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About four months before his death, we read, a letter from one of his first English fans infuriated Proust. Sydney Schiff had endorsed the anti-Proustian idea that when one knows someone, there is no need to read a book by that person. Nonsense, Proust replied: "Between what a person says and what he extracts through meditation from the depths of where the integral spirit lies covered with veils, there is a world." (p. 784)
Some superficial spirit must in a weak moment have seized Professor Carter's pen when he came to write his preface, for his fascinating and enjoyable volume implicitly disavows the ambition to explain how Proust achieved his masterpiece. What Carter does instead is to recount, based on what records remain and in a simple and unornamented narrative style, the facts of Proust's life from month to month. Though we do not really feel that we come close to the heart of Proust's mystery as an artist, we do now and then get an idea of what it must have been like to know Proust, and be known by him.
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I found myself skipping the profiles and going straight to the sites and am disappointed that the number of sites are limited . . . of course they are only profiling the best. It does cover a very broad number of topics.
A good effort but they barely scratched the surface. I had a better time working the link lists at major sites.
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The only weakness of the book is that it focusses almost exclusively on estimation under the assumption that error terms are identicallly and independently distributed (iid). However, all other undergraduate econometric textbooks (and a lot of graduate ones too!) display this preoccupation, so Griffiths et al are no worse than their rivals.
An update to this book would also be good, as it's nearly 10 years old now.
However, its good points far outweigh these weaknesses.
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Alec Gilmore, University of Sussex
In addition to contributions from regular members of our group, sermons on stewardship by professors of homiletics Fred Craddock, Tom Long, Tom Troeger also are included.
I have read the galley proofs, and whether read for inspiration, preached "as is" or used as background for original sermons and lessons, I think readers will find significant help in this volume for thinking through issues related to stewardship.
Her book, written with her husband, double-Oscar-winning composer and songwriter Joel Hirschhorn, is exciting, inspiring, and always entertaining. The passages of her first dive to the Titanic are poetry and do justice to the magnificence of the legendary ship herself.
No work of fiction can top it. We highly recommend Titanic Adventure.