In this third biographical study, Piper gives us three excellent sketches of men who persevered in ministry and righteousness in the face of incredible difficulty. John Newton, the converted slave-trader who penned Amazing Grace, is a model in "habitual tenderness" towards the hurting (most notably the manic-depressive poet William Cowpoer). Charles Simeon is lesser known, but proves to be a powerful demonstration of endurance in the face of almost unrelenting opposition and affliction. His endurance was rooted primarily in his high view of God and his low view of self (what a word for the self-esteem gurus filling America's pulpits today!!). Finally, William Wilberforce, the greatest instrument God used in the abolishment of slavery in Britain, is studied, along with the doctrine which gave him strength and moved him into action (the doctrine is justification by faith). This is a great book and very encouraging. Highly recommended.

Get ready for the reissue of Charles Gatewood's 1975 classic, Sidetripping! Gatewood was begining to explore the edges in the late 60s and early 70s, lurking alongside any events happening on the city streets: protests, marches, fairs, parades, celebrations. New Orleans and NYC provided moist atmospheres for expression, much of that 'caught' here by Gatewood. While on assignment for Rolling Stone in London, Gatewood got to hang with Burroughs and Gysin. That meeting fruited into Burroughs providing the text. To compliment the images perfectly, read the words in your head using Burroughs distinctive, grating rasp.

This book gives great insight in to the true meaning of African American slaves songs. This book also discusses the origin and uses of the songs and provides footnotes for most of the colloquials and variations in dialect for each song.

This is a great historical accounting of the life of an American aviation pioneer. Tex Johnston's life was a colorful mix of barnstorming through the flight testing and air racing of WWII fighters, and finally the experimental flight testing of the Bell X-1 (prior to Chuck Yeager) and the Boeing aircraft when the jet age was underway. The book is a little scant in his accounting of the famous (infamous?) barrell rolls of the 707 prototype over Lake Washington, which is disappointing. Overall, a great book and must reading for any fan of the early years of experimental flight testing.

Those interested in the life of William McKinley must read this book. Olcott does a superb job of describing the life of McKinley. While this is hardly a critical biography it is essential reading for those who want to observe McKinley as his contemporaries did.

This book is ostensibly about crime. Specifically the amelioration of crime by a policy of zero tolerance of minor and petty crimes which became famous for the dramatic fall in crime in New York City.

This book has a slightly different focus. Rather than concentrating on what Zero Tolerance is and does, it seeks to place the crime figures and approaches to crime reduction in a broader context of community. The concept of community developed both in these pages and within a wider research agenda supposedly concerned with the development of a civil society in which the state plays a smaller and smaller role has a particular slant to it.

Zero Tolerance is the latest in a line of books from the Institute of Economic Affairs Health and Welfare Unit, now a free standing institute of it's own, CIVITAS, which postulate a decline in morals and behavious which result from a growing tendency in our society to becoming more individualsitic. The model of decency and good behaviour upon which this view is based is a rather idyllic view of the English working class family as portrayed by Norman Dennis in some of the earlier books of this series. Here it's scope is widened to incorporate views on how to tackle crime which involve the wider civil society. Policing in this view is both external and internal and the police forces themselves are seen as a legitimate part of the community, reinforcing the internal rules and moralities forged in the furnace of home and family. Headed preferably, of course, by working father, stay at home mother etc.

You will not find in this book any arguments about drugs save for the superior tone about how the use of drugs has grown in our society and is therefore bad. This cannot go unchallenged. In a passage devoted to the emphasis on education and development of working men's clubs and institutes the book praises them for their contribution to improving the moral fibre of those who participated. These clubs were segregated against women drinking in the public bar and fought hard to retain that position against equality laws and became more well known for the strong and cheap beers that they sold than for moral improvement. Their innate conservatism was a major contributor to why their customers deserted them and caused the closure of many in the North East of England. While the consumption of this legal drug is condoned, other recreational drugs are the cause of much petty crime. The book ignores the setting of the laws and blithley makes assertions about theft while ignoring the basic point that laws against drugs make them more attractive to the purchasers, more profitable to the suppliers and lead many who consume them to do things out of character in order to get their drugs. I could go on but this would be a book of it's own.

Zero Tolerance is a one sided book. It excludes any consideration of the diminishing role of the church in society as one of a number of relevant institutions, and it excludes any treatment of what changing structures in our society mean for those individuals who have previously been imprisoned by those structures, in particular, for women. The supposed golden age of the working class family is a modern myth, a sociological urban legend, which did not exist for many.

Ultimately, this is yet another attack on growing individualism in our society which begrudges any positive changes and which harkens back to an age which never really existed. The causes of crime run deeper than one parent families and tower blocks. The harsh reality today is that women are valued more by society than they were which is the real reason why female wage rates are increasing while male wages rates decline overall.

Perhaps we should be looking forward and not backward to see how a healthy individualist society might develop.

The Old Curiosity Shop certainly displays the hallmarks of the unstructured, free-flowing make-it-up-as-you-go-along type of story characteristic of Dickens's early novels. Indeed, it is rather generous to call it a story, and it's difficult now to understand the sensation it caused when it was first published. However, if a page-turning plot was all there was to it, very few of Dickens's novels would be readable at all. As ever with Dickens, the pleasure in reading this book comes from the comedy, diversity and richness of the characters, as well as the sheer mastery of the English language which came so naturally to him.

The central characters are old Trent, his granddaughter Nell, the moneylender Daniel Quilp, young Kit and the wonderful Richard Swiveller. Of these, the spotlessly pure Nell and the irredeemably evil Quilp are the moral opposites around which the book revolves, old Trent is rather a pathetic figure, while Kit's sturdy progress from poverty to respectability makes for happier reading. However, it is the moral journey of Swiveller, which perhaps reflects the geographic journey undertaken by Nell and her grandfather, which is the real joy of this book. He enters the book in the guise of a rogue, involved in dubious intrigues with Nell's no-good brother and also with the repulsive Quilp. However, from the time that Quilp gets him a job as a clerk in the office of Samson Brass and his sister, the awful Miss Brass, Swiveller's basic decency and natural good humour begin to reveal themselves, and his soliloquies and dialogue provide many hilarious moments from that point on. The Dick Swiveller who subsequently meets up with the hapless young girl kept prisoner by Miss Brass is funny, considerate, charming and kind, and a long way from the doubtful type of character that he at first appears to be.

The book proceeds along two different narrative lines; one which charts the progress of Nell and her grandfather on their long journey, and the other revolving around Swiveller, Quilp and Kit, and to a lesser extent the families of these latter two, as well as "the single gentleman" and the little girl memorably christened "The Marchioness" by Swiveller. One of the big faults I found with this dual structure is that the characters of one plot line have no contact with those in the other plot line for most of the novel, and it is left to the Quilp, Swiveller and Kit to act out most of the drama. Nell and her grandfather spend most of their time journeying through various scenes of early nineteenth century life in England. Nonetheless these all make for enjoyable reading. One particular scene where Nell and her grandfather sleep beside a furnace in the company of a wretched man who watches the flames is particularly memorable.

All in all, it's not exactly a page-turner, and the ending is not a happy one. I would not recommend this book as an introduction to Dickens, and is best read by people, like myself, who have already decided that anything by Dickens is worth reading. Also it focuses less on London than many Dickens novels, and gives an interesting view of rural, village and town life outside London in those times.

The Old Curiosity Shop certainly displays the hallmarks of the unstructured, free-flowing make-it-up-as-you-go-along type of story characteristic of Dickens's early novels. Indeed, it is rather generous to call it a story, and it's difficult now to understand the sensation it caused when it was first published. However, if a page-turning plot was all there was to it, very few of Dickens's novels would be readable at all. As ever with Dickens, the pleasure in reading this book comes from the comedy, diversity and richness of the characters, as well as the sheer mastery of the English language which came so naturally to him.

The central characters are old Trent, his granddaughter Nell, the moneylender Daniel Quilp, young Kit and the wonderful Richard Swiveller. Of these, the spotlessly pure Nell and the irredeemably evil Quilp are the moral opposites around which the book revolves, old Trent is rather a pathetic figure, while Kit's sturdy progress from poverty to respectability makes for happier reading. However, it is the moral journey of Swiveller, which perhaps reflects the geographic journey undertaken by Nell and her grandfather, which is the real joy of this book. He enters the book in the guise of a rogue, involved in dubious intrigues with Nell's no-good brother and also with the repulsive Quilp. However, from the time that Quilp gets him a job as a clerk in the office of Samson Brass and his sister, the awful Miss Brass, Swiveller's basic decency and natural good humour begin to reveal themselves, and his soliloquies and dialogue provide many hilarious moments from that point on. The Dick Swiveller who subsequently meets up with the hapless young girl kept prisoner by Miss Brass is funny, considerate, charming and kind, and a long way from the doubtful type of character that he at first appears to be.

The book proceeds along two different narrative lines; one which charts the progress of Nell and her grandfather on their long journey, and the other revolving around Swiveller, Quilp and Kit, and to a lesser extent the families of these latter two, as well as "the single gentleman" and the little girl memorably christened "The Marchioness" by Swiveller. One of the big faults I found with this dual structure is that the characters of one plot line have no contact with those in the other plot line for most of the novel, and it is left to the Quilp, Swiveller and Kit to act out most of the drama. Nell and her grandfather spend most of their time journeying through various scenes of early nineteenth century life in England. Nonetheless these all make for enjoyable reading. One particular scene where Nell and her grandfather sleep beside a furnace in the company of a wretched man who watches the flames is particularly memorable.

All in all, it's not exactly a page-turner, and the ending is not a happy one. I would not recommend this book as an introduction to Dickens, and is best read by people, like myself, who have already decided that anything by Dickens is worth reading. Also it focuses less on London than many Dickens novels, and gives an interesting view of rural, village and town life outside London in those times.

The only pleasure greater than discovering a new book
is rediscovering an old friend you haven't read for a while.
Many years ago I read all of Charles Dickens novels, but I
recently had occasion to re-read The Old Curiosity Shop, and
it is just as good as I remembered it the first time.

The story, like most of his plots, depends a great deal
on coincidences, so you have to suspend your scepticism to
enjoy it. Dickens begins by introducing us to one of the
most innocent little girls in literature, Little Nell, and
to her most unhappy grand-father. Quickly we discover that
instead of the old man taking care of the child, she is the
one responsible. We then meet one of Dickens' great villains
- the evil, corrupt, mean, and nasty Quilp - a man, if that
term can be used, who has absolutely no redeeming qualities,
one who finds pleasure in inflicting pain on all he meets.

Thinking that the old man has secret riches, Quilp
advances him money to support his gambling habit.
Unfortunately Nell's grandfather never wins, and the debt
grows ever larger. Finally Quilp forecloses on the curiosity
shop that the old man owns (thus the name of the book) and
tries to keep the two captive in order to discover the money
that he still believes is hidden somewhere. While the
household is asleep, however, Nell and her grandfather
escape and begin wandering across England in a search for
sanctuary.

On that journey, Dickens introduces us to a series of
minor characters who either befriend or try to take
advantage of our heroine. He's in no hurry to continue the
main story, so just sit back and enjoy the vivid
characterizations that are typical of any good Dickens
novel.

In the meantime, we follow the adventures of young Kit,
a boy who was one of Nell's best friends until Quilp turned
her grandfather against him. Here we find one of Dickens'
favorite sub-plots, the poor but honest boy who supports his
widowed mother and younger brother. Thanks to his honesty,
Kit finds a good position, but then evil Quilp enters the
picture and has him arrested as a thief!

Of course, we have the kind and mysterious elderly
gentlemen who take an interest in Kit and Nell for reasons
that we don't fully understand until the end of the book. We
are certain, however, that they will help ensure that
justice prevails in the end.

This is not a book for those in a hurry. Dickens tells
his stories in a meandering fashion, and the stops along the
way are just as important for your enjoyment as the journey itself. That can be frustrating at time, especially as you enter the second half and are anxious to see how things turn out. I try never to cheat by reading the end of a book before I finish, but it is tempting with Dickens. At times I wanted to tell him, "I don't want to meet anyone else; tell me what happens to Nell and Kit!" But I know the side journeys will prove rewarding, so I just have to be patient. Anyway, I am in better shape than his first readers; he wrote in weekly installments, so
they had to wait!

If you have and enjoyed other Dickens' novels, you will enjoy this one as well. If this is your first time (or perhaps the first time since you were in high school), you are in for a treat.

Hard Times feels like a book that Dickens did not polish nearly as much as the many classics associated with his name. It's the story of the unhappy lives of two children of a father who raised them to speak and appreciate only "facts." Imagination, fantasy, passion, and the like were all forbidden in their household.

Their lives are unhappy, as you'd expect. But they also lack much narrative interest. The usual twists and turns of fate that Dickens invests into his characters' lives are mostly absent. As a result the book drags on. Hard Times also lacks the humor found in other Dickens books, his pithy observations of different persona of his time. So, in reading the uninspiring narrative, you find yourself wishing for something, anything of the old Dickensian magic. Alas, it does not show up.

If you have other Dickens titles you're set on reading, read them first. You're likely to enjoy them more.

I always had a revulsion when I was forced to read Dickens in high school, and I was never able to get past the first chapter of any of his books, including this one. Now that I'm in my mid-30's, I want to re-visit a lot of the works that I had no patience for as a teenager, so I read Hard Times. Although there are many flaws to this book, I felt proud to have finally cleared the Dickens hurdle. Dickens is excellent at creating sympathetic (and evil) characters, even though they may be slightly cliche or wooden. The fact is, Dickens is able to hook you in with his plots and create a profound concern on behalf of the reader that the good guy (or girl) wins and the bad guy suffers. A lot of the twists in this book were a little "too convenient" and implausible to make it a crowining work of literature, but nevertheless it has motivated me to move on to Dickens' larger, more daunting works. If you are having any trepidation about tackling Dickens, Hard Times is a good place to start.

Dickens creates a novel that virtually revolutionizes literature of the 1800's. At a time where most writers wrote in a stuffy prose full of unrealities and a jaded outlook, Dickens dares to tell with honesty what he sees through his window.

Hard Times has yet a misleading title. It gives one ideas of harshness, depression, poverty, and social decline--although the actual reality of then-London, still not something you would choose to read. However, Hard Times has as much depression and poverty as any of Dickens' other works. It is just in this case that Dickens chooses to remind the world that in the deepest despair there is beauty yet to be seen.

Dickens was a strange author. In his supposedly inspiring books, you get an overdose of sadness, and in his depressing books, you find beauty. It is this case with Hard Times.

It is a poor, honest man's search for justice in a world where only the rich have merit. It is a girl's search for true love while battling the arranged marriage for money. And lastly, a woman's search for recognition against her favored, yet dishonest brother. It is these searches that at last come together and become fufilled. And, while at the same time telling a captivating story, it comments on the then--and still now--presence of greed and total dishonesty one has to go through for money.

The title of this review sums up Hard Times. Its beauty comes from the pure searches for truth, the sorrow comes from the evil the characters most overcome to get there, and the honesty is both the truth with which Dickens portrays life and the the overwhelming truth that these protaganists create.

Holly Burke, PhD.

Clinical Psychologist, Abnormal Psych. Professor

Georgetown University, Johns Hopkins Inst.

The so-called Philadelphia Experiment, the actual rendering of a navy destroyer invisible to the naked eye but having its crew suffer horrible effects, has been a fascinating ghost that roams on the realm of believability. The authors of this book make a good case for there being an actual experiment conducted in the Philadelphia Navy Yard under the auspices of Albert Einstein during 1943 to render a U.S. destroyer invisible to radar. However, the reader must beware of believing too much data form "scientists involved in the project yet wanting to remain anonymous". People, for whatever reasons, can and do lie. This could be no exception. With that being said, though, it appears that there WAS some kind of strange experiment that occurred. What that experiment exactly was and what the effects were on the crew of the ship will doubtless remain a mystery until whatever government files on the project are released. Do read the book if you have any interest at all in the possibility of humans vanishing from existance or burning for 18 days.

If there was a Philadelphia Experiment (PX) or not, you will certainly NOT know after reading this book. The authors have done some research throughout the time, but ended up with stories, which can also easily be discredited and with no real proof. This doesn't mean, however, that the book is poorly written. If there was the PX, it is logical that the documents and proofs were hidden or destroyed and it would be almost impossible to prove it. People's testimonies can be easily discredited (and people as well), so you end up with virtually nothing, as Moore and Berlitz did. So you must take the book in a "What if.." manner. The fact is that people are electromagnetic beings and that they suffer immense damage or die if they are exposed to high electrical current or strong electromagnetic fields. Hardly any scientist in the field of physics does not know that. But on the second hand - almost everywhere military forces are involved, common sense and logic departs the scene. If we could make some forces invisible, the Krauts would bite the dust. Let's do it. All possible scenarios seem equally logical. There probably was a PX (and who knows what else) but majority of us will never know. We will speculate as the authors have. On the cover of this book they promised to convince us, that PX happened. They failed. Therefore one star is gone. Otherwise you got nothing to lose, if you buy and read the book.

The book, if approached as a work of fiction, is mind-bending. Just think, the United States having discovered the mystery behind Einstein's Unified Field Theory, where combining electromagnetic forces with gravity produces properties that allow time/dimension travel! The author(s) make fine attempts to substantiate many of the claims that are a part of the legend of Project Rainbow, but I found the evidence, as a whole, lacking. The day someone comes out with a book, giving me a complete bibliography (and footnotes with each piece of evidence), exact names, ship logs, dated newspaper articles (with newspaper of origin), and mathematical basis for the event, I will have reason to believe the Philadelphia Experiment took place. But tying the incident with aliens and UFO contact? A little far-fetched.

Nevertheless, a higly-recommended book for those interested in what many believe really happened during World War II, at a now-abandoned navy yard on the Delaware River.