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Having grown up in West Virginia, there were parts of these stories that spoke to me from a sort of "native" perspective. But more to it was the emotion that was the core, the skin and the stitching of each of these stories.
It's a good book to own. To read from when you feel like being taken to another place for a while. And to carry a piece of that place with you once you put the book down.
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These days when you find a good book for your kids, grab it, and this is certainly one your kid can't miss!
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That said, it takes a while to fall in to. It's written with such attention and depth that I got lost a bit in the first few pages until I shifted into a kind of reading that isn't usually demanded by modern novels. There's so much interior detail here that I had to shift into Henry James mode, and having done that, I love this book. The characters are so well drawn, so rigorously plumbed, so wide, that they give me hope in a thousand unexplainable ways. For the world, for writing in general, for humanity, even. The way this relationship is described is so non judgemental and so intelligent that the novel reads as an implicit contradiction to the title, which implies a simple romance. The love here is brutal and open but above all invented, exploratory, and engaged- the extent to which the characters and the narrator avoid the obvious is almost heroic; in that way that heroism is usually mixed with a little numb stupidity.
I haven't read Spartina, and it took me a while to get into this one, but if you liked The Half Life of Happiness you will like this one. It seems like an earlier novel to me in many ways; the voice is more rangy and less structured and the ambitions, in a strange way, are more unchecked. The Anya character reads as a younger Joss in Half Life of Happiness, so if Joss irritated you in that book (she's not easy to tolerate from a moralistic point of view) she will drive you crazy here- but if you're reading for morals or adventure Casey's not the right person for you anyways. I am stunned that this book is out of print. It's great. It's totally intimidating and redemptive and inspiring and you should read it.
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The author's genius lay in endowing his animal characters with just enough human attributes balanced with their "natural" concerns (i.e., a dung beetle still needs to roll you-know-what), and write the tales with aboslute deadpan seriousness.
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This book provides that. The Java and JSP are woven together in a practical and digestible fashion.
I'd give it five stars, but for the occasional typos in code samples (several in Chapter 7) which cause compile or runtime errors. For a beginner, it can be frustrating to identify the source of errors and make the necessary corrections without having prior experience with the language. Still, not bad for a first edition. ...
Pancake grew up in the hollows of West Virginia and each of the carefully wrought stories in this collection deals with the seemingly desperate lives of the working poor in that part of the country. They are remarkably crafted stories, written with a deep sense for the locale and the people from which they are drawn. They are also models of precision, the kind of stories that deserve to be read over and over, studied for the way in which they use foregrounding and the mundane details of everyday life--albeit everyday life that quietly screams with the desperation of poverty, deadening work, drinking, promiscuity, and brutality-to draw complex portraits of people who endure, even when endurance is no more than a substitute for hope. As he writes in "A Room Forever," the story of a tugboat mate spending New Year's Eve in an eight-dollar-a-night hotel room where he drinks cheap whiskey out of the bottle and eventually ends up with a teen-aged prostitute: "I stop in front of a bus station, look in on the waiting people, and think about all the places they are going. But I know they can't run away from it or drink their way out of it or die to get rid of it. It's always there."
The best of these stories are "Trilobites," "The Honored Dead," "Fox Hunters," and "In the Dry." But there really isn't a weak story in the bunch. Every story is captivating, every one an exemplar of what good short story writing should be. At the end, the only thing that disappoints, that leaves the reader discomforted, is the thought that Pancake died so young, that these are the only stories we have by a truly remarkable writer.