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Drawn from Cicero's letters of correspondence with his friend Atticus and various modern sources, Everitt deftly recreates a vivid chronicle of Cicero's life and restores him to the pantheon of our common past.
To help readers understand the political infrastructure of the Roman Republic, Everitt begins with a chapter that explores the fault lines of the Republic that gave rise to all the seditious movements and military melee and thus inevitably led to the decadence. Cicero and his contemporaries helplessly inherited a self-constraining, self-defeating political system that inculcated the virtues of fortitude, justice, and prudence. Such inwardly unsound gesture was implemented to thwart any overmighty citizen seizing power.
The very same precautionary measure ironically pushed the Republic to the verge of hostilities and wars. The yearlong co-consulship, the lack of a prosecuting service and the continuous class struggle between the Patricians and People manifested venality, bribery, and collusion among officials.
In his portrait of the tenuous political situation, Everitt delineates Cicero as a man who was born and lived at the wrong time, or rather, the cruel times had dragged him along. Not a single day passed did Cicero not to worry about his opponents and those whom he had testified against with his instigation. Cicero thwarted and put down collusion and conspiracies, acted in defense and won acquittal of Roscius convicted of parricide, challenged the dictatorship of Sulla and the decadence of his regime. During his consulship, Cicero pursued the sedition of Catilina and thwarted his attacks on the Senate. Cicero vehemently opposed Julius Caesar and his despotic attempt to form a new Roman government. Even though Caesar took a liking of Cicero and looked up to him, Cicero asserted his preference for Pompey in the First Triumvirate and supported Pompey during Caesar's reign to restore Rome back to republicanism. In the remaining days of Caesar's dictatorship, Cicero remained a thorn to Caesar until his assassination.
Everitt's account also leaves readers in awe of Cicero's merits. Cicero had administrative gifts and oratorical skills of a very high order that none of his contemporaries could deploy. In a society where politicians were also expected to be good soldiers, Cicero was preeminently a civilian, a philosopher, a writer (Cicero admitted his physical weakness and nervousness) and this makes his success all the more remarkable. Cicero ceaselessly advertised and spread anti-war sentiment. He devoted his whole life, through his influence as a statesman; to negotiate a republic made of a mixed constitution. Cicero, when his career ended, must be in searing pain as he no longer entertained hopes that the Republic will be restored. Everitt deftly pointed that for the long years Cicero was a bystander in the working of Rome was not due to his lack of talent but a "surplus of principle." The republic collapsed around his neck as he tried to find more able men to run the government and enacted more efficient laws to keep these men in order.
Behind the political success laid Cicero's internal struggles. From Everitt's account, it seems the only people whom Cicero engaged in an emotional bonding were his daughter Tullia and his best friend Atticus. His divorce of Terentia (on the basis of her thoughtlessness and financial mismanagement) and his failed marriage with Publilia brought him nothing but loneliness. When Tullia died from a miscarriage, Cicero was completely devastated and read every book that the Greek philosophers had to say about grief. Atticus recounted his friend's grief as something of a new intensity too raw and too astonishing to be publicized. His rabid disagreement with Quintus, who heaped all the blame of his ill behavior on Cicero and switched to Caesar, pricked his heart. All the unfulfilled dreams led to Cicero's drastic change in personality that he was willing compromise his beliefs to stay in power and to exercise unscrupulous methods to restore the republic.
Everitt's book astutely captures the success, struggles, uproars and the spirits of truly the greatest politician of Rome. The book is up to the par of Boissier's Cicero and His Friends and Cowell's Cicero and the Roman Republic. Recommended. 4.5 stars.
Cicero was gifted as a lawyer, politician and ranked among if not considered the greatest orator in history. He won both friends like Atticus and enemies like Antony. He was a man forced through conviction to support Pompey against Caesar, yet won the admiration of that very man he was so often against, Caesar himself. Caesar, before the war, had asked Cicero to join him in forming what became known as the first triumvirate; Cicero refused.
But Cicero was not without his own weaknesses. He could be ruthless at times, extremely boastful, lacking in courage, and unable to make up his mind. Yet his strengths are clear and his influence abundantly clear even though more than 2,000 years have elapsed since his death.
This biography of Cicero gives at least a partial glimpse of many of the major players in Rome during his day. From friends and family members like Atticus, Quintas and Marcus Cicero to leading politicians and leaders like Cato, Pompey, Julius Caesar, Antony and Octavian, this extremely well-written biography is a must for any interested reader in the life of Cicero and the decline of the Roman Republic.
With each succeeding generation, new biographers shoulder forward to offer their own interpretations. Cicero's reputation has suffered somewhat of late. A fantastic example of this is the crudely distorted and utterly unhistorical (though admittedly novelistic) treatment he receives in one of Colleen McCullough's Masters of Rome series (which series seems to steadily deteriorate in quality and coherence from volume to volume). Here Cicero (a tub in the mind of McCollough to Caesar's whale) squeaks and grovels his way through some of the most momentous moments in Roman history. McCollough (who comically purports in one of her "After Words" to have her "nose glued to the historical record") is not alone -- but her purportedly "historical" portrait surely remains the most distempered and dyspeptic view of Cicero in recent memory.
To my view Rawson offers a readable, erudite, accessible biography that canvasses all of the important aspects of his life and thought. She is sympathetic and an admirer, but she is not blind to his many foibles.
As a young man I had a perhaps unreasoning admiration for Cicero. I held him in a somewhat old-fashioned esteem. Rather like the English aristocracy of the 1500s - they loved their Tully so much that it became a fashion to name their daughters Tully. I confess I named a succession of dogs after him!
But it was Rawson who provided me with the necessary perspective on him. You really need no other. I think that what is important about this volume is the careful attention devoted to Cicero's political and philosophical works. As you can see from my review of Everitt's book, Mary Beard has best described what we are waiting for: "a biographical account that tried to explore the way his life-story has been constructed and reconstructed over the last two thousand years; how we have learned to read Cicero through Jonson, Voltaire, Ibsen and the rest; what kind of investment we still have, and why, in a thundering conservative of the first century BC and his catchy oratorical slogans. Why, in short, is Cicero still around in the 21st century? And on whose terms? Quo usque tandem?"
Cicero's reputation gets a much needed shot in the arm IN Rawson's volume. She writes, "whatever the shortcomings of Cicero's political works, there is no evidence that any of his contemporaries understood the problems of the time as clearly or indeed produced nearly so positive a contribution towards solving them as he did."
Her penultimate chapter on his final year in Rome also offers a closely argued reassessment of his place in the "final conflict". In Rawson's view it was in 43 that he became the "true ruler of Rome" -- for however brief a period.
The book is filled with little gems. It is often remarked that one of Cicero's principal contributions to Rome was his elevation of the language itself. But it was unknown to me that words such as "quality", "essence" and "moral" were first found in Cicero (though derived from Greek roots).
Also reproduced here are some of the marvelous witticisms for which he was so justly famous. Upon hearing that Brutus deemed Caesar to have "joined the boni", Cicero remarked that he did not know "where Caesar would find them, unless he first hanged himself." Cicero is also famous for the oft quoted expression "o tempore, o mores" which comes from his famous attack on Cataline that began, " How far, then Cataline, will you go on abusing our patience. How long, you madman, will you mock at our vengeance? Will there be no end to your unbridled audacity".
Perhaps the most poignant assessment of Cicero was Plutarch's, though he puts the words in, of all people, Augustus' mouth. The story is extremely famous. August discovers a young grandson reading a volume of Cicero. The terrified boy trembles while his grandfather leafs through the book at length. At last he hands it back with the famous words: "an eloquent man, my boy, an eloquent man....and a patriot."
Cicero is one of the most important personages in all history. Indeed it is almost impossible for us to understand the roots of our culture unless we understand him. If you read nothing else of him, read this wonderful book.
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That's not to say that Caldwell wasn't entertaining, and her view of history offers an alternative perspective. But she could not resist showing us her interpretations of famous people through her dark glasses of right-wing American politics and Christianity. "A Pillar of Iron" is no exception; its very title comes from the Book of Jeremiah.
Caldwell presents Cicero's birth and childhood as the appearance of a grand prodigy; whether any of it is based on fact (aside from the fact that the Cicerones did move to Rome from Arpinum to give the young Cicero a good education) is something for which I've never found proof. His young life and career veers into Caldwell's apparent foundation that Marcus Cicero was Rome's first spiritual Christian. (Marcus Cicero is probably still laughing his head off at that one). She glosses over Cicero's greatest faults, namely his immense egotism and his timidity; she presents him as the heroic defender of the Republic during the Catilinian conspiracy, but sees nothing wrong with the fact that he denied those conspirators executed at Rome the right to a trial; and she resolutely turns every opponent he has into a villain. Although her portrayal of Catiline is over-the-top fun--let's face it, people have loved mad, bad, beautiful people since the dawn of time--Caldwell can't make anyone else equally entertaining. Julius Caesar especially suffers, shown as one-dimensional and annoying, the sort of politician and public presence who in Rome would have been laughed out of Italy, not opposed by some of the mightiest men Rome had produced.
One figure that keeps popping up (so to speak) is the "Unknown God", Caldwell's milking of an altar in Greece dedicated to, well, an unknown god; her decision to make that god Jehovah was hers to make. I can't say I agree with it, but who knows? It might have worked if Caldwell hadn't laid it on so thick. After a while it palls. The Romans were religious expedients; they prayed to different gods to cover all the bases. Monotheism wasn't something they agreed with; they may have referred to a single god in later writings, but it's a good bet they had a particular deity from the pantheon in mind.
"A Pillar of Iron" is an interesting way to pass the time, but it's riddled with inaccuracies down to its tiniest conceit. It's a shame. Cicero is a fascinating man and deserves to have a decent book written about his life.
I recently read a reviewer's commentaries panning the book as poorly researched, based on the near fictitious relationship between Cicero and Caesar, and the spiritual slant taken on Cicero's personality (and the Romans in general) as being too "Christian".
I am no more put off by Caldwell's liberties taken with such obvious fictionalization as the two C's relationship, then I was with Schaeffer's liberties taken with those between Mozart and Sallieri. It is obvious to me that Caldwell needed to beef up the characers for fiction, and she did it in a way that brought city life in Roman times very much alive, and succeeded in portraying Cicero as a man moved more by his spirituality than by pragmatic politics, which I believe to be true, based on his own writings. From rush hour in Rome to Casesar's divorce, and the ingenious interweaving of Cicero's deeply moving original texts and landscape fiction, Caldwell's book is worthy of high praise.
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For us, religion and revelation are inseparable. Christianity, Islam, Bahai-ism, Mormonism are "revealed" religions, based on the God's direct revelation through his Son or Prophet -- Jesus, Mohamed, Bahaulla, Joseph Smith. The Greeks and Romans didn't have "revealed" religions. They had to work out their ideas of meaning and divinity without a solid, revealed, starting place. In a world without revealed religion, the ancient philosophers tried to figure out, What is God? Amazing.
If you're interested in how the ancients understood God, Cicero's book, The Nature of the Gods, is a great read. It's basically a synopsis of ancient philosophies / theologies. It will change your understanding of the history of western religious thought.
Listen to Cicero [106 - 43 BC], a non-Christian, describing God: "God dwells in the universe as its ruler and governor, and rules the stars in their courses, and the changing seasons, and all the varying sequences of nature, looking down on earth and sea, and protecting the life and goods of men."
And, "The divine power is to be found in a principle of reason which pervades the whole of nature."
I particularly like the easy to read translation in this Penguin Classics edition.
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On the downside, the commentary does not cover the whole speech. Lines 620 to 892 (about a quarter of the whole) are completely without notes or vocabulary, which is probably not a problem for Advanced Placement students, but disappointing for everybody else.