arthur C. Clarke. No one else could've written these books. That's not to discount the other two stories in this collection: The Deep Range (which is a good book about the sea (not space!) which a very poetic ending), and A Fall of Moondust, another ACC classic. If Amazon ever gets this book back, be sure to order it!

Unlike the other Rama books, with the possible exeption of number 2, this was escellent. The plot, the action, the characters, and even the setting was unbelievable. This was a well-written, well thought out book. And the last line was incredible....The Ramans do everything in threes...

The story of an expedition to a giant cylindrical craft that passes through our solar system. It's long been a favourite of mine and I have read it dozens of times. Apparently someone in Hollywood is going to make a film about it soon. Can't wait.

Use literature and literary figures to follow in the footsteps of notable writers and their settings with the aid of a title which covers many destinations, from the Prague of Kafka to Steinbeck's California setting for Cannery Row. Add first-person reflections on the literature containing the settings and you have an excellent take-along or travel planner.

Literary Trips: Following In The Footsteps Of Fame is a superbly presented compendium of observations, adventures, and travels of and by some of the best loved writers as they trekked around the world. A magnificent armchair travelogue, Literary Trips is divided as the world is: Africa to Australasia (Paul Bowles, T. E. Lawrence, Rohinton Mistry, Bruce Chatwin); North America: West (Malcolm Lowry, The Beats, D. H. Lawrence, Garrison Keillor and Sinclair Lewis); North America: East (Tennessee Williams, Margaret Mitchell and Tom Wolfe, Ayn Rand, Mark Twain, Elizabeth Smart); Caribbean and Latin America (Ernest Hemingway, Ian Fleming and Noel Coward, John Stephens and Frederick Catherwood); Great Britain and Ireland (W. B. Yeats, Jane Urquhart and the Bronte Sisters, A. A. Milne, Agatha Christie and Jane Austen); Continental Europe (Knut Hamsun, The Lost Generation, Mary Shelley). Highly recommended for both school and community library collections, Literary Trips is enhanced for the reader with a section on biographies and a "user friendly" index. A novel and original feature of this publication is that any of the chapters are available as separate, individual e-texts and downloadable from the GreatestEscapes.com website.

This is a book to savor in a cigar lounge...in the corner of a jazz club...in front of a softly crackling fire at home. Or in a hammock under a royal palm in the deep, deep south.

I started out by nestling with the book into our oversized, down-filled sofa - and ended up traveling through one of the best reads of my life. Several times, I startled my husband with cries of "No kidding...Wow...I didn't know that...Ohmigod..." as I discovered new places in the hearts of my favorite authors. And delved into the lives of others I knew little about.

Literary Trips probes into the past, yet is formatted for the present. We're all used to reading in chunks now - short, self-contained sections that are complete, independent modules. And this book is totally "today" in that respect. Each chapter, written by a different person, is a complete story - gift-wrapped with its own special signature. Each has its own flavor, its own style, its own finds. Every writer has unearthed amusing tidbits and lively tales that add richness and depth to well researched and beautifully written prose.

The book is also an excellent travel guide for following in those famous footsteps. Each module contains a practical reference section listing hotels and other stomping grounds of famous feet ("Literary Sites"; "Literary Sleeps"). Each section also describes how to get to those grounds and provides useful tips and background information.

My favorite parts are the little surprises throughout. For example, did you know that: §Hemingway dedicated his Nobel Prize for literature to the patron saint of the basilica in Santiago de Cuba? § Ian Fleming wrote the James Bond novels at Goldeneye, his home in Jamaica, and named 007 after the local author of a book on birds? §When Ayn Rand was writing Atlas Shrugged, which took 12 years, she didn't leave her apartment for an entire month?

Another of the book's delightful dimensions is a smattering of recipes that could form a menu for a literary memorial party. You could honor D.H. Lawrence with his dandelion wine; Hemingway with double daiquiris; Mistry with Dhansak; and Sinclair Lewis with his "Sinful Christmas Cookies".

I'm always looking for inspiration for my own writing, and Lit Trips provides it on many fronts. Much of it comes from seeing so many authors "under one cover" - an excellent way to compare styles, to link lives, to see how they made their magic. But I was no less inspired by the talent of the book's contributing writers.

If you are looking for a good introduction to the works of Arthur C. Clarke, start here. These stories sometimes funny, sometimes scary, but always thought-provoking.

Having previously read the two best stories in this collection ("Rescue Party", a masterpiece and Clarke's first published story, and "Jupiter Five", a believable exploration of Jupiter's closest moon) I did not like this book as much as I would have if I had not read those two masterpieces. If I hadn't I would certainly have given this book a 5 star rating. Anyways...

There are other good stories here too, of course. "Technical Error", "The Fires Within" and "The Possessed" are standouts, among others. In fact, there are a wide variety of SF styles in this collection. But it's the two stories I mentioned that are the centerpieces of this book. If you haven't read any of the short stories in this book then rack my rating up a star.

Clarkes Has summon his best works in this book. A collection of Tales for everyone. This book has ghost stories, adventures, action and pure Science fiction. This is a must for any fan of clarkes works.

I love that Sparta's intelligence is what we see as her "super power" along with her technological "improvements". She is not a heroine who has "super strength" but rather super character. The plot is fast paced keeps you guessing and defineltly can hold even the video gamers attention. Only complaint; the book describes Sparta with blue eyes not hazel which is on the cover and her body is described not quite as thin and "top heavey" as on the cover.

I found this book to be a really excellent story. There were many places where I did not want to put the book down, so I made time to finish the section I was reading. Several times I exclaimed, "wow" aloud while reading on the Metro. It is easy to image-in what the author was writing, so I felt as though I was right there. I am looking forward to finding and reading venus prime 1 thru 5!

At first I felt put off by two things. First, the picture of the woman on the cover, while appealing, did cause me to refrain from leaving the book lying around for my 8-year old daughter to see. This book does not need sex to sell. Second, I was put off by the fact that Arthur Clarke was not authoring it. But I gave it a shot anyway, and I must say, I was very pleasantly surprised.

Arthur C. Clarke's component in this series is the inclusion of a number of his interesting short stories as the subplots with very little alteration of the details. (The original book titles were actually the names of the stories, eg. Breaking Strain.) These stories are seamlessly incorporated into the whole work.

What is added by Preuss is the style and setting - Sparta, a fragile but superhuman woman who has lost her past, searches for the people who made her what she is. In doing so, she becomes involved in the situations created in Arthur C. Clarke's science fiction. The "Venus Prime" series maps out her journey (as well as serving up great stories by Clarke). Preuss peppers the books with nice details of life in the near future (like logical extensions, interesting-but-plausible technology, and so on).

If you're looking for the original short stories, several appeared in the out-of-print collection "The Sentinel ; masterworks of science fiction and fantasy" (the title story is also interesting as the origin of Clarke's novel "2001 a Space Odyssey").

I just finished The Diamond Moon. Thoroughly enjoyed this fifth volume. I have always been a huge fan of Arthur C. Clarke and was skeptical when realizing he was a co-author, but have been extremely pleased with the masterful blend of true science fiction with an involving story line using mystery and engaging character development that I assume to be of Paul Preuss' design. This is not a book to be read on it's own, but to be enjoyed from the beginning and read through the end - (I'm going to get Volume 6 now).

I have been hooked right from the start - accolades to Paul Preuss and Arthur C. Clarke!

Although it is not as famous as some of his earlier science fiction books (or "scientific romances", as they were then called), and is not an absolute classic like those books are, The First Men In The Moon is nevertheless a delightful and important satrical SF novel. Also, its importance in the development of modern science fiction cannot be overestimated. Although numerous books before had dealt with a story set on another world (let us here, for the sake of convenience, refer to the Moon as a "world"), Wells's book is the first to make it convincingly real. Although, one hundred years on, much of the novel's science is dated and Well's Moon is far different from how we now know it to be, nevertheless, Wells here created a world out of his own imagination, and describes it with such a convincing level of detail that one actually feels like they are there. And the science, indeed, was, in fact, quite up-to-date for the turn of the century. The structure and format of the novel also was highly influential: one will see immediately upon reading it just how much modern science fiction owes to this novel, and to Wells (and yet, Wells himself borrowed prodigiously from previous books on the subject.) The book was originally supposed to end at Part I: Part II was added later by Wells after the book was already in the process of serialization. I think that the addition of Part II is what makes the book good instead of great. If it had ended as it originally would, it would still be a good book - a rousing adventure, an interesting yarn - but it would not be great. The second part makes the book a full-on satire - something that the earlier portion had merely hinted at. It sharply and bitingly satarizes manking and his many follies, particularly war. This addition of satire and borderline philosophy makes the novel a truly great one. I read an essay on this book that said it differs from Wells's earlier SF novels because it is not grim. I beg to differ. The ending, to me, seems quite grim, indeed. Although it does not involve the imminent extinction of man himself as earlier works did, it is nonetheless quite pessimistic and grim. The addition of the second part of the novel and the ending also pave the way for Wells's later works - ... This is a true science fiction classic that deserves to be more highly-regarded than it is.

What always gets me with Wells is the forcefulness of his imagination -- his ability to construct powerful, symbolically resonant setpieces based upon the scientific ideas of his time. In the final pages of "The Time Machine" he gave us one of the great apocalyptic visions in all of literature. In "The First Men in the Moon," he gives us a magnificently alien setting, full of bizarre moments -- jumping about the lunar surface in 1/6 G; the Giddy Bridge and the Fight in the Cave of the Moon-Butchers; the bizarre lunar ecology, in which all the plants die every night and are reborn each dawn.

Scientifically, much of this stuff doesn't hold up after a hundred years. And the device he comes up with to get his characters to the moon -- Cavorite -- is without basis, an arbitrary magical tool not unlike the time machine. Even when Wells' science is iffy, though, he presents it in such a clear, convincing fashion that you are only too glad to suspend disbelief while the story unfolds.

In the Selenites we have a metaphor for a different type of society -- rigidly hierarchical, with the needs of the individual sublimated to the whole. The metaphor obviously comes from social insects; though it became a sci-fi cliche, it was still fresh circa 1901. In the remarkable last section of the book (Cavor's communications from the moon), Wells describes the Selenite society with delightful attention to detail. He ends with a haunting, unforgettable image, and probably the best closing sentence of any sci-fi novel.

Cavor, a genius, invents a material that allows him to build a Gravity-Defying Sphere. Soon he and a young, and very greedy, businessman use it to go to the moon. They find not only life, but the Selenites, a culture who can change their shape to fit their jobs. In other words, form is designed for the function of their class or in this case their caste. Over them rules the Grand Lunar, a being whose large brain gives him awesome power and foresight beyond even the businessman who tells us the story. Both characters show their human merits and their very human flaws. Not science fiction as much as a book on society.