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The bitterness which she feels toward her husband ,covered over with friends and laughter, when they were young and successful is more openly expressed as they age and find themselves in economic straits.
The characterizations achieved in this very short novel are extremely memorable. An excellent one evening read.
One of these books, My Mortal Enemy, is a short tightly-written tale which can be read in a single sitting or two. But its short length holds great complexity and pathos. The book is difficult to approach because it includes a largely unsympathetic heroine, Myra Henshawe.
Ms. Henshawe left small-town Illinois behind her as a young woman to marry the man she thought she loved. In so doing, she turned her back on a large inheritance. She lives the high life in New York City as the wife of a businessman. She knows writers, artists, but is incorrigibly jealous and has a sharp tounge and a biting wit.
The elderly couple find themselves in hard times and settle in San Francisco. Myra Henshawe, sharp tounged and critical as in her youth, says harsh, irrevokable things about her life and her marriage and modernistic art and culture. She returns for value to the ritualistic elements of the Catholicism of her youth, the religion of her uncle who disinherited her when she eloped.
The story is told by a third party narrator, as is My Antonia, who functions in varied ways throughout the story.
The story is about the well of bitterness, of lost sad lives, the limitations of romantic love and the tarnished heroine's view of religion as a possible source of redemption.
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It kept the reader on edge throughout the entire book. I would
recommend it to everyone.
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These stories take us to Nebraska farm country as well as to Pittsburgh, Boston, and New York City. Cather writes of Danish and Norwegian immigrants, religion, "high" culture, regret, loss, and regional legend.
The title story is a particularly fascinating character study of a boy who doesn't fit into society--you might think of him as sort of a literary ancestor of J.D. Salinger's Holden Caulfield. Throughout the collection Cather demonstrates a telling eye for visual detail and a keen sense of human tragedy.
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Don't get me wrong, this is a classic book well deserved for that title.
It is a very complicated and intricate story with mystery, love and evil.
You have a woman, Hester Pryne, who is beyond her time. Strong, beautiful, stubborn, honest and a mother without a father.
There is the father, the priest Dimmsdale, a man tormented by his secret. He is weak and is broken down by the secret he feels he cannot tell and tormented each day by it.
The long gone husband, Roger Chillingworth, sinister and revengeful. All he can think about is tormenting the two lovers, to break them down slowly.
There parallels and many themes that are very subtle and unnoticeable. Beautifully written with delicate underlying dialogue that tells it's own story.
This isn't a book for everybody. In order to really understand this book, you need to understand theme, archetypes, motifs, and the relevance of light and shadow. As my American Literature teacher says, bring you own experiences into the story; you will understand it a lot better.
Willa Cather writes in a simple, but graceful style much like the personalities of her two priests. It is worth reading this novel just for her descriptions of the austere beauty of the American southwest. Many great authors have an uncanny ability to write beautiful prose with what appears to be very straightforward language, and Willa Cather certainly fits that category. Some have complained that her characters lacked depth in this novel, and though at times they seem to take a back seat to the setting, I found both men to be rich, real, and well-fleshed out characters. A recommended read.
Death Comes for the Archbishop is a novel of striking beauty, profound debth, and deceiving simplicity. The language employed is the most clear and beautiful I have ever read in prose--it's closer to poetry. The philosophy Ms. Cather espouses is simple enough for the peasant to understand, and too complex for the wisest scholar.
This book just baffles me: it's not a novel, per se, nor is it a biography--it's more like an etching of time and place; of ideas and people who travel through the arid, beautiful dreamscape of New Mexico.
Ms. Cather wrote part of this novel in Santa Fe, New Mexico. She got the idea of the novel from seeing a statue of Archbishop Lamy in front of St. Francis Cathedral in Santa Fe, and meditating upon what his life must have been like from her balcony at La Fonda hotel that overlooked the Cathedral.
Ms. Cather spent months in New Mexico and the Southwest, and truly loved this land, which is reflected in her book; she was a woman of faith, which is also reflected in this book, and although not a book about religion, religion nevertheless permeates it. More, this is a book about the beauty of a life lived well, with hard work and faith, and the land which touches all who touch it.
Cather's late style is exemplified in Death Comes for the Archbishop, written in 1927. The protagonists in this book are primarily men. This book is a historical novel and takes place in the American Southwest, with Santa Fe as the center beginning in the 1850's and continuing through the end of the 19th Century. The heros of the book are two Catholic priests, Father Jean Latour and Father Joseph Vailant who have been friends from their youth in the seminary in France. They are sent to New Mexico to bring Catholicism to the developing American territory. The novel is based on the letters of priests and missionaries in the area at the time together with Cather's own experiences and the work of her imagination.
The novel is full of descriptions of the landscape of the American southwest, its distances, bleakness, deserts, frost, wind, cold, and Pueblos. There are descriptions of the people in the area at time, particularly Mexicans and Indians. Kit Carson also has an important role in the book. We see a great deal of the two protagonists as they struggle externally to bring the teachings of the Church to life and internally with their own hearts and spiritual development.
The novel is static and episodic in character. It doesn't have much in the way of a continuous plot. Its theme is the development of America and the role of religion and the religious life in its development. In a letter to the Catholic magazine Commonweal written after the book's publication Cather emphasised her desire to write about of the importance of religion in America, particularly the development of the American Southwest. She believed that there was a tendency to focus too much on economic pressure as the moving factor in American expansion and focused on one of the religious traditions which shaped our country, and was a particular force in the Southwest.
Cather herself was not a Catholic but her book shows a great deal of sympathy and I think understanding of this particular faith. I think Cather properly focused on religion and its role in the United States and that today, as in her day, we tend, to our detriment, to shy away from considering religion in this manner.
The story of the inner lives of the priests, of their friendship, and of their contrasts to each other is poignantly and well told. This is a book that deserves its place as an American classic.
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"O Pioneers!" tells the story of a community in Nebraska farm country. Her main character, Alexandra Bergson, is a Swedish immigrant. Cather creates a marvelous portrait of the community and its rich mix of European ethnic groups: Norwegian, Swedish, French, etc. It is especially fascinating to see the multicultural, multiethnic world they created in the United States. Cather also depicts the cultural and linguistic "shift" that takes place along generational lines.
Cather's story deals with issues of economics, gender roles, and sexuality. In addition to the formidable Alexandra, she creates a cast of compelling characters. And her luminous prose style evokes all of the sensations of Alexandra's world: the smell of ripe wheat, the chirping of insects in the long grass, the golden play of light in an apple orchard.
But this is Alexandra's book. She is a great American heroine who reminds me of such beloved characters as Zora Neale Hurston's Janie (from "Their Eyes Were Watching God") or Alice Walker's Celie (from "The Color Purple"). Like those great characters, Alexandra will break your heart, deeply touch your soul, and ultimately leave you feeling richer for having known her.
Finally, as an interesting companion text to "O Pioneers!" try "Anna Christie," the 1922 play by U.S. writer Eugene O'Neill. O'Neill's life and career were contemporary with Cather's, and "Anna Christie," like "O Pioneers!", deals with a Swedish immigrant woman in the United States.
The book takes place on the plains of Nebraska in the late 19th Century as the Prairie is settled be Swedish, Bohemian, and French immigrants trying to eke out a living from what appears to be a harsh, inhospitable land. The heroine of the book is Alexandra Bergson who inherits her father's farm as a young woman, raises his three sons and stays with the farm through the harsh times to become a successful landowner and farmer.
The books speaks of being wedded to the land and to place. In this sense it is an instance of the American dream of a home. It also speaks of a strong woman, not in cliched, late 20th Century terms but with a sense of ambiguity, difficulty and loss.
This is a story as well of thwarted love, of the difficult nature of sexualtiy, and of human passion. There is also the beginning of what in Cather's works will become an increased sense of religion, Catholicism in particular, as a haven and a solace for the sorrow she finds at the heart of human endeavor. Above all it is a picuure of stark life in the midwest.
There is almost as much blood-letting in this short book as in an Elizabethan tragedy. Cather's picture of American life on the plains, even in her earliest books, is not an easy or simple one. Some readers may quarrel with the seemingly happy ending of the book. I don't think any will deny that Alexandra's happiness is dearly bought or that it is bittersweet.
I tendend to shy away from this book in favor of Cather's later novels. I feared that it would be conventional and trite. The stereotyping was mine,however. This is a thoughtful, well written story of immigrant life on the plains and of the sorrow pain, and strength of the American experience.
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Cather once stated that she experienced everything that ever went into her writing by the time she was 15. Clearly that didn't include the Western Front. The second half of the book, based on her research and interviews with WWI vets, is not her experience and it shows. The events and descriptions are shallow and superficial, and felt more like an outline, without flesh and blood. The book was a disappointment.
In the end, where we knew we were headed, we long a little bit for the entrapment of our hero's Nebraska, but feel a little bit liberated by his new freedom.
Although strong and capable, farming is the worst profession imaginable for this red headed hero. Willa Cather shows every respect for the hard honest life of a Nebraskan farmer, but Claude makes a hard honest fiasco of the farming life. This book is the story of a soul. A strong daring soul that needs to wrestle something bigger than itself (even if it loses). Claude begins by trying to manage his father's farm. When he spends a few years at college, he is shown the world of social ambition, but neither of these experiences set his life on the right path. If you are interested in the dynamics of male/female relationships, Claude's marriage provides plenty of food for thought. Willa Cather chose a very interesting backdrop for her hero when she describes the home front of these two very black sheep.
This book may be the most realistic description of middle-west sentiment during the first world war. It describes the emotions of Americans who volunteered to fight for people they had only met via the black and white media of newspapers. The war becomes a sort of crusade, and Claude feels compelled to answer the call. Willa Cather gives a wise description of the issues, and even expresses the sentiments of honest German farmers in Nebraska. Claude's best friend is from the Bohemian old country, and doesn't quite agree with Claude's choices.
This book has received quite a few reserved reviews. I recommend this book without reservations.
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She's a pretty impressive writer here and this story of aging, marital love, and fulfillment was an eye opener to me about how one's life can slip away even as you are holding on to it and *trying* to live your honest and best self.
While not especially "moving," the story did attach tendrils of feeling to that place that connects my heart to my head.