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You will not only find Picasso's portraits and drawings of Dora but Dora's own work (a lot of black & white photos taken by her that remind me of Man Ray's work). She truly was a talented artist. This is not often mentioned. Most of the people saw her mainly as Picasso's model and Muse. Dora was a very complex person full of emotions. She could be very dramatic in the way she looked and dressed. This all is revealed in this book. As I said, it has it all: Dora as a private person (Theodora M.) and Dora as an artist, the famous and remarkable Dora Maar. Trust me, with this book, you will get all the information you need. I consider this book a piece of art.
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Char wrote mainly prose poems and free verse. He had a gift for imagery that is often conveyed lyrically, though this is fractured by occasional violence. Many also have a zen-like simplicity and compression. This is especially so in nature poems such as "the Swift" or "the First Moments" . This violence is often elemental but also revalatory. This makes for an interesting contrast with the English poet, Ted Hughes. Except Char believes that human beings should engage with nature both by being friend and opponent rather than just resigning to it.
Char's vision is essentially that of the great Tao, or the Unknown as he calls it. He sums this up with the phrase "How can we live without the unknown before us?" This also appears in many of his very sensual love/muse poems. As with Graves, connection with women has an almost mystical significance for Char. There is a particularly beautiful prose piece about an encounter with a woman on the Paris Metro. This, to him is confirmation that he is in full connection with reality at that moment. A confirmation of his strong sense of vocation.
The translations are placed along side the French originals. For readers with some French this will help navigate some of Char's difficulties of phrase. For those with no French, the translations are usually good in their own right, some outstanding. Perhaps predictably the best of these are by outstanding poets in their own right such as James Wright, WS Merwin and William Carlos Willaims. But all give a good flavour of the this great poet and none are bad.
This collection is essential for all those curious about Char. A voice with much to say in our time who deserves wider circulation amongst English readers.
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Wharton, in her most engaging and always readable style, discusses First Impressions, and examines issues of Reverence, Taste, Intellectual Honesty, and Continuity, and, in her essay on the New Frenchwoman, reveals perhaps more about herself than her subjects.
Highly recommended as a fine introduction to the author.
(The numerical rating above is an ineradicable default setting within the format of the site. This reviewer does nor employ numerical ratings).
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