CONAN THE SWORDSMAN, the latest reprint of the now legendary 1970s-1980s Conan revival, is a marvelous short story collection. Each story holds its own with the overall Conan mythos and most add depth to the celebrated character and his world. The delightful eight stories are well written with each tale co-authored by L. Sprague de Camp (had to be a Howard clone) with either Lin Carter or Bjorn Nyberg. Especially good is "Legions of the Dead" that Robert E. Howard would have believed he authored because it reads so much like his original works. Equally fascinating to readers is a seven-page essay that provides plenty of insight into Conan and his world as well as Robert E. Howard from the late L. Sprague de Camp's perspective. Fans of Conan will want to read this wonderful anthology that showcases one of fantasy's most endearing and enduring protagonists.

Harriet Klausner

I recently moved to D.C. Being unfamiliar with the area, it helped me find some great running routes. A must have for anyone living in or around Washington D.C.

This is an edit of my original review. I was chastised in a kindly manner by the author for some of my original statements, and as I reread my review I belive with good reason. Though I am entitled to my opinion I don't have the right to presume that which I do not know for a fact. Based on Mr. Carters comments I will remove the those which he has refuted or corrected. Mr. Carter, my humble apologies. The boys of my generation have a firm tribal memory of Cody. His career as a pony express rider, the "first scalp for Custer", the Wild West show performance before Queen Victoria is the kind of knowledge one just seems to "know". Perhaps the generations that have followed my own have forgotten and this book will redeem his reputation as well as rescue him from the haze of the 19th Century. It is a "good read" and is full of facts and anecdotes. Mr. Carter often presents the evidence and leaves it up to the reader to decide the verity of the story. This is a great technique and it leaves the reader with the feeling he has uncovered the truth. It might be called the multiple choice method of biography. However, it is the use of this technique that detracts from a well researched study. That said and in spite of some barbs on my part I do think this is among the finest and possibly best researched treatment of the man.

Robert Carter has brought Buffalo Bill back from near oblivion, and presses his case that Cody was a major American figure in graceful and masterfully written prose.

Here is that rare kind of book that's equally rewarding to two kinds of readers -- people looking for a ripping good yarn, and serious students of the Old West. It's beautifully written in clear plain language that captures the epic sweep of the period, its tragedies, and even its bawdily comic moments. The text is tastefully sprinkled with excellent photos and illustrations. Thorough source notes are also included -- at the end, where they don't get in the way of your reading, along with a bibliography and useful index.

"Buffalo Bill Cody, the Man Behind the Legend" is the first complete biography of this marvelous old cuss in more than 30 years, and far and away the most accurate one ever written. It traces the life and many careers of Buffalo Bill from ox-driver, prospector, and Pony Express rider barely out of his childhood to adult adventures as Army scout, Medal of Honor winner, and finally as the boozy myth-making old showman whose geniality could accommodate both Sitting Bull and Annie Oakley under the same tent.

Buffalo Bill Cody knew virtually everyone worth knowing in the Old West, and most of those people make guest appearances in this book -- Wild Bill Hickock, Bat Masterson, George Armstrong Custer, and many others.

Robert A. Carter manages to tell the vivid story of his subject while also treating the reader to insights into the sights, sounds, smells, and ethos of the period in general, and he does it in a writing style remarkable for its wit and charm. I intend to keep this book in my personal library, both as a reference and to read again.

One of the best of its type - good mix of strategic and tactical. could have been shorter

If you want one book explaining state-of-the-art thinking in procurement, this is the one. It has chapters on every important topic. It's not a book I would choose to read from beginning to end to learn about purchasing (unless I were a University student) but it's a good starting point for looking deeper into many topics.

this book contains 3 great stories and a cuple of good ones. some are more fantasy than horror. kuttner can be a little bit obvious, a little bit simplistic, but the suspence, and he knows when to focus - when he should move forward and when he should stop and describe more vividly (his writing style focus concerning timing is excellent), his descriptions are good when they should be, and he knows how to hold our interest and how to avoid being boring.

This book contains a number of stories by one of the lesser-known disciples of Lovecraft, one Henry Kuttner. Although the stories are not classics of the genre, showing development in a new direction, they rise above pastiche and provide good reading. Kuttner is certainly able to grab the reader's attention and hold onto it, and tells a good tale while he has it.

"Bells of Horror" is the high point of the volume; it is a fine story set in California, a locale the author clearly enjoys. It is this setting in a number of stories that gives the stories a unique flavor; Kuttner's descriptions create a new millieu for the eldritch horrors that are the center of the Cthulhu Mythos.

It is also "Bells of Horror" that first mentions The Book of Iod, a volume which belongs on the shelf with the usual suspects--De Vermis Mysteriis, Unaussprechlichen Kulten, Cultes des Goules, the Book of Eibon, the Pnakotic Manuscripts, and, of course, (all together now) the horrible Necronomicon of the mad Arab Abdul Alhazred.

Kuttner's ability shows itself most in his ability to create a mythology. Instead of a few separate stories, the contents of this anthology fit together in intriguing ways--but they don't fit together seamlessly, just as other myth cycles don't. All in all, this collection is a very worthwhile read.

I thought this book was excellent! Most books have stories with happy little endings, but never a few unhappy endings. This book provided a mix of both. simply the best book of short stories ive read

Chronologically this IS the last adventures of Conan. He's an old man now, and after this adventure he doesn't return to his homeland; prefering to let his son Conn rule Aquilonia.

A decent read, and better than most crappy Conan-novels not written by Robert E. Howard, though still lacking that certain pulp feeling.

The book starts extremely well with one of the best scenes ever written about Conan (The tavern scene). It's forever burned into my brain. Burn it into yours. The second half lags a bit but over all it's very entertaining. The Isles is an important book in the Conan series because it's the last Conan story. Conan shows that even at 60+ he's still got more than it takes. Great ending.

Back in the mid-60's, when Lancer Books reissued the original Conan stories by Robert E. Howard, they enlisted the aid of L. Sprague DeCamp and Lin Carter to polish Howard's grammar, soften his more "politically incorrect" statements, and fill out the saga with pastiches. This, the last of the stories, is 100% pastiche, but it still has the flavor of Howard's barbarian. I first read it as a teenager, but now that I have passed the half century mark, the story has new resonance. In this adventure Conan anticipates George Foreman by several millenia. He may be old; he may not be the man he once was; but he can still outmuscle most foes, and those he can't outmuscle, he can outfox. At the conclusion of the book you might just get a little misty-eyed when Conan ends his adventure and sails off into the mists of time, never to be heard from again.

As usual for the Chaosium series, editor Price gushes academically about minor entries in the Lovecraftian Derby, and it's never more evident than in this collection of Lin Carter's mythos tales. Carter was a supremely talented editor and a good heroic fantasy writer (I love his Throngor novels) but his mythos writing falls prey to juvenile adoration and extremely flimsy plotting. Price's attempts to defend Carter's over-categorization of the mythos merely exacerbates the silliness of most of Carter's work. Interesting for mythos completists, but newcomers should seek other books in this series that deal with multiple authors (highly recommended: "The Hastur Cycle" and "The Nyarlathotep Cycle").

Robert M. Price and Chaosium Books have scored big again with the latest entry in their growing "Call of Cthulhu Fiction" catalog which explores aspects of Lovecraftian fiction. Price introduces the whole and each entry in The Xothic Legend with his quite considerable and thorough literary, religious and Lovecraftian erudition and iconoclastic wit. Lin Carter's take on the Mythos in his Xothic Legend Tales is an hommage to, and a pastiche of, both Lovecraft and Col. James Churchward (of "The Lost Continent of Mu" fame). The stories are entertaining, sometimes reverential to their subject matter, and offer the classic Cthulhu Mythos frisson of long-expected terror. A good place for the beginning reader of Mythos Horror, and a must for anyone exploring the background and effoliation of the genre.

These are the "Big Kahuna's" of Supernatural Horror. A very well compiled selection of Cthulhu Mythos by Chaosium & Robert Price. Price's introductions to the short stories are educational and perhaps even a bit witty. His writing is even better.
A 'Must Have' for Weird Tale, Lovecraft, or any horror fan.

The four tales in "Conan the Conqueror" cover most of the main aspects of the career of Robert E. Howard's character: raider, thief, pirate, and mercenary. (1) "Black Tears" by L. Sprague de Camp and Lin Carter is one of several pastiches written by the duo based upon hints in Howard's note and letters to fill up gaps in the saga. It takes place after the classic story "A Witch Shall Be Born" (in "Conan the Freebooter") as Conan leads his band of Zuagirs eastward to raid the cities and caravans of the Turanians. King Yezdigerd reacts by sending out a strong force to entrap Conan. (2) Shadows in Zamboula" by Robert E. Howard has Conan destitute after a week of guzzling, gorging, roistering, ... and gambling. This is an above average Conan the Thief story. (3) "The Devil in Iron" by Howard has Conan returning the seas as a pirate, putting together a crew from among his old friends the kozaki and the Red Fellowship of Vilayet Sea. Conan and his crew stumbled upon an inhuman creature and mayhem ensues. (4) The longest story in this collection, "The Flame Knife" was one of four uncompleted manuscripts by Howard completed by de Camp. This novella was originally an adventure in modern Afghanistan entitled "Three-Bladed Doom" staring Francis X. Gordon, Howard's brawny, brawling Irish adventurer. De Camp transformed the story into a Conan tale. After King Yezdigerd crushes the Kozak host, Conan retreats southward with a sizeable band and joins the army of Kobad Shah, king of Iranistan and one of Yezdigred's strongest rivals. These stories are rather standard fare, evidencing in part the problems de Camp and Carter had in filling all the gaps in the Conan saga. Certainly these are stories you would read out of a sense of completeness rather than because there are any real gems to be found within.

Good way to approache to one of the most important and famous works of Gilbert and George. Losing their individuality, two people become an artist and transform their own life into an art work. For The Singing Sculpture, Gilbert & George become metalic living sculptures and repete a sequence of robotical movements and gestures again and again, while a song plays.

This book includes 20 color photographies of the presentation of The Singing Sculpture in Sonnabend Gallery, NY, in 1991 and B&W photos, documents, and reviews of early presentations (1969-1973). Excellent material if you have special interest in the works of Gilbert & George. A book about an art work only, but a very important, relevant, original, and controversial art work.

There are many people in need of books that help one deal with tragedies. However, even though the content of this book was interesting, it was not well-crafted and the author, G. Carter, spent too much time lambasting family members. These observations leave me with the impressions that (a) the book was never intended to be a "Hero's Primer," but rather served as a platform from which the author could take public revenge on portions of her family, and (b) this was the author's first book. People recovering from serious automobile accidents would be better served by spending their book money on medical expenses.

Having read both Gari Carter's book and some of the reviews, an Eastern expression comes to mind, "there are many truths and many realities." Gari's book cannot be all things to all people, but for the reader capable of being inspired by one woman's courage and able to use this book as a source of inspiration and as a resource book, it is wonderful. Having initially read the book in 1996, I continue to use it on my own journey of healing and am grateful to the author for sharing her story.

I met Gari Carter through a mutual friend and the first time I met Ms. Carter I knew there was "something" about her that was "special" Her love, calmness,sincereness,& humbleness is not found in the normal person who has never been thru a tragedy. A must read for all.